Science Fiction Italian Style: Italian Science Fiction Films from 1958-2000 PDF Download
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Author: Matt Blake
Publisher:
ISBN: 9781799284079
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
Italy is not a country generally known for its science fiction cinema. Over the years, however, a number of films belonging to the genre have been made and - while there might not be a single, defining science fiction 'movement' as such - they make for a curious, compellingly disparate whole. From critically acclaimed futuristic satires to cheapjack exploitation films featuring deadly extra-terrestrials; from counterculture polemics set in an imminent dystopia to post-apocalyptic action movies populated by Mohican-sporting thugs. There might be many different types of films, but they all deal with shared themes and concerns. And that's not even mentioning the giant chickens and flesh-eating fish. This is the first English language book to deal comprehensively with the subject. Covering all Italian science fiction films made between 1958 and 2000 in detail - as well as including an overview of productions made in subsequent years - it examines a range of interconnected sub-genres, looking into how recurrent narratives came about, evolved and eventually faded. So... zip up your space suit, settle back in your anti-gravity seating device... and welcome to the wild, wild world of Science Fiction, Italian Style.
Author: Matt Blake
Publisher:
ISBN: 9781799284079
Category : Performing Arts
Languages : en
Pages : 288
Get Book Here
Book Description
Italy is not a country generally known for its science fiction cinema. Over the years, however, a number of films belonging to the genre have been made and - while there might not be a single, defining science fiction 'movement' as such - they make for a curious, compellingly disparate whole. From critically acclaimed futuristic satires to cheapjack exploitation films featuring deadly extra-terrestrials; from counterculture polemics set in an imminent dystopia to post-apocalyptic action movies populated by Mohican-sporting thugs. There might be many different types of films, but they all deal with shared themes and concerns. And that's not even mentioning the giant chickens and flesh-eating fish. This is the first English language book to deal comprehensively with the subject. Covering all Italian science fiction films made between 1958 and 2000 in detail - as well as including an overview of productions made in subsequent years - it examines a range of interconnected sub-genres, looking into how recurrent narratives came about, evolved and eventually faded. So... zip up your space suit, settle back in your anti-gravity seating device... and welcome to the wild, wild world of Science Fiction, Italian Style.
Author: Giorgio De Maria
Publisher: Liveright Publishing
ISBN: 1631492306
Category : Fiction
Languages : en
Pages : 119
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Book Description
An NPR Best Book of the Year Written during the height of the 1970s Italian domestic terror, a cult novel, with distinct echoes of Lovecraft and Borges, makes its English-language debut. In the spare wing of a church-run sanatorium, some zealous youths create "the Library," a space where lonely citizens can read one another’s personal diaries and connect with like-minded souls in "dialogues across the ether." But when their scribblings devolve into the ugliest confessions of the macabre, the Library’s users learn too late that a malicious force has consumed their privacy and their sanity. As the city of Turin suffers a twenty-day "phenomenon of collective psychosis" culminating in nightly massacres that hundreds of witnesses cannot explain, the Library is shut down and erased from history. That is, until a lonely salaryman decides to investigate these mysterious events, which the citizenry of Turin fear to mention. Inevitably drawn into the city’s occult netherworld, he unearths the stuff of modern nightmares: what’s shared can never be unshared. An allegory inspired by the grisly neo-fascist campaigns of its day, The Twenty Days of Turin has enjoyed a fervent cult following in Italy for forty years. Now, in a fretful new age of "lone-wolf" terrorism fueled by social media, we can find uncanny resonances in Giorgio De Maria’s vision of mass fear: a mute, palpitating dread that seeps into every moment of daily existence. With its stunning anticipation of the Internet—and the apocalyptic repercussions of oversharing—this bleak, prescient story is more disturbingly pertinent than ever. Brilliantly translated into English for the first time by Ramon Glazov, The Twenty Days of Turin establishes De Maria’s place among the literary ranks of Italo Calvino and beside classic horror masters such as Edgar Allan Poe and H. P. Lovecraft. Hauntingly imaginative, with visceral prose that chills to the marrow, the novel is an eerily clairvoyant magnum opus, long overdue but ever timely.
Author: Simone Brioni
Publisher: Springer
ISBN: 3030193268
Category : Literary Criticism
Languages : en
Pages : 298
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Book Description
This book explores Italian science fiction from 1861, the year of Italy’s unification, to the present day, focusing on how this genre helped shape notions of Otherness and Normalness. In particular, Italian Science Fiction draws upon critical race studies, postcolonial theory, and feminist studies to explore how migration, colonialism, multiculturalism, and racism have been represented in genre film and literature. Topics include the role of science fiction in constructing a national identity; the representation and self-representation of “alien” immigrants in Italy; the creation of internal “Others,” such as southerners and Roma; the intersections of gender and race discrimination; and Italian science fiction’s transnational dialogue with foreign science fiction. This book reveals that though it is arguably a minor genre in Italy, science fiction offers an innovative interpretive angle for rethinking Italian history and imagining future change in Italian society.
