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Author: Sarah Raff
Publisher: Oxford University Press
ISBN: 0199760330
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Raff traces Austen's increasingly libidinal narrative presence, while simultaneously offering analysis of her biography that connects prose and life.
Author: Sarah Raff
Publisher: Oxford University Press
ISBN: 0199760330
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
Raff traces Austen's increasingly libidinal narrative presence, while simultaneously offering analysis of her biography that connects prose and life.
Author: Sarah Raff
Publisher: Oxford University Press
ISBN: 0199912769
Category : Literary Criticism
Languages : en
Pages : 211
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Book Description
In November 1814, Jane Austen's niece Fanny Knight wrote Austen a letter secretly requesting advice. Fanny wanted urgently to know whether she should continue encouraging her most ardent suitor, what the future would hold were she to marry him, and whether she, Fanny, was in love with him. Fanny evidently wished to turn over her love life to Austen's creative direction, and Austen's letters of response cooperate with this desire. Today, many readers address to Austen's novels their deepest uncertainties about their love lives. Consulting Austen-themed divination toys for news about the future or applying to their own circumstances the generalizations they have gleaned from Austen's narrator, characters, or plots, they look to Austen not for anonymous instruction but for the custom-tailored guidance-and magical intervention-of an advisor who knows them well. This book argues that Austen, inspired by her niece to embrace the most scandalous possibilities of the novel genre, sought in her three last-published novels to match her readers with real-world lovers. The fictions that Austen wrote or revised after beginning the advisory correspondence address themselves to Fanny Knight. They imagine granting Fanny a happy love life through the thaumaturgic power of literary language even as they retract Austen's epistolary advice and rewrite its results. But they also pass along the role of Fanny Knight to Austen's readers, who get a chance to be shaped by Austen's creative effort, to benefit from Austen's matchmaking prowess, and to develop nothing less than a complex love relation with Austen herself.
Author: Sarah Ailwood
Publisher: Routledge
ISBN: 1000084787
Category : Literary Collections
Languages : en
Pages : 164
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Book Description
This book illuminates Jane Austen’s exploration of masculinity through the courtship romance genre in the socially, politically and culturally turbulent Romantic era. Austen scrutinises, satirises, censures and ultimately rewrites dominant modes of masculinity through the courtship romance plot between her heroines and male protagonists. This book reveals that Austen pioneers and celebrates a new vision of masculinity that could complement the Romantic desire for agency, individualism and selfhood embodied in her heroines. Rewriting desirable masculinity as an internalised, psychologically complex and authentic gender identity – a model of manhood that drives the ongoing appeal and cultural power of her men in the twenty-first century – Austen explores both the challenges and the opportunities for male selfhood, romantic love and feminine agency. Jane Austen’s Men is among the first full-length works to explore Austen's male protagonists as textual constructions of masculinity. Sarah Ailwood reveals the depth of Austen's engagement with her predecessors and contemporaries, including Mary Wollstonecraft, Jane West and Jane Porter, on critical questions of masculinity and its relationship to femininity and narrative form. This book illuminates in new ways Jane Austen’s ambitions for the novel, and the political power of the courtship romance genre in the Romantic era.
Author: Michael Greaney
Publisher: Bloomsbury Publishing
ISBN: 135025424X
Category : Literary Criticism
Languages : en
Pages : 168
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Book Description
Jane Austen's richly textured worlds have enchanted readers for centuries and this neatly organised, playful book provides Austen enthusiasts and students alike with a unique insight into the much-loved writer's way with words. Using a lively A-Z structure, Greaney provides fresh angles on familiar Austen themes (D is for dance; M is for matchmaking), casts light on under-examined corners of her imagination (R is for risk; S is for servant), and shows how current social and cultural concerns are re-shaping our understanding of her work (Q is for queer; W is for West Indies). Through this approach, we learn how attention to the tiniest linguistic detail in Austen's work can yield rewarding new perspectives on the achievements of one of our most celebrated authors. Sharply focused on textual detail but broad in scope it broaches questions that, like Austen's work, will intrigue, delight and inspire: Why are children so marginal in her storylines? Who is the best exponent of matchmaking in her fiction? Why are many of her female characters – but none of her heroines – called Jane? Providing a new close-up encounter with one of our most celebrated writers, this book invites a renewed appreciation of the infinite subtlety and endless re-readability of a body of writing in which every word counts.
