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Author: Pascale Aebischer
Publisher: Bloomsbury Publishing
ISBN: 1350309974
Category : Performing Arts
Languages : en
Pages : 135
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Book Description
The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including: - How the plays were staged and printed - Innovative editions of plays - How the plays represent and contest the dominant ideologies of the Jacobean period - Dramatic genres - The representation of the human body and of social, gender and race relations - Modern productions on stage and screen Featuring suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.
Author: Pascale Aebischer
Publisher: Bloomsbury Publishing
ISBN: 1350309974
Category : Performing Arts
Languages : en
Pages : 135
Get Book Here
Book Description
The plays of Shakespeare's contemporaries are increasingly popular thanks to a spate of recent stage and screen productions and to courses that set Shakespeare's plays in context. This Reader's Guide introduces students to the criticism and debates that are specific to the drama of playwrights such as Jonson, Middleton, Dekker and Webster. Pascale Aebischer explores recent critical developments in key areas including: - How the plays were staged and printed - Innovative editions of plays - How the plays represent and contest the dominant ideologies of the Jacobean period - Dramatic genres - The representation of the human body and of social, gender and race relations - Modern productions on stage and screen Featuring suggestions for further research and reading, and a filmography of commercially available film versions of non-Shakespearean drama, this is an invaluable resource for anyone with an interest in the diverse plays of the Jacobean age.
Author: James Hogg
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 384
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Book Description
This collection of essays looks at the social criticism of such authors as Middleton, Webster, Massinger, Ford, John Fletcher, as well as considering the activities of the Actors' Companies and the production of Latin plays. Political criticism is found in the form of allusion in the tragedies, while the comedies are seen as mocking the shortcomings of the professional, middle and lower classes, some of the satire being directed against the way of speaking of the characters depicted.
Author: Alexander Leggatt
Publisher: Routledge
ISBN: 1134983468
Category : Performing Arts
Languages : en
Pages : 240
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Book Description
Jacobean Public Theatre recovers for the modern reader the acting, production and performance values of the public theatre of Jacobean London. It relates this drama to the popular culutre of the day and concludes with a close study of four important plays, including King Lear, which emerge in an unexpected light as the products of popular tradition.
Author: Mark Kaethler
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513990
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Thomas Middleton and the Plural Politics of Jacobean Drama represents the first sustained study of Middleton’s dramatic works as responses to James I’s governance. Through examining Middleton’s poiesis in relation to the political theology of Jacobean London, Kaethler explores early forms of free speech, namely parrhēsia, and rhetorical devices, such as irony and allegory, to elucidate the ways in which Middleton’s plural art exposes the limitations of the monarch’s sovereign image. By drawing upon earlier forms of dramatic intervention, James’s writings, and popular literature that blossomed during the Jacobean period, including news pamphlets, the book surveys a selection of Middleton’s writings, ranging from his first extant play The Phoenix (1604) to his scandalous finale A Game at Chess (1624). In the course of this investigation, the author identifies that although Middleton’s drama spurs political awareness and questions authority, it nevertheless simultaneously promotes alternative structures of power, which manifest as misogyny and white supremacy.
Author: Nagendra Prasad
Publisher: Sarup & Sons
ISBN: 9788176253123
Category : English literature
Languages : en
Pages : 320
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Book Description
Study on the works of Samuel Johnson, 1709-1784, Mattew Arnold, 1822-1888 and T.S. Eliot, 1888-1965, English litterateurs.
Author: David Scott Kastan
Publisher: Routledge
ISBN: 1136758240
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Cath
Author: T. F. Wharton
Publisher: Cambridge University Press
ISBN: 0521651360
Category : Drama
Languages : en
Pages : 251
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Book Description
This is an invaluable collection of critical essays on the work of dramatist John Marston.
Author: Harriet Archer
Publisher: Oxford University Press
ISBN: 0198806175
Category : Literary Collections
Languages : en
Pages : 216
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Book Description
A detailed exploration of a significant work of Tudor literature, The Mirror for Magistrates. The volume shows how the text is more than a moralistic collection of poems and how it is concerned with the transmission of national history, and the ways in which the past can be distorted, misremembered, misinterpreted, or lost.
Author: Dr. Mario Longtin
Publisher: First Circle Publishing
ISBN: 0991976002
Category : Drama
Languages : en
Pages : 134
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Book Description
ROMARD is an academic journal devoted to the study and promotion of Medieval and Renaissance drama in Europe. Previously published under the title of Research Opportunities in Renaissance Drama (RORD), the journal has been in publication since 1956. ROMARD is published annually at the University of Western Ontario. Manuscripts are submitted to the Editor, Mario Longtin, via email at
[email protected]. For further details, please visit the ROMARD website at www.romard.org.
Author: S. Simkin
Publisher: Springer
ISBN: 0230597114
Category : Performing Arts
Languages : en
Pages : 267
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Book Description
This study considers parallel issues in revenge tragedies of the early seventeenth-century and violent cinema of the last thirty years. It offers a series of provocative explorations of death, revenge and justice, and gender and violence. What happens when we connect The White Devil with Basic Instinct ? The Changeling or Titus Andronicus with Straw Dogs ? Doctor Faustus with Se7en ? Taxi Driver with The Spanish Tragedy ? Appealing to those with an interest in either drama or film, written in an engaging style, the book also reconsiders the high /popular culture divide, and reflects on the enduring significance of the revenge motif in Western culture over the past four hundred years, particularly in the post 9/11 context.
