Author: Anne Coffin Hanson
Publisher: Oxford, Clarendon P
ISBN:
Category : Fonte Gaia (Siena, Italy)
Languages : en
Pages : 212
Book Description
Jacopo Della Quercia's Fonte Gaia. - Oxford : Clarendon Press 1965. XIV, 123 S., 30 Bl. Abb. 4°
Author: Anne Coffin Hanson
Publisher: Oxford, Clarendon P
ISBN:
Category : Fonte Gaia (Siena, Italy)
Languages : en
Pages : 212
Book Description
Publisher: Oxford, Clarendon P
ISBN:
Category : Fonte Gaia (Siena, Italy)
Languages : en
Pages : 212
Book Description
Michelangelo’s Sculpture
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022648257X
Category : Art
Languages : en
Pages : 241
Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Publisher: University of Chicago Press
ISBN: 022648257X
Category : Art
Languages : en
Pages : 241
Book Description
Leo Steinberg was one of the most original and daring art historians of the twentieth century, known for taking interpretative risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures that ranged from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His works, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures explicates many of Michelangelo’s most celebrated sculptures, applying principles gleaned from long, hard looking. Almost everything Steinberg wrote included passages of old-fashioned formal analysis, but here put to the service of interpretation. He understood that Michelangelo’s rendering of figures as well as their gestures and interrelations conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body and its actions to express fundamental Christian tenets once expressible only by poets and preachers—or, as Steinberg put it, in Michelangelo’s art, “anatomy becomes theology.” Michelangelo’s Sculpture is the first in a series of volumes of Steinberg’s selected writings and unpublished lectures, edited by his longtime associate Sheila Schwartz. The volume also includes a book review debunking psychoanalytic interpretation of the master’s work, a light-hearted look at Michelangelo and the medical profession and, finally, the shortest piece Steinberg ever published.
Natural Stone, Weathering Phenomena, Conservation Strategies and Case Studies
Author: S. Siegesmund (ed.)
Publisher: Geological Society of London
ISBN: 9781862391239
Category : Science
Languages : en
Pages : 474
Book Description
Publisher: Geological Society of London
ISBN: 9781862391239
Category : Science
Languages : en
Pages : 474
Book Description
The conservation of antiquities and works of art
Author: H. J. Plenderleith
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 394
Book Description
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 394
Book Description
The Preservation of Antiquities
Author: Friedrich Rathgen
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category : Antiquities
Languages : en
Pages : 200
Book Description
A Critic Writes
Author: Reyner Banham
Publisher: Univ of California Press
ISBN: 0520923200
Category : Architecture
Languages : en
Pages : 391
Book Description
Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Publisher: Univ of California Press
ISBN: 0520923200
Category : Architecture
Languages : en
Pages : 391
Book Description
Few twentieth-century writers on architecture and design have enjoyed the renown of Reyner Banham. Born and trained in England and a U.S. resident starting in 1976, Banham wrote incisively about American and European buildings and culture. Now readers can enjoy a chronological cross-section of essays, polemics, and reviews drawn from more than three decades of Banham's writings. The volume, which includes discussions of Italian Futurism, Adolf Loos, Paul Scheerbart, and the Bauhaus as well as explorations of contemporary architecture by Frank Gehry, James Stirling, and Norman Foster, conveys the full range of Banham's belief in industrial and technological development as the motor of architectural evolution. Banham's interests and passions ranged from architecture and the culture of pop art to urban and industrial design. In brilliant analyses of automobile styling, mobile homes, science fiction films, and the American predilection for gadgets, he anticipated many of the preoccupations of contemporary cultural studies. Los Angeles, the city that Banham commemorated in a book and a film, receives extensive attention in essays on the Santa Monica Pier, the Getty Museum, Forest Lawn cemetery, and the ubiquitous freeway system. Eminently readable, provocative, and entertaining, this book is certain to consolidate Banham's reputation among architects and students of contemporary culture. For those acquainted with his writing, it offers welcome surprises as well as familiar delights. For those encountering Banham for the first time, it comprises the perfect introduction.
