FURNITURE AND INTERIOR DECORATION OF THE ITALIAN RENAISSANCE PDF Download
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Author: FRIDA. SCHOTTMULLER
Publisher:
ISBN: 9781033148488
Category :
Languages : en
Pages : 0
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Book Description
Author: FRIDA. SCHOTTMULLER
Publisher:
ISBN: 9781033148488
Category :
Languages : en
Pages : 0
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Book Description
Author: Wilhelm von Bode
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 134
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Book Description
Author: Christine Powell
Publisher: Routledge
ISBN: 1136438181
Category : Antiques & Collectibles
Languages : en
Pages : 330
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Book Description
This visually stunning and technically detailed book is an in-depth analysis of the materials and techniques used on thirty eight of the V&A's Renaissance frames. The book will teach the reader to recognise frame style, structure and surface decoration of the period, as well as additions and alterations and later frames in the style. * First detailed technical analysis of the V&A's most important Renaissance frames * Highly illustrated with 100 + colour photos of front back and details, digital reconstructions, section profiles, and illustrations of frame types, joints and mouldings. * Provides a comparative reference for Renaissance frames in other publications Christine Powell has worked at the V&A since 1993. She is a Senior Furniture Conservator specialising in gilt wood European Furniture, mirror and picture frames. She has also worked at The National Gallery London for seven years as conservator working on European painted and gilt wood altarpieces and frames and The Wallace Collection for two years on European gilt wood frames and furniture. She has taught and published articles on the history, materials techniques and conservation of gilding. Christine studied furniture making and restoration of furniture at the London College of Furniture (latterly the Metropolitan University) including wood finishing, carving and gilding. Before this she worked in private practice for furniture restoration and special paint effects firms. She also attended Epsom School of Art and Design. Zoë Allen first joined the V&A in 2000 to work on gilt wooden objects for the British Galleries and returned to the V&A in 2003 where she has worked since as Frames and Gilded Furniture Conservator. Before joining the V&A full time she worked as a conservator for both public institutions, such as English Heritage, and private practices including projects at the Royal Academy, St Paul’s Cathedral and Somerset House. Zoë has published articles on her work. After a first degree in French Literature, Zoë studied conservation at the City & Guilds of London Art School. Her training covered the conservation of objects made from wood, stone and other sculptural materials, gilding and decorative surfaces. Internships included the National Institute for Restoration, Croatia, the Royal Collection, London and the Museum of London.
Author: Peter Thornton
Publisher: ABRAMS
ISBN:
Category : Architecture
Languages : en
Pages : 436
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Book Description
Author: Fausto Calderai
Publisher: Periscope
ISBN: 9780914660279
Category : Furniture
Languages : en
Pages : 0
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Book Description
Best known for its collection of masterpiece paintings, the Gardner Museum is also one of the first museums to include a large quantity of Italian furniture. This meticulously designed catalogue includes numerous photographs that focus on individual objects and reveal characteristic forms and styles. Observations made by the museum conversation department about the techniques and materials of the pieces, which differ significantly from furniture of other countries, are also published.
Author: Leah R. Clark
Publisher:
ISBN: 1108427723
Category : Antiques & Collectibles
Languages : en
Pages : 351
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Book Description
This book presents a new perspective on the Italian Renaissance court by examining the circulation, collection and exchange of art objects.
Author: Paola Tinagli
Publisher: Manchester University Press
ISBN: 9780719040542
Category : Art
Languages : en
Pages : 226
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Book Description
This is the first book which gives a general overview of women as subject-matter in Italian Renaissance painting. It presents a view of the interaction between artist and patron, and also of the function of these paintings in Italian society of the fifteenth and sixteenth centuries. Using letters, poems, and treatises, it examines through the eyes of the contemporary viewer the way women were represented in paintings.
Author: Graham Hughes
Publisher:
ISBN:
Category : Art, Renaissance
Languages : en
Pages : 264
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Book Description
"This book introduces, for the first time in English, a fascinating yet strangely neglected aspect of Italian Renaissance art. During the quattrocento painting became more popular and probably more beautiful than at any time before or since. House interiors and furniture were painted with exotic stories and symbols, one of the most fashionable possessions in the grandest room in the palazzo being the painted cassone or marriage chest." /
Author: George Leland Hunter
Publisher:
ISBN:
Category : Furniture
Languages : en
Pages : 524
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Book Description
Author: KatherineT. Brown
Publisher: Routledge
ISBN: 1351559052
Category : Art
Languages : en
Pages : 482
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Book Description
Mater Misericordiae?Mother of Mercy?emerged as one of the most prolific subjects in central Italian art from the late thirteenth through the sixteenth centuries. With iconographic origins in Marian cult relics brought from Palestine to Constantinople in the fifth century, the amalgam of attributes coalesced in Armenian Cilicia then morphed as it spread to Cyprus. An early concept of Mary of Mercy?the Virgin standing with outstretched arms and a wide mantle under which kneel or stand devotees?entered the Italian peninsula at the ports of Bari and Venice during the Crusades, eventually converging in central Italy. The mendicant orders adopted the image as an easily recognizable symbol for mercy and aided in its diffusion. In this study, the author?s primary goals are to explore the iconographic origins of the Madonna della Misericordia as a devotional image by identifying and analyzing key attributes; to consider circumstances for its eventual overlapping function as a secular symbol used by lay confraternities; and to discuss its diaspora throughout the Italian peninsula, Western Europe, and eastward into Russia and Ukraine. With over 100 illustrations, the book presents an array of works of art as examples, including altarpieces, frescoes, oil paintings, manuscript illuminations, metallurgy, glazed terracotta, stained glass, architectural relief sculpture, and processional banners.
