Author: J.S. Bach
Publisher: Mel Bay Publications
ISBN: 1619115670
Category : Music
Languages : en
Pages : 41
Book Description
Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Although a few of the pieces may be played on a standard acoustic guitar, most require an electric guitar or a guitar with a cutaway.All pieces are in the original keys and their ranges may require notes as high as the twenty-second fret. Written in notation and tablature, these six pieces makegreat sight reading exercises. The included online audio will prove an asset inlearning these often challenging pieces. Includes access to online audio
J. S. Bach for Electric Guitar
Author: J.S. Bach
Publisher: Mel Bay Publications
ISBN: 1619115670
Category : Music
Languages : en
Pages : 41
Book Description
Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Although a few of the pieces may be played on a standard acoustic guitar, most require an electric guitar or a guitar with a cutaway.All pieces are in the original keys and their ranges may require notes as high as the twenty-second fret. Written in notation and tablature, these six pieces makegreat sight reading exercises. The included online audio will prove an asset inlearning these often challenging pieces. Includes access to online audio
Publisher: Mel Bay Publications
ISBN: 1619115670
Category : Music
Languages : en
Pages : 41
Book Description
Unlike many Bach editions for guitar, these transcriptions are meant to be performed using a pick. Although a few of the pieces may be played on a standard acoustic guitar, most require an electric guitar or a guitar with a cutaway.All pieces are in the original keys and their ranges may require notes as high as the twenty-second fret. Written in notation and tablature, these six pieces makegreat sight reading exercises. The included online audio will prove an asset inlearning these often challenging pieces. Includes access to online audio
Shredding Bach
Author: German Schauss
Publisher: Alfred Music
ISBN: 9780739092569
Category : Guitar
Languages : en
Pages : 0
Book Description
J. S. Bach is one of the greatest composers and most virtuosic musicians of all time. His amazing compositions are technically demanding, which make them the perfect match for heavy metal shred guitar. Shredding Bach introduces you to the unique style of this musical master and stretches your playing to the limits. It shows you all the essential techniques to play Bach's music on your electric guitar, including sweep picking, tapping, legato, and rapid alternate picking. Every example has been arranged to be as true and accurate to the original compositions as possible, with only minor adjustments made to accommodate the guitar and shred style. The DVD features German Schauss demonstrating examples from the book. The accompanying CD features all of the examples recorded at multiple speeds to help you practice and to get you on your way to mastering Bach's challenging compositions.
Publisher: Alfred Music
ISBN: 9780739092569
Category : Guitar
Languages : en
Pages : 0
Book Description
J. S. Bach is one of the greatest composers and most virtuosic musicians of all time. His amazing compositions are technically demanding, which make them the perfect match for heavy metal shred guitar. Shredding Bach introduces you to the unique style of this musical master and stretches your playing to the limits. It shows you all the essential techniques to play Bach's music on your electric guitar, including sweep picking, tapping, legato, and rapid alternate picking. Every example has been arranged to be as true and accurate to the original compositions as possible, with only minor adjustments made to accommodate the guitar and shred style. The DVD features German Schauss demonstrating examples from the book. The accompanying CD features all of the examples recorded at multiple speeds to help you practice and to get you on your way to mastering Bach's challenging compositions.
Bach Cello Suites for Electric Bass
Author:
Publisher: Hal Leonard Corporation
ISBN: 1495032590
Category : Music
Languages : en
Pages : 214
Book Description
(Bass). All six of J.S. Bach's essential suites for unaccompanied cello are arranged here for bass guitar in standard notation and tablature. Includes: Suite No. 1 in G Major, BWV 1007 * Suite No. 2 in D Minor, BWV 1008 * Suite No. 3 in C Major, BWV 1009 * Suite No. 4 in Eb Major, BWV 1010 * Suite No. 5 in C Minor, BWV 1011 * Suite No. 6 in D Major, BWV 1012.
Publisher: Hal Leonard Corporation
ISBN: 1495032590
Category : Music
Languages : en
Pages : 214
Book Description
(Bass). All six of J.S. Bach's essential suites for unaccompanied cello are arranged here for bass guitar in standard notation and tablature. Includes: Suite No. 1 in G Major, BWV 1007 * Suite No. 2 in D Minor, BWV 1008 * Suite No. 3 in C Major, BWV 1009 * Suite No. 4 in Eb Major, BWV 1010 * Suite No. 5 in C Minor, BWV 1011 * Suite No. 6 in D Major, BWV 1012.
J. S. Bach for Bass
Author: Johann Sebastian Bach
Publisher: Mel Bay Publications, Incorporated
ISBN: 9780786687824
Category : Bass guitar music, Arranged
Languages : en
Pages : 0
Book Description
Johann Sebastian Bach is recognized as one of the world's supremely great musicians. Known primarily as an organist and then only later recognized as a composer, Bach transformed the conventional structures of preludes and fugues. J.S. Bach for Bass will open up a whole new world of phrasing for the aspiring bassist. Selections include: Prelude #1 in C Major; Suite #1 in G Major; Suite #2 in D Minor; Suite #3 in C Major; Partita #1 in B Minor; Partita #2 in D; Partita #3 in E Major; Sonata #1 in G Minor; and Sonata #3 in C Major. This book is written in notation and tablature. Includes access to online audio.
