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Author: David R. B. Kimbell
Publisher: Cambridge University Press
ISBN: 9780521466431
Category : Music
Languages : en
Pages : 708
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Book Description
David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.
Author: David R. B. Kimbell
Publisher: Cambridge University Press
ISBN: 9780521466431
Category : Music
Languages : en
Pages : 708
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Book Description
David Kimbell traces the history of Italian opera from the Renaissance to the early twentieth century.
Author: Tim Carter
Publisher: Oxford University Press
ISBN: 0190247967
Category : Music
Languages : en
Pages : 289
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Book Description
Opera is often regarded as the pinnacle of high art. A "Western" genre with global reach, it is where music and drama come together in unique ways, supported by stellar singers and spectacular scenic effects. Yet it is also patently absurd -- why should anyone break into song on the dramatic stage? -- and shrouded in mystique. In this engaging and entertaining guide, renowned music scholar Tim Carter unravels its many layers to offer a thorough introduction to Italian opera from the seventeenth to the early twentieth centuries. Eschewing the technical musical detail that all too often dominates writing on opera, Carter begins instead where the composers themselves did: with the text. Walking readers through the relationship between music and poetry that lies at the heart of any opera, Carter then offers explorations of five of the most enduring and emblematic Italian operas: Monteverdi's The Coronation of Poppea; Handel's Julius Caesar in Egypt; Mozart's The Marriage of Figaro; Verdi's Rigoletto; and Puccini's La Bohème. Shedding light on the creative collusions and collisions involved in bringing opera to the stage, the various, and varying, demands of the text and music, and the nature of its musical drama, Carter also shows how Italian opera has developed over the course of music history. Complete with synopses, cast lists, and suggested further reading for each work discussed, Understanding Italian Opera is a must-read for anyone with an interest in and love for this glorious art.
Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341
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Book Description
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Author: Philip Gossett
Publisher: University of Chicago Press
ISBN: 0226304884
Category : Music
Languages : en
Pages : 699
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Book Description
Winner of the 2007 Otto Kinkeldey Award from the American Musicological Society and the 2007 Deems Taylor Award from the American Society of Composers, Authors, and Publishers. Divas and Scholars is a dazzling and beguiling account of how opera comes to the stage, filled with Philip Gossett’s personal experiences of triumphant—and even failed—performances and suffused with his towering and tonic passion for music. Writing as a fan, a musician, and a scholar, Gossett, the world's leading authority on the performance of Italian opera, brings colorfully to life the problems, and occasionally the scandals, that attend the production of some of our most favorite operas. Gossett begins by tracing the social history of nineteenth-century Italian theaters in order to explain the nature of the musical scores from which performers have long worked. He then illuminates the often hidden but crucial negotiations opera scholars and opera conductors and performers: What does it mean to talk about performing from a critical edition? How does one determine what music to perform when multiple versions of an opera exist? What are the implications of omitting passages from an opera in a performance? In addition to vexing questions such as these, Gossett also tackles issues of ornamentation and transposition in vocal style, the matters of translation and adaptation, and even aspects of stage direction and set design. Throughout this extensive and passionate work, Gossett enlivens his history with reports from his own experiences with major opera companies at venues ranging from the Metropolitan and Santa Fe operas to the Rossini Opera Festival at Pesaro. The result is a book that will enthrall both aficionados of Italian opera and newcomers seeking a reliable introduction to it—in all its incomparable grandeur and timeless allure.