Author: Shawn Normandin
Publisher: Routledge
ISBN: 1000348512
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Jane Austen was one of the most adventurous thinkers of the late eighteenth and early nineteenth centuries, but one would probably never guess that by reading her critics. Perhaps no canonical author in English literature has proven, until now, more resistant to theory. Tracing the political motives for this resistance, Jane Austen and Literary Theory proceeds to counteract it. The book’s detailed interpretations guide readers through some of the important intellectual achievements of Austen’s career—from the stunning teenage parodies "Evelyn" and "The History of England" to her most accomplished novels, Pride and Prejudice, Mansfield Park, and Emma. While criticism has largely been content to describe the various ways Austen was a product of her time, Jane Austen and Literary Theory reveals how she anticipated the ideas of formidable literary thinkers of the twentieth century, especially Jacques Derrida and Paul de Man. Gift and exchange, speech and writing, symbol and allegory, stable irony and Romantic irony—these are just a few of the binary oppositions her dazzling texts deconstruct. Although her novels are major achievements of nineteenth-century realism, critics have hitherto underestimated their rhetorical cunning and their fascination with the materiality of language. Doing justice to Austen’s language requires critical methods as ruthless as her irony, and Jane Austen and Literary Theory supplies these methods. This book will enable both her devotees and her detractors to appreciate her genius in unusual ways.
Author: Susan Allen Ford
Publisher: Bloomsbury Publishing
ISBN: 1350416746
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
The first detailed account of Austen's characters' reading experience to date, this book explores both what her characters read and what their literary choices would have meant to Austen's own readership, both during her life and today. Jane Austen was a voracious and extensive reader, so it's perhaps no surprise that many of her characters are also readers-from Mr. Collins in Pride and Prejudice to Fanny Price in Mansfield Park. Beginning by looking at Austen's own reading as well as her interest in readers' responses to her work, the book then focuses on each of her novels, looking at the particulars of her characters' reading and unpacking the multiple (and often surprising) ways in which what they read informs our reading. What Jane Austen's Characters Read (and Why) uses Austen's own love of reading to invite us to rethink the ways in which she imagined her characters and their lives beyond the novels.
Author: Amelia Dale
Publisher: Rutgers University Press
ISBN: 168448104X
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
Shortlisted for the 2021 BARS First Book Prize (British Association for Romantic Studies) The Printed Reader explores the transformative power of reading in the eighteenth century, and how this was expressed in the fascination with Don Quixote and in a proliferation of narratives about quixotic readers, readers who attempt to reproduce and embody their readings. Through intersecting readings of quixotic narratives, including work by Charlotte Lennox, Laurence Sterne, George Colman, Richard Graves, and Elizabeth Hamilton, Amelia Dale argues that literature was envisaged as imprinting—most crucially, in gendered terms—the reader’s mind, character, and body. The Printed Reader brings together key debates concerning quixotic narratives, print culture, sensibility, empiricism, book history, and the material text, connecting developments in print technology to gendered conceptualizations of quixotism. Tracing the meanings of quixotic readers’ bodies, The Printed Reader claims the social and political text that is the quixotic reader is structured by the experiential, affective, and sexual resonances of imprinting and impressions. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Enit Karafili Steiner
Publisher: Routledge
ISBN: 1317322533
Category : Literary Criticism
Languages : en
Pages : 260
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Book Description
Jane Austen’s six complete novels and her juvenilia are examined in the context of civil society and gender. Steiner’s study uses a variety of contexts to appraise Austen’s work: Scottish Enlightenment theories of societal development, early-Romantic discourses on gender roles, modern sociological theories on the civilizing process.
Author: Jane Austen
Publisher: W. W. Norton & Company
ISBN: 0393270645
Category : Fiction
Languages : en
Pages : 306
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Book Description
The Norton Critical Edition of Pride and Prejudice has been revised to reflect the most current scholarly approaches to Austen’s most widely read novel. The text is that of the 1813 first edition, accompanied by revised and expanded explanatory annotations. This Norton Critical Edition also includes: · Biographical portraits of Austen by members of her family and, new to the Fourth Edition, those by Jon Spence (Becoming Jane Austen) and Paula Byrne (The Real Jane Austen: A Life in Small Things). · Fourteen critical essays, eleven of them new to the Fourth Edition, reflecting the finest current scholarship. Contributors include Janet Todd, Andrew Elfenbein, Felicia Bonaparte, and Tiffany Potter, among others. · “Writers on Austen”—a new section of brief comments by Mark Twain, Virginia Woolf, Henry James, and others. · A Chronology and revised and expanded Selected Bibliography.
Author: Kerry Sinanan
Publisher: Springer Nature
ISBN: 3031083725
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Austen After 200 explores our contemporary relationship with Jane Austen in the wake of the bicentenaries of her death and the first publication of her novels. The volume begins by looking at Austen’s popular appeal and at how she is consumed today in diverse cultural venues such the digisphere, blogosphere, festivals and book clubs. It then offers new approaches to the novels within various critical contexts, including adaptation studies, fan fiction, intertextuality, and more. Collecting these new essays in one volume enables a unique view of the crossovers and divergences in engagements with Austen in different settings, and will help a comparative approach between the popular and the academic to emerge more fully in Austen studies. The book gathers insights from a range of contributors invested in new reading spaces in order to show the creative ways in which we are all adapting as we continue to read Austen’s works.