Publisher: Mel Bay Publications, Incorporated
ISBN: 9780786687824
Category : Bass guitar music, Arranged
Languages : en
Pages : 0
Book Description
Johann Sebastian Bach is recognized as one of the world's supremely great musicians. Known primarily as an organist and then only later recognized as a composer, Bach transformed the conventional structures of preludes and fugues. J.S. Bach for Bass will open up a whole new world of phrasing for the aspiring bassist. Selections include: Prelude #1 in C Major; Suite #1 in G Major; Suite #2 in D Minor; Suite #3 in C Major; Partita #1 in B Minor; Partita #2 in D; Partita #3 in E Major; Sonata #1 in G Minor; and Sonata #3 in C Major. This book is written in notation and tablature. Includes access to online audio.
Basix Guitar TAB Classics -- J. S. Bach
Author: Johann Sebastian Bach
Publisher: Alfred Music Publishing
ISBN: 9780739034033
Category : Music
Languages : en
Pages : 48
Book Description
16 well-known pieces by one of the world's greatest composers arranged for guitar in standard music notation and TAB. The accompanying recording offers outstanding performances of each piece.
Publisher: Alfred Music Publishing
ISBN: 9780739034033
Category : Music
Languages : en
Pages : 48
Book Description
16 well-known pieces by one of the world's greatest composers arranged for guitar in standard music notation and TAB. The accompanying recording offers outstanding performances of each piece.
Classical Favorites for Electric Bass
Author: Chuck Bianchi
Publisher: Mel Bay Publications
ISBN: 1619118610
Category : Music
Languages : en
Pages : 89
Book Description
Improve your bass guitar technique and musicality by studying the music of the masters. Classical Favorites for Electric Bass is a collection of solos and duets featuring the music of Bach, Beethoven, Haydn, Dragonetti and other composers of the Baroque, Classical and Romantic periods. Some of these pieces are well-known and others are a bit off the beaten path, but each composition encourages technical and musical development in players who want to expand the scope of the electric bass beyond traditional bass lines. This book is written in standard bass clef notation and tablature and is recommended for the intermediate to advanced player.
Publisher: Mel Bay Publications
ISBN: 1619118610
Category : Music
Languages : en
Pages : 89
Book Description
Improve your bass guitar technique and musicality by studying the music of the masters. Classical Favorites for Electric Bass is a collection of solos and duets featuring the music of Bach, Beethoven, Haydn, Dragonetti and other composers of the Baroque, Classical and Romantic periods. Some of these pieces are well-known and others are a bit off the beaten path, but each composition encourages technical and musical development in players who want to expand the scope of the electric bass beyond traditional bass lines. This book is written in standard bass clef notation and tablature and is recommended for the intermediate to advanced player.
Etudes Electric
Author: John Kiefer
Publisher: Mel Bay Publications
ISBN: 1619110482
Category : Music
Languages : en
Pages : 33
Book Description
Etudes Electric was composed in response to a need for original electric guitar literature. Selections from this volume may be performed in an applied music jury or recital in a university guitar program. the etudes are motivically intertwined and make a complete composition when performed in order. the pieces can however be performed singly or in any combination. the pieces appear twice in this edition—once unedited in standard notation alone, and then fully edited in standard notation with rhythmic tablature.
Publisher: Mel Bay Publications
ISBN: 1619110482
Category : Music
Languages : en
Pages : 33
Book Description
Etudes Electric was composed in response to a need for original electric guitar literature. Selections from this volume may be performed in an applied music jury or recital in a university guitar program. the etudes are motivically intertwined and make a complete composition when performed in order. the pieces can however be performed singly or in any combination. the pieces appear twice in this edition—once unedited in standard notation alone, and then fully edited in standard notation with rhythmic tablature.