Author: Karyl Charna Lynn
Publisher: Scarecrow Press
ISBN: 1461706785
Category : Music
Languages : en
Pages : 366
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Book Description
Italian Opera in the 18th and 19th centuries was an experience unequaled anywhere else in the world. The unique emotion, flavor, and passion that existed have yet to be attained in any other country. Opera houses in Italy are the birthplace of this great art form. They represent its beauty and richness. More than just concrete, stone, glass, and wood, they are alive, each with a character and history of its own. This work recreates the social, political, architectural, and performance histories of each house by including eyewitness accounts from Italian newspapers, journals, and books of the time. It covers more than 50 Italian opera houses and festivals, organized by their city of origin and geographic region. Each chapter is a journey back in time, beginning with the first theaters and performances in the city and concluding with an architectural description of the principal theater and a practical information guide for visitors (including hotel recommendations). The operatic activities of the main theater, including inaugurations, important performances, and world premieres, are also covered. A photospread, along with brief descriptions of opera-related sites, including the birthplaces, dwellings, and museums of Italy's greatest composers, give an even more complete portrait of the art.
Author: Raymond Fearn
Publisher: Routledge
ISBN: 1134419252
Category : Performing Arts
Languages : en
Pages : 288
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Book Description
First published in 1988. Italy, the birthplace of opera in the late sixteenth century, has in recent decades seen remarkable and vital musical growth, with composers as diverse as Luciano Berio and Nino Rota, Luigi Nono and Sylvano Bussotti, Giacomo Manzoni, Bruno Maderna and Salvatore Sciarrino. The musical theatre has figured prominently in the work of Italian composers during this period, ranging from operas conceived in a traditional mode to works of a Music Theatre variety, and in style from popular to avant-garde. In this book Raymond Fearn surveys this Italian musico-theatrical phenomenon in the period since the Second World War, examining a wide range of works such as Nono's Intolleranza and Al Gran Sole Carico d'Amore, Berio's Passaggio and Un re in ascolto, Manzoni's Atomtod and La Sentenza and Castiglioni's Oberon and The King's Masque, and places these developments within a cultural and theatrical context
Author: Reinhard Strohm
Publisher: Yale University Press
ISBN: 9780300064544
Category : Music
Languages : en
Pages : 350
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Book Description
'Dramma per musica', the most usual term for Italian serious opera from the seventeenth to the early nineteenth century, was a modern, enlightened form of theater that presented a unified, artistically designed, dramatic enactment of human stories, expressed by the voice and underscored by the orchestra. This book illustrates the diversity of this baroque art form and explains how it has given us opera as we know it.
Author: Alison R. Oatman
Publisher: Createspace Independent Publishing Platform
ISBN: 9781977516763
Category :
Languages : en
Pages : 142
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Book Description
Have you been holding back? Have you always wanted to dip a toe into the seductive world of corpulent divas, voluptuous vowels, spaghetti-like plot twists, and encores that make the crowd shudder with cry after cry of bravissimo? Are you curious to find out just why Mozart would have made a wonderful dinner guest? Have you always wanted to know at what time of day it is inappropriate to order a cappuccino in Italy, or whom you should never greet with a friendly "Ciao!"? Despite its title, Italian for Opera Lovers is geared towards people who may have no experience studying Italian, nor even more than a cursory familiarity with opera. The book is meant as an introduction to the Italian language. As we cover the basics, we will be focusing on close readings from nine Italian operas. It is my hope that this book whets your appetite for more adventures with both Italian and opera--two one-way tickets to a life of passion.
Author: Tito Gobbi
Publisher: Hamish Hamilton
ISBN:
Category : Music
Languages : en
Pages : 300
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Book Description
Author: John Rosselli
Publisher: Cambridge University Press
ISBN: 9780521426978
Category : Biography & Autobiography
Languages : en
Pages : 296
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Book Description
Adelina Patti was the most highly regarded singer in history. She earned nearly $5,000 a night and had her own railway carriage. Yet a minor comic singer would perform for the cost of his food and a pair of shoes to wear on stage. John Rosselli's wide-ranging study introduces all those singers, members of the chorus as well as stars, who have sung Italian opera from 1600 to the twentieth century. Singers are shown slowly emancipating themselves from dependence on great patrons and entering the dangerous freedom of the market. Rosselli also examines the sexist prejudices against the castrati of the eighteenth century and against women singers. Securely rooted in painstaking scholarship and sprinkled with amusing anecdote, this is a book to fascinate and inform opera fans at all levels.
