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Author: Peter Milligan
Publisher: Valiant Entertainment
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 40
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Book Description
On the fringes of civilization, the world?s first detective is about to make an unholy discovery?? Ruled by the Fates. Manipulated by the Gods. Commanded by Caesar. In the year 65 A.D., one?s destiny was not his own. At the height of Nero?s reign, a veteran of Rome?s imperial war machine has been dispatched to the farthest reaches of the colonies to investigate unnatural happenings? In the remote outpost of Britannia, Antonius Axia ? the First Detective ? will become Rome?s only hope to reassert control over the empire?s most barbaric frontier?and keep the monsters that bridge the line between myth and mystery at bay? From comics mastermind Peter Milligan (X-Statix, Shade the Changing Man) and incendiary artist Juan Jose Ryp (NINJAK, Clone) comes a psychological journey into terror, temptation, and bloodshed ? presented in an all-new prestige format limited series!
Author: Peter Milligan
Publisher: Valiant Entertainment
ISBN:
Category : Comics & Graphic Novels
Languages : en
Pages : 40
Get Book Here
Book Description
On the fringes of civilization, the world?s first detective is about to make an unholy discovery?? Ruled by the Fates. Manipulated by the Gods. Commanded by Caesar. In the year 65 A.D., one?s destiny was not his own. At the height of Nero?s reign, a veteran of Rome?s imperial war machine has been dispatched to the farthest reaches of the colonies to investigate unnatural happenings? In the remote outpost of Britannia, Antonius Axia ? the First Detective ? will become Rome?s only hope to reassert control over the empire?s most barbaric frontier?and keep the monsters that bridge the line between myth and mystery at bay? From comics mastermind Peter Milligan (X-Statix, Shade the Changing Man) and incendiary artist Juan Jose Ryp (NINJAK, Clone) comes a psychological journey into terror, temptation, and bloodshed ? presented in an all-new prestige format limited series!
Author: James Thomson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 376
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Book Description
Author: James Thomson
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 556
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Book Description
Author: Hilbert H. Campbell
Publisher: Macmillan Reference USA
ISBN:
Category : Poetry
Languages : en
Pages : 264
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Book Description
Author: Stephen H. Gregg
Publisher: Bloomsbury Publishing
ISBN: 1350308803
Category : Literary Criticism
Languages : en
Pages : 400
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Book Description
This anthology of primary material brings together literary and non-literary texts from the 18th century focusing on issues including commerce and colonialism. Britons' sense of identity in the 18th century see-sawed between embattled vulnerability and unassailable supremacy. Empire was crucial in shaping this, but contact with other peoples often threw into sharp relief or transformed this sense of identity. This book will be an essential resource for those studying this period; it traces these shifts in mood and the impact of imperial encounters in a variety of material, including poems, plays, speeches, letters, and accounts of travel, exploration and captivity.
![An Account of the life and writings of Mr. James Thomson. [With notes by Bolton Corney. Extracted from Corney's edition of Thomson's Seasons.] PDF](https://books.google.com/books/content/images/frontcover/gRFgAAAAcAAJ?fife=w80-h100)
Author: Patrick MURDOCH
Publisher:
ISBN:
Category :
Languages : en
Pages : 54
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Book Description
Author: Peter James Marshall
Publisher:
ISBN: 0198205635
Category : Great Britain
Languages : en
Pages : 662
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Book Description
Examines the history of British worldwide expansion from the Glorious Revolution of 1689 to the end of the Napoleonic Wars, a crucial phase in the creation of the modern British Empire.
Author: James Thomson
Publisher:
ISBN:
Category :
Languages : en
Pages : 572
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Book Description
Author: Douglas Fordham
Publisher: University of Pennsylvania Press
ISBN: 0812242432
Category : Art
Languages : en
Pages : 352
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Book Description
Between the Jacobite Rebellion of 1745 and the American Declaration of Independence, London artists transformed themselves from loosely organized professionals into one of the most progressive schools of art in Europe. In British Art and the Seven Years' War Douglas Fordham argues that war and political dissent provided potent catalysts for the creation of a national school of art. Over the course of three tumultuous decades marked by foreign wars and domestic political dissent, metropolitan artists—especially the founding members of the Royal Academy, including Joshua Reynolds, Paul Sandby, Joseph Wilton, Francis Hayman, and Benjamin West—creatively and assiduously placed fine art on a solid footing within an expansive British state. London artists entered into a golden age of art as they established strategic alliances with the state, even while insisting on the autonomy of fine art. The active marginalization of William Hogarth's mercantile aesthetic reflects this sea change as a newer generation sought to represent the British state in a series of guises and genres, including monumental sculpture, history painting, graphic satire, and state portraiture. In these allegories of state formation, artists struggled to give form to shifting notions of national, religious, and political allegiance in the British Empire. These allegiances found provocative expression in the contemporary history paintings of the American-born artists Benjamin West and John Singleton Copley, who managed to carve a patriotic niche out of the apolitical mandate of the Royal Academy of Arts.
Author: Adam Budd
Publisher: Oxford University Press
ISBN: 0199557179
Category : Language Arts & Disciplines
Languages : en
Pages : 651
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Book Description
Historians of the intellectual and literary culture of the Enlightenment have recognised the importance of Andrew Millar (1705-68). His publisher's imprint adorned the title-pages of the most important works of the eighteenth century, in fiction, poetry, drama, medicine, and philosophy. This is the first extended study of Millar's commercial and social role in the commissioning, production, circulation, and consumption of Enlightenment literature in Britain. Providing a new intervention on the culture of Enlightenment this study shows how and why Millar provoked major controversies through his role as friend, patron, and publisher to great rivals in the republic of letters. An unprecedent analysis of publishing and authorship at the intersection of politics, business, visual arts, moral debate, and literary self-fashioning, this study of Andrew Millar also shows the degree to which Scottish identity shaped a professional career within London's rise as the cosmopolitan centre of learning and trade at the heart of the British empire. This volume presents hundreds of previously unpublished letters that passed between Millar and his literary network, and includes the 52 letters that passed between Millar and David Hume, the majority of which have been edited for the first time since 1931. This is a major contribution to the material and intellectual worlds that defined the culture of Enlightenment in Britain during the eighteenth century, casting new light in the history of publishing and authorship.