Author: Lawrence McCallum
Publisher: McFarland
ISBN: 1476605076
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
Until I vampiri (The Vampires) in 1956, Italian filmmakers generally eschewed horror in favor of fantasy films and big screen spectacles. In the 1960s, the subjects became as varied as the filmmakers, ranging from the comic strip flavor of The Wild, Wild Planet (1966) to the surrealistic mixture of horror and social commentary of Fellini's "Toby Dammit" segment of Spirits of the Dead (1969). Arranged by English title, each entry includes Italian title, studio, running time, year of release, work the film is based on (when appropriate), and cast and credits. These data are followed by a lengthy essay, blending a plot synopsis with critical commentary and behind-the-scenes information.
Author: Sonja Fritzsche
Publisher: Oxford University Press
ISBN: 1781380384
Category : History
Languages : en
Pages : 291
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Book Description
The first comprehensive companion to science fiction film as a global, rather than solely Anglo-American, concern.
Author: Roberto Curti
Publisher: McFarland
ISBN: 1476619891
Category : Performing Arts
Languages : en
Pages : 221
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Book Description
The "Gothic" style was a key trend in Italian cinema of the 1950s and 1960s because of its peculiar, often strikingly original approach to the horror genre. These films portrayed Gothic staples in a stylish and idiosyncratic way, and took a daring approach to the supernatural and to eroticism, with the presence of menacing yet seductive female witches, vampires and ghosts. Thanks to such filmmakers as Mario Bava (Black Sunday), Riccardo Freda (The Horrible Dr. Hichcock), and Antonio Margheriti (Castle of Blood), as well the iconic presence of actress Barbara Steele, Italian Gothic horror went overseas and reached cult status. The book examines the Italian Gothic horror of the period, with an abundance of previously unpublished production information drawn from official papers and original scripts. Entries include a complete cast and crew list, home video releases, plot summary and the author's analysis. Excerpts from interviews with filmmakers, scriptwriters and actors are included. The foreword is by film director and scriptwriter Ernesto Gastaldi.
Author: Danny Shipka
Publisher: McFarland
ISBN: 0786486090
Category : Performing Arts
Languages : en
Pages : 350
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Book Description
The exploitation film industry of Italy, Spain and France during the height of its popularity from 1960 to 1980 is the focus of this entertaining history. With subject matter running the gamut from Italian zombies to Spanish werewolves to French lesbian vampires, the shocking and profoundly entertaining motion pictures of the "Eurocult" genre are discussed from the standpoint of the films and the filmmakers, including such internationally celebrated auteurs as Mario Bava, Jess Franco, Jean Rollin and Paul Naschy. The Eurocult phenomenon is also examined in relation to the influences that European culture and environment have had on the world of exploitation cinema. The author's insight and expertise contribute to a greater understanding of what made these films special--and why they have remained so popular to later generations.
Author: Dennis Fischer
Publisher: McFarland
ISBN: 0786485051
Category : Performing Arts
Languages : en
Pages : 768
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Book Description
This enormous and exhaustive reference book has entries on every major and minor director of science fiction films from the inception of cinema (circa 1895) through 1998. For each director there is a complete filmography including television work, a career summary, a critical assessment, and behind-the-scenes production information. Seventy-nine directors are covered in especially lengthy entries and a short history of the science fiction film genre is also included.
Author: Fabrizio Cilento
Publisher: Springer
ISBN: 3319926810
Category : Performing Arts
Languages : en
Pages : 308
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Book Description
This book traces the development of investigative cinema, whose main characteristic lies in reconstructing actual events, political crises, and conspiracies. These documentary-like films refrain from a simplistic reconstruction of historical events and are mainly concerned with what does not immediately appear on the surface of events. Consequently, they raise questions about the nature of the “truth” promoted by institutions, newspapers, and media reports. By highlighting unanswered questions, they leave us with a lack of clarity, and the questioning of documentation becomes the actual narrative. Investigative cinema is examined in relation to the historical conjunctures of the “economic miracle” in Italy, the simultaneous decolonization and reordering of culture in France, the waves of globalization and neoliberalism in post-dictatorial Latin America, and the post-Watergate, post-9/11 climate in US society. Investigative cinema is exemplified by the films Salvatore Giuliano, The Battle of Algiers, The Parallax View, Gomorrah, Zero Dark Thirty, and Citizenfour.
Author: Roberto Curti
Publisher: McFarland
ISBN: 1476682488
Category : Performing Arts
Languages : en
Pages : 510
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Book Description
Since the release in 1929 of a popular book series with bright yellow covers, the Italian word giallo (yellow) has come to define a whole spectrum of mystery and detective fiction and films. Although most English speakers associate the term giallo with the violent and erotic thrillers popular in the 1960s and 1970s from directors like Mario Bava, Dario Argento, Lucio Fulci and others, the term encompasses a wide range of Italian media such as mysteries, thrillers and detective stories--even comedies and political pamphlets. As films like Blood and Black Lace (1964) and Deep Red (1975) have received international acclaim, giallo is a fluid and dynamic genre that has evolved throughout the decades. This book examines the many facets of the giallo genre --narrative, style, themes, and influences. It explores Italian films, made-for-TV films and miniseries from the dawn of sound cinema to the present, discussing their impact on society, culture and mores.