Antiques, Their Restoration and Preservation
Author: Alfred Lucas
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 148
Book Description
Michelangelo's Last Paintings
Author: Leo Steinberg
Publisher:
ISBN: 9780195198157
Category : Pauline Chapel (Vatican Palace, Vatican City)
Languages : en
Pages : 64
Book Description
Publisher:
ISBN: 9780195198157
Category : Pauline Chapel (Vatican Palace, Vatican City)
Languages : en
Pages : 64
Book Description
The Art of the Conservator
Author: W. A. Oddy
Publisher: Smithsonian Books (DC)
ISBN:
Category : Architecture
Languages : en
Pages : 200
Book Description
"In this book, experts directly involved in the conservation of eleven important works of art made of different materials - including metals, wood, glass, ceramics and textiles - describe the often nerve-racking problems they faced, and the methods they used to overcome them. An introduction by Andrew Oddy, Keeper of Conservation in the British Museum, outlines the development of modern conservation techniques and current research, as well as discussing changing attitudes to conservation and restoration and the ethical questions involved"--Jacket.
Publisher: Smithsonian Books (DC)
ISBN:
Category : Architecture
Languages : en
Pages : 200
Book Description
"In this book, experts directly involved in the conservation of eleven important works of art made of different materials - including metals, wood, glass, ceramics and textiles - describe the often nerve-racking problems they faced, and the methods they used to overcome them. An introduction by Andrew Oddy, Keeper of Conservation in the British Museum, outlines the development of modern conservation techniques and current research, as well as discussing changing attitudes to conservation and restoration and the ethical questions involved"--Jacket.
Discover Oil Painting
Author: Julie Gilbert Pollard
Publisher: National Geographic Books
ISBN: 1440341281
Category : Art
Languages : en
Pages : 0
Book Description
You Can Paint With Oils! An easy and fun introduction to landscape painting. Discover Oil Painting is a complete course on painting landscapes in oils. This fun and easy guide is loaded with time-honored methods, techniques and tutorials along with ways to tweak those ideas to suit your own painting personality. No matter what your experience (or lack of experience!) you will learn how to paint beautiful works of art in no time. • 21 step-by-step painting demonstrations tackle skies, foliage, wildflowers, water, rocks and more • Easy-to-understand lessons demystify composition, color, value, paint application techniques, and other key concepts • Expert tips and advice honed over nearly 35 years of professional teaching and painting With master teacher Julie Gilbert Pollard, you will walk through the painting process in manageable steps, from laying out a palette and overcoming the initial intimidation of a blank canvas, to designing strong compositions and achieving brilliant, yet believable color. Along this path to successful landscapes, you will find the stepping stones to losing yourself in the journey and discovering the pure pleasure in painting with oils and using your own creativity.
Publisher: National Geographic Books
ISBN: 1440341281
Category : Art
Languages : en
Pages : 0
Book Description
You Can Paint With Oils! An easy and fun introduction to landscape painting. Discover Oil Painting is a complete course on painting landscapes in oils. This fun and easy guide is loaded with time-honored methods, techniques and tutorials along with ways to tweak those ideas to suit your own painting personality. No matter what your experience (or lack of experience!) you will learn how to paint beautiful works of art in no time. • 21 step-by-step painting demonstrations tackle skies, foliage, wildflowers, water, rocks and more • Easy-to-understand lessons demystify composition, color, value, paint application techniques, and other key concepts • Expert tips and advice honed over nearly 35 years of professional teaching and painting With master teacher Julie Gilbert Pollard, you will walk through the painting process in manageable steps, from laying out a palette and overcoming the initial intimidation of a blank canvas, to designing strong compositions and achieving brilliant, yet believable color. Along this path to successful landscapes, you will find the stepping stones to losing yourself in the journey and discovering the pure pleasure in painting with oils and using your own creativity.