Modal Etudes
Author: Noel Johnston
Publisher:
ISBN: 9781660882076
Category :
Languages : en
Pages : 46
Book Description
(Note this has standard notation only. There is a version with standard notation and TAB available, also)From the Foreword: Guitarists around the world are faced with a common set of obstacles when learning their instrument. When distilled, the essence of these obstacles becomes knowledge of technique vs musical knowledge. While both are important, the balance of the two disciplines is the key to being able to freely express one's musical ideas and operate at their creative peak. Whether composing or improvising, it is necessary to cultivate a broad musical vocabulary with depth and variety. In theory, once accomplished, one can use their technical ability to decorate the spaces in time with all of the colors of their musical knowledge.Noel Johnston, a brilliant guitarist in his own right and the author of this book you are now reading, was clever enough to identify and organize some of the most useful strategies for learning the "colors" of the modes. He has pulled back the curtain on the often confusing topic of modes by systematically exposing their personalities with fresh sounding etude exercises and a game of rolling the "modal dice." He devised a sportive way to explore their sounds during practice while intuitively ingraining them into your playing and writing. When you roll the modal dice you enter a world not dissimilar to muscle confusion in physical training. To make gains in physical exercise one must vary their training methods in a way that promotes new experience for each muscle group. By rolling the modal dice you also train yourself to adapt to a new creative environment which leads to being better prepared in any improvisational situation. The combined elements of this modal practice approach also improves one's ear training and pitch recognition.Noel Johnston's modal dice method reveals all guitarists' strengths and weaknesses while simultaneously providing fun ways to improve their overall musicality. This is by no means an insipid "Life Hack" guitar book nor is it a judgmental "Theory Wizard" treatise. This is a comprehensive way to enhance your understanding and appreciation of the modes and what they offer you as a guitarist/musician. If you have ever found yourself saying, "I wish there was a way that I could identify and understand why I like the sounds I hear in music" then this book is for you. Use it to your advantage and make the best music you can make. Thank Noel when you see him!(Dweezil Zappa - 2019
Publisher:
ISBN: 9781660882076
Category :
Languages : en
Pages : 46
Book Description
(Note this has standard notation only. There is a version with standard notation and TAB available, also)From the Foreword: Guitarists around the world are faced with a common set of obstacles when learning their instrument. When distilled, the essence of these obstacles becomes knowledge of technique vs musical knowledge. While both are important, the balance of the two disciplines is the key to being able to freely express one's musical ideas and operate at their creative peak. Whether composing or improvising, it is necessary to cultivate a broad musical vocabulary with depth and variety. In theory, once accomplished, one can use their technical ability to decorate the spaces in time with all of the colors of their musical knowledge.Noel Johnston, a brilliant guitarist in his own right and the author of this book you are now reading, was clever enough to identify and organize some of the most useful strategies for learning the "colors" of the modes. He has pulled back the curtain on the often confusing topic of modes by systematically exposing their personalities with fresh sounding etude exercises and a game of rolling the "modal dice." He devised a sportive way to explore their sounds during practice while intuitively ingraining them into your playing and writing. When you roll the modal dice you enter a world not dissimilar to muscle confusion in physical training. To make gains in physical exercise one must vary their training methods in a way that promotes new experience for each muscle group. By rolling the modal dice you also train yourself to adapt to a new creative environment which leads to being better prepared in any improvisational situation. The combined elements of this modal practice approach also improves one's ear training and pitch recognition.Noel Johnston's modal dice method reveals all guitarists' strengths and weaknesses while simultaneously providing fun ways to improve their overall musicality. This is by no means an insipid "Life Hack" guitar book nor is it a judgmental "Theory Wizard" treatise. This is a comprehensive way to enhance your understanding and appreciation of the modes and what they offer you as a guitarist/musician. If you have ever found yourself saying, "I wish there was a way that I could identify and understand why I like the sounds I hear in music" then this book is for you. Use it to your advantage and make the best music you can make. Thank Noel when you see him!(Dweezil Zappa - 2019
Voicing Modes
Author: Noel Johnston
Publisher:
ISBN: 9781535303217
Category :
Languages : en
Pages : 182
Book Description
Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of "pivot voicings" instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph
Publisher:
ISBN: 9781535303217
Category :
Languages : en
Pages : 182
Book Description
Introduction.Modes are often at first understood in relation to a parent scale. While this can be helpful as a starting point and for developing muscle memory, in practice it doesn't always point the player to the right chord tones in relation to the sound. In other words, it doesn't help make the changes.To use modes to make the changes, one must be able to relate the scale shape to a chord voicing - a chord voicing that outlines the essential few tones in a sea of seven notes. These voicings can vary depending on the amount of color desired. The color desired is dependent on musical style/genre, and whether or not the chord is functional in a progression or static in its modality.These essential tones are not always 1,3,5,7 (tertian harmony - stacked in 3rds).While most chords in jazz and improv-based music are expressed in one of four tertian-voicing archetypes (Major, Minor, Dominant, or Diminished) - this is a false tetrachotomy. There are more than four.To capture some other sounds that many composers intend, especially in compositions written in the last 50 years (and in Classical music, 150 years) one must add a few other archetypes. While those indicated in this book are not exhaustive, they will open your ears to other ways of expressing harmony while still staying true to the key center.While exploring other ways to voice the modes, keep in mind that these are not just for comping and soloing. Feel free to use them as a starting point for composition and reharmonization. The use of "pivot voicings" instead of just pivot chords can open up your understanding of harmonic relationships in multiple ways. Enjoy exploring.-NoelP. S. This book is way more fun if you use a looper pedal.Second edition notes: Typo corrections, clarifications, TAB added to all edudesThird edition notes: Additional etudes, expanded modal subs section, added blues chapterMore more info, charts, videos, and free web app: http: //noeljohnston.com/voicingmodes.ph
Two-Part Inventions
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457488276
Category : Music
Languages : en
Pages : 40
Book Description
This collection includes a preface and table of embellishments by William Mason.
Publisher: Alfred Music
ISBN: 9781457488276
Category : Music
Languages : en
Pages : 40
Book Description
This collection includes a preface and table of embellishments by William Mason.