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Author: Amy Witting
Publisher: Text Publishing
ISBN: 1925095649
Category : Fiction
Languages : en
Pages : 329
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Book Description
Isobel Callaghan is struggling to make a career as a writer in Sydney. She is isolated, poor and hungry, and fears she's going mad. Leaving her room in a boarding house in search of food, she has a breakdown on the way to the corner shop. Waking in hospital, Isobel learns that she will be confined to a sanatorium in the Blue Mountains. There, among the motley assortment of patients, and with the aid of great works of literature, she will confront the horrors of her past. But can she find a way to face the future? Confronting and compassionate, profound and funny, the second Isobel Callaghan novel is every bit as brilliant as its much-loved predecessor. It confirmed Amy Witting as one of the finest Australian writers of her time. Amy Witting was born in Sydney in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria's War; two collections of short stories; two books of verse, Travel Diary and Beauty is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and the New Yorker. Her acclaimed short fiction is collected in the volume Faces and Voices. Witting was awarded the 1993 Patrick White Prize. Isobel on the way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. 'Her reflections on human nature are eloquently drawn, intimate, compassionate and witty.' Australian Amy Witting is comparable to Jean Rhys, but she has more starch, or vinegar. The effect is bracing.' New Yorker '[Witting] lays bare with surgical precision the dynamics of families, sibling, students in coffee shops, office coteries. One sometimes feels positively winded with unsettling insights. There is something relentless, almost unnerving in her anatomising of foibles, fears obsessions, private shame, the nature of loneliness, the nature of panic.' Janette Turner Hospital 'A beautifully but unobtrusively honed style, a marvellous ear for dialogue, a generous understanding of the complex waywardness of men and women.' Andrew Riemer ‘Sparkling prose and extraordinary ability to enter the minds of a wide variety of characters.' A Reader's Guide to Australian Fiction ‘Quietly brilliant...Witting’s characterizations are staggeringly sharp—it is hard to imagine a novel more keenly observed—simultaneously heartbreaking and (subtly) hilarious, not because they’re exaggerated, but because they are so unsettlingly, overwhelmingly true...A compassionate masterpiece.’ STARRED Review, Kirkus
Author: Amy Witting
Publisher: Text Publishing
ISBN: 1925095649
Category : Fiction
Languages : en
Pages : 329
Get Book Here
Book Description
Isobel Callaghan is struggling to make a career as a writer in Sydney. She is isolated, poor and hungry, and fears she's going mad. Leaving her room in a boarding house in search of food, she has a breakdown on the way to the corner shop. Waking in hospital, Isobel learns that she will be confined to a sanatorium in the Blue Mountains. There, among the motley assortment of patients, and with the aid of great works of literature, she will confront the horrors of her past. But can she find a way to face the future? Confronting and compassionate, profound and funny, the second Isobel Callaghan novel is every bit as brilliant as its much-loved predecessor. It confirmed Amy Witting as one of the finest Australian writers of her time. Amy Witting was born in Sydney in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria's War; two collections of short stories; two books of verse, Travel Diary and Beauty is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and the New Yorker. Her acclaimed short fiction is collected in the volume Faces and Voices. Witting was awarded the 1993 Patrick White Prize. Isobel on the way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. 'Her reflections on human nature are eloquently drawn, intimate, compassionate and witty.' Australian Amy Witting is comparable to Jean Rhys, but she has more starch, or vinegar. The effect is bracing.' New Yorker '[Witting] lays bare with surgical precision the dynamics of families, sibling, students in coffee shops, office coteries. One sometimes feels positively winded with unsettling insights. There is something relentless, almost unnerving in her anatomising of foibles, fears obsessions, private shame, the nature of loneliness, the nature of panic.' Janette Turner Hospital 'A beautifully but unobtrusively honed style, a marvellous ear for dialogue, a generous understanding of the complex waywardness of men and women.' Andrew Riemer ‘Sparkling prose and extraordinary ability to enter the minds of a wide variety of characters.' A Reader's Guide to Australian Fiction ‘Quietly brilliant...Witting’s characterizations are staggeringly sharp—it is hard to imagine a novel more keenly observed—simultaneously heartbreaking and (subtly) hilarious, not because they’re exaggerated, but because they are so unsettlingly, overwhelmingly true...A compassionate masterpiece.’ STARRED Review, Kirkus
Author: Ken Gelder
Publisher: Melbourne Univ. Publishing
ISBN: 0522859216
Category : Literary Criticism
Languages : en
Pages : 306
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Book Description
After the Celebration explores Australian fiction from 1989 to 2007, after Australia's bicentenary to the end of the Howard government. In this literary history, Ken Gelder and Paul Salzman combine close attention to Australian novels with a vivid depiction of their contexts: cultural, social, political, historical, national and transnational. From crime fiction to the postmodern colonial novel, from Australian grunge to 'rural apocalypse fiction', from the Asian diasporic novel to the action blockbuster, Gelder and Salzman show how Australian novelists such as Frank Moorhouse, Elizabeth Jolley, Peter Carey, Kim Scott, Steven Carroll, Kate Grenville, Tim Winton, Alexis Wright and many others have used their work to chart our position in the world. The literary controversies over history, identity, feminism and gatekeeping are read against the politics of the day. Provocative and compelling, After the Celebration captures the key themes and issues in Australian fiction: where we have been and what we have become.
