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Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 1588393798
Category : Art
Languages : en
Pages : 270
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Book Description
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Author: Linda Wolk-Simon
Publisher: Metropolitan Museum of Art
ISBN: 1588393798
Category : Art
Languages : en
Pages : 270
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Book Description
Published in conjunction with an exhibition on view at the Metropolitan Museum of Art, New York, May 12-Aug 15, 2010.
Author: Nicholas Turner
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Published to accompany an exhibition at the Art Institute of Chicago, from October 28, 2008 to January 18, 2009.
Author: Margaret Morgan Grasselli
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 264
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Book Description
"National Gallery of Art, Washington, The Morgan Library & Museum, New York, in association with Lund Humphries."
Author: J. Paul Getty Museum
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 380
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Book Description
Author: Antoine Watteau
Publisher: Metropolitan Museum of Art
ISBN: 1588393356
Category : Artists and theater
Languages : en
Pages : 162
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Book Description
"Accompanying an exhibition in honor of Philippe de Montebello, Director Emeritus of The Metropolitan Museum of Art, this engaging book examines the influence of music and theater on the art of Jean-Antoine Watteau (1684-1721). Fifteen major paintings and a number of drawings by Watteau that illustrate the connections between painting and the performing arts in Paris are explored. In addition, drawings and prints by other 18th-century artists featuring musical or theatrical subjects and objects and musical instruments are included."--Publisher description.
Author: Adriano Aymonino
Publisher:
ISBN: 9780957339897
Category : Art, European
Languages : en
Pages : 256
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Book Description
"This catalogue examines one of the most important educational tools and sources of inspiration for Western artists for over five hundred years: drawing after the Antique. From the Renaissance to the 19th century, classical statues offered young artists idealised models from which they could learn to represent the volumes, poses and expressions of the human figure and which, simultaneously, provided perfected examples of anatomy and proportion. For established artists, antique statues and reliefs presented an immense repertory of forms that they could use as inspiration for their own creations. Through a selection of thirty-nine drawings, prints and paintings, covering more than four hundred years and by artists as different as Federico Zuccaro, Hendrick Goltzius, Peter Paul Rubens, Charles-Joseph Natoire, Henry Fuseli and Joseph Mallord William Turner, this catalogue provides the first overview of a phenomenon crucial for the understanding and appreciation of European art."--Page 2 of cover.
Author: Deanna Petherbridge
Publisher:
ISBN: 9781911300441
Category : Art
Languages : en
Pages : 0
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Book Description
Catalogue accompanies exhibition held 3 May - 15 July 2018, Gilbert and Ildiko Butler Drawings Gallery, The Courtauld Gallery, London.
Author: Stijn Alsteens
Publisher: Metropolitan Museum of Art
ISBN: 1588394514
Category : Art
Languages : en
Pages : 274
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Book Description
"This exhibition is the first to offer an extensive overview of the Museum's holdings of early Central European drawings, many of which were acquired in the last two decades. An emphasis on works by later sixteenth- and seventeenth-century artists is balanced by a selection of German drawings from the fifteenth and earlier sixteenth century, of which some of the most exceptional ones--including works by Albrecht Deurer--entered the Museum with The Robert Lehman Collection in 1975."--Publisher's website.
Author: Elenor Ling
Publisher:
ISBN: 9781913645052
Category :
Languages : en
Pages : 192
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Book Description
Touch is our first sense. Through touch we make art, stake a claim to what we own and those we love, express our faith, our belief, our anger. Touch is how we leave our mark and find our place in the world; touch is how we connect.0Drawing on works of art spanning four thousand years and from across the globe, this book explores the fundamental role of touch in human experience, and offers new ways of looking. In a series of lavishly illustrated essays, the authors explore anatomy and skin; the relationship between the brain, hand, and creativity; touch, desire and possession; ideological touch; reverence and iconoclasm. A final section collects a range of reflections, historic and contemporary, on touch.00Objects range from anonymous ancient Egyptian limestone sculpture, to medieval manuscripts and panel paintings, to devotional and spiritual objects from across the world, to love tokens and fede rings. Drawings, paintings, prints and sculpture by Raphael, Michelangelo, Rembrandt, Carracci, Hogarth, Turner, Rodin, Degas, and Kollwitz are explored, along with work by contemporary artists Judy Chicago, Frank Auerbach, Richard Long, the Chapman Brothers, and Richard Rawlins.0The events of 2020 have made us newly alive to the preciousness and the dangers of touch, making this exploration of our most fundamental sense particularly timely and resonant.0 0Exhibition: The Fitzwilliam Museum, Cambridge, UK (05.01.-03.05.2021).
Author: Neil Jeffares
Publisher: Unicorn Publishing Group
ISBN:
Category : Art
Languages : un
Pages : 768
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Book Description
*Records of some 20,000 pastels in public collections or known from exhibition and auction catalogues, including pastels by anonymous artists*Entries on 1250 named artists*5000 reproductions (2000 in color), many never before published, and references to all known reproductions of other pastels*A survey placing the major artists of the various schools in an historical context and explaining the technical features of the pastel*A list of exhibitions from 1704 to 2005, including livrets and contemporary criticism for the major exhibitions in Paris, London and elsewhere before 1800*A topographical index locating pastels in public collections worldwide*An index of some 7000 sittersPastels are lluminous and beautiful beyond all other pictures, wrote the English eighteenth century pastelist Francis Cotes, describingthe sensual appeal of this special dust rubbed into paper which has enchanted connoisseurs ever since. But the history of pastels is one of compounded mistakes and misattributions: these intimate portraits, whose subjects range from dynasts to servants, have been neglected for the better researched areas of old master drawings and oil painting. This Dictionary sets out to establish, for the first time, a convincing body of knowledge to help identify and attribute works by both major artists and the obscure "petits-maStres." It is an essential academic resource for art historians, a vital tool for collectors and dealers, and a treasure-trove for anyone interested in costume or social and political history. Pastels from the French school account for more than half the Dictionary, representing most of the more important artists such as Vivien, Nattier, La Tour, Perronneau, Labille-Guiard and VigHe Le Brun. But there were other major pastelists, such as Copley, Russell, Mengs, Carriera and Liotard fro