Author: Amy Witting
Publisher: Text Publishing
ISBN: 1922148741
Category : Fiction
Languages : en
Pages : 201
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Book Description
Winner of the Barbara Ramsden Prize, 1990. This was life: no sooner had you built yourself your little raft and felt secure than it came to pieces under you and you were swimming again. Born into a world without welcome, Isobel observes it as warily as an alien trying to pass for a native. Her collection of imaginary friends includes the Virgin Mary and Sherlock Holmes. Later she meets Byron, W.H. Auden and T.S. Eliot. Isobel is not so much at ease with the flesh-and-blood people she meets, and least of all with herself, until a lucky encounter and a little detective work reveal her identity and her true situation in life. I for Isobel, a modern-day Australian classic, was followed by Isobel on the Way to the Corner Shop, winner of the Age Book of the Year Award. Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria's War; two collections of short stories; two books of verse, Travel Diary and Beauty is the Straw; and her Collected Poems. 'When we come to write the history of Australian writing in the twentieth century, the strange case of Amy Witting will be there to haunt us. Here is a writer who not only has great gifts - the kind of expert and mimetic gifts that would impel instant recognition from someone who admired a fine-lined American naturalist like William Maxwell - but a realist who has an effortless immediacy and a compelling sense of drama that should have ensured the widest kind of appeal, the sort of appeal that Helen Garner could command in her fiction-writing days. And yet this woman who published in the New Yorker and commanded the respect of Kenneth Slessor was scarcely encouraged during the long grey sleep of Australian fiction publishing. It wasn't until the publication of I for Isobel...that Witting gained a national profile.' Peter Craven 'Australia's Amy Witting is comparable to Jean Rhys, but she has more starch, or vinegar. The effect is bracing.' New Yorker 'Isobel is instinctively searching for a lost part of her substance, the very memory of which has been obliterated. Prompted by her inexplicable sense of loss, she goes on her way, deviating, baffled, yet rejecting substitutes. To call the ending happy is to say both too much and too little. Was the lost part also searching for her? Amy Witting's admirers will find this novel as distinctive and compelling as her stories and her poetry.' Jessica Anderson '[Witting] lays bare with surgical precision the dynamics of families, sibling, students in coffee shops, office coteries. One sometimes feels positively winded with unsettling insights. There is something relentless, almost unnerving in her anatomising of foibles, fears obsessions, private shame, the nature of loneliness, the nature of panic.' Janette Turner Hospital 'A beautifully but unobtrusively honed style, a marvellous ear for dialogue, a generous understanding of the complex waywardness of men and women.' Andrew Riemer 'Terrific - incredibly wise...When I finished it I went straight back to the first page.' Cate Kennedy
Author: Chantal Kwast-Greff
Publisher: Rodopi
ISBN: 9401209286
Category :
Languages : en
Pages : 337
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Book Description
Chaos. Pain. Self-mutilation. Women starve themselves. They burn or slash their own flesh or their babies’ throats, and slam their newborns against walls. Their bodies are the canvases on which the suffering of the soul carves itself with knife and razor. In Australian fiction written by women between 1984 and 1994, female characters inscribe their inner chaos on their bodies to exert whatever power they have over themselves. Their self-inflicted pain is both reaction and language, the bodily sign not only of their enfeeblement but also to a certain extent of their empowerment, of themselves and their world. The texts considered in this book – chiefly by Margaret Coombs, Kate Grenville, Fiona Place, Penelope Rowe, Leone Sperling, and Amy Witting – function as both defiance and ac¬ceptance of prevailing discourses of femininity and patriarchy, between submission and a possible future. The narratives of anorexia, bulimia, fatness, self-mutilation, incest, and murder shock the reader into an understanding of deeper meanings of body and soul, and prompt a tentative interpretation of fiction in relation to the world of ‘real’ women and men in contemporary (white) Australia. This is affective literature with the reader in voyeuristic complicity. Holding up the mirror of fiction, the women writers act perforce as a social lever, their narratives as Bildungsromane. But there is a risk, that of reinforcing stereotypes and codes of conduct which, supposedly long gone, still represent women as victims. Why are the female characters (self-)destroyers and victims? Why are they not heroes, saviours or conquerors? If women read about women / themselves and feel pity for the Other they read about, they will also feel pity for themselves: there is little happiness in being a woman. But infanticide and distorting the body are problem-solving behaviours. In truth, the bodies of the female characters bear the marks and scars of the history of their mothers and the history of their grandmothers – indeed, that of their own: the history of survivors.
Author: Geordie Williamson
Publisher: Text Publishing
ISBN: 1921961236
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
Alarmed by the increasingly marginal status of Australian literature in the academy, Williamson has set out to reintroduce us to those key writers whose works we may have forgotten or missed altogether. His focus is on fiction that gives pleasure, and he is ardent in defence of books that for whatever reason sit uneasily in the present moment.
Author: Amy Witting
Publisher: Text Publishing
ISBN: 192541048X
Category : Fiction
Languages : en
Pages : 328
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Book Description
When her husband of three decades announces he has a younger lover and wants a divorce, Ella Ferguson realises how protected her life has been—she has ‘seen no evil, heard no evil and spoken no evil’. Alone, enraged, she must come to terms with her failed marriage and her relationships with her adult children. A Change in the Lighting, Amy Witting’s third novel, is the compelling story of a woman cast adrift. Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria’s War; two collections of short stories; two books of verse, Travel Diary and Beauty Is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and the New Yorker. Witting was awarded the 1993 Patrick White Prize. Isobel on the Way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. ‘A wry and powerful novel of family entanglements.’ Sydney Morning Herald
Author: Amy Witting
Publisher: Text Publishing
ISBN: 1925410471
Category : Fiction
Languages : en
Pages : 324
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Book Description
In The Visit—Amy Witting’s debut novel, first published when she was almost sixty—a group of Bangoree residents gather to read plays by Beckett and Brecht. But their literary pursuits, and their lives, take an unexpected turn after it is revealed that the late Roderick Fitzallan set some of his celebrated love poems in their small country town. Who is the local mystery woman who inspired Fitzallan’s verse all those years ago? Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria’s War; two collections of short stories; two books of verse, Travel Diary and Beauty Is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and The New Yorker. Witting was awarded the 1993 Patrick White Prize. Isobel on the Way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. ‘Her writing is so simple and tough and direct.’ Helen Garner
Author: Amy Witting
Publisher: Text Publishing
ISBN: 1925410498
Category : Literary Collections
Languages : en
Pages : 336
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Book Description
Amy Witting was a master of the short story, the genre in which she felt ‘most at home’. Her subjects—childhood and school, marriage and loneliness, the cruelty of men and women—are rendered in a crisp, understated style, at once compassionate and unsentimental. This new selection of twenty pieces from across five decades includes the acclaimed novella-length ‘The Survivors’ and the final appearance of Isobel Callaghan from I for Isobel. Amy Witting was born in Annandale, an inner suburb of Sydney, in 1918. She attended Sydney University, then taught French and English in state schools. Beginning late in life she published six novels, including The Visit, I for Isobel, Isobel on the Way to the Corner Shop and Maria’s War; two collections of short stories; two books of verse, Travel Diary and Beauty Is the Straw; and her Collected Poems. She had numerous poems and short stories published in magazines such as Quadrant and the New Yorker. Witting was awarded the 1993 Patrick White Prize. Isobel on the Way to the Corner Shop won the Age Book of the Year Award. Amy Witting died in 2001. ‘Brilliant distillations...tinged with latent tenderness.’ New York Times
Author: Susan Sheridan
Publisher: Univ. of Queensland Press
ISBN: 0702247413
Category : Biography & Autobiography
Languages : en
Pages : 343
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Book Description
In the decades after World War II, the literary scene in Australia flourished: local writers garnered international renown and local publishers sought and produced more Australian books. The traditional view of this postwar period is of successful male writers, with women still confined to the domestic sphere. In "Nine Lives," Susan Sheridan rewrites the pages of history to foreground the women writers who contributed equally to this literary renaissance. Sheridan traces the early careers of nine Australian women writers born between 1915 and 1925, who each achieved success between the mid 1940s and 1970s. Judith Wright and Thea Astley published quickly to resounding critical acclaim, while Gwen Harwood's frustration with chauvinistic literary editors prompted her pseudonymous poetry. Fiction writers Elizabeth Jolley, Amy Witting and Jessica Anderson remained unpublished until they were middle-aged; Rosemary Dobson, Dorothy Hewett and Dorothy Auchterlonie Green started strongly as poets in the 1940s, but either reduced their output or fell silent for the next twenty years. Sheridan considers why their careers developed differently from the careers of their male counterparts and how they balanced marriage, family and writing. This illuminating group biography offers a fresh perspective on mid-twentieth century Australian literature, and the women writers who helped to shape it.
Author: Peter Ryan
Publisher: Text Publishing
ISBN: 1925095878
Category : Biography & Autobiography
Languages : en
Pages : 329
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Book Description
Fear Drive My Feet is Peter Ryan’s enduring account of his time patrolling isolated regions of New Guinea during World War II. Far from his fellow Australians and with Japanese forces closing in around him, the eighteen-year-old Ryan endures the hardships of the jungle, overcoming loneliness, fatigue and fear with quiet courage. He finds beauty in the rugged mountain landscapes of New Guinea, and admires the charm and resourcefulness of its people. Rarely out of print in the past four decades, Fear Drive My Feet is a classic memoir of the war in the Pacific, a major work of Australian war literature. For the work he describes in this book, Peter Ryan was awarded the Military Medal and mentioned in dispatches. Peter Ryan has been a newspaper columnist, the director of Melbourne University Press and an officer of the Victorian Supreme Court. He was an intelligence operative behind enemy lines in New Guinea in World War II. He lives in Melbourne. ‘Outstanding.’ Peter Pierce ‘A moving account of a young man’s lonely heroism.’ Edward ‘Weary’ Dunlop
