Islamic Art in China PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Islamic Art in China PDF full book. Access full book title Islamic Art in China by Guiping Yang. Download full books in PDF and EPUB format.
Author: Guiping Yang
Publisher:
ISBN:
Category : Arte musulmán
Languages : en
Pages : 184
Get Book Here
Book Description
Author: Guiping Yang
Publisher:
ISBN:
Category : Arte musulmán
Languages : en
Pages : 184
Get Book Here
Book Description
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
Get Book Here
Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author: Nancy Shatzman Steinhardt
Publisher: Edinburgh Studies in Islamic Art
ISBN: 9781474437219
Category : Architecture
Languages : en
Pages : 368
Get Book Here
Book Description
Received an honorable mention at the 2016 British-Kuwait Friendship Society Book Prize What happens when a monotheistic, foreign religion needs a space in which to worship in China, a civilisation with a building tradition that has been largely unchanged for several millennia? The story of this extraordinary convergence begins in the 7th century and continues under the Chinese rule of Song and Ming, and the non-Chinese rule of the Mongols and Manchus, each with a different political and religious agenda. The author shows that mosques, and ultimately Islam, have survived in China because the Chinese architectural system, though often unchanging, is adaptable: it can accommodate the religious requirements of Buddhism, Daoism, Confucianism, and Islam. About the series: Edited by Robert Hillenbrand, books in the Edinburgh Studies in Islamic Art series offer readers easy access to the most up-to-date research across the whole range of Islamic art, representing various parts of the Islamic world, media and approaches. Books in the series are beautifully illustrated academic monographs of intellectual distinction that mark a significant advance in the field.
Author: Kadoi Yuka Kadoi
Publisher: Edinburgh University Press
ISBN: 1474469671
Category : Art
Languages : en
Pages : 304
Get Book Here
Book Description
The Mongol invasion in the thirteenth century marked a new phase in the development of Islamic art. Trans-Eurasian exchanges of goods, people and ideas were encouraged on a large scale under the auspices of the Pax Mongolica. With the fascination of portable objects brought from China and Central Asia, a distinctive, hitherto unknown style - Islamic chinoiserie - was born in the art of Iran.Highly illustrated, Islamic Chinoiserie offers a fascinating glimpse into the artistic interaction between Iran and China under the Mongols. By using rich visual materials from various media of decorative and pictorial arts - textiles, ceramics, metalwork and manuscript painting - the book illustrates the process of adoption and adaptation of Chinese themes in the art of Mongol-ruled Iran in a visually compelling way. The observation of this unique artistic phenomenon serves to promote the understanding of the artistic diversity of Islamic art in the Middle Ages.Key Features*Covers various media of decorative and pictorial arts from Iran, Central Asia and China*Deals with a diverse range of issues related to the East-West artistic relationship in the Middle Ages*Features in-depth studies of style, technique and iconography in Iranian art under the Mongols*Includes 125 illustrations, 24 in colour
Author: Wendy M. K. Shaw
Publisher: Cambridge University Press
ISBN: 1108474659
Category : Art
Languages : en
Pages : 387
Get Book Here
Book Description
An alternate approach to Islamic art emphasizing literary over historical contexts and reception over production in visual arts and music.
Author: Kelly A. Hammond
Publisher: UNC Press Books
ISBN: 1469659662
Category : Religion
Languages : en
Pages : 315
Get Book Here
Book Description
In this transnational history of World War II, Kelly A. Hammond places Sino-Muslims at the center of imperial Japan's challenges to Chinese nation-building efforts. Revealing the little-known story of Japan's interest in Islam during its occupation of North China, Hammond shows how imperial Japanese aimed to defeat the Chinese Nationalists in winning the hearts and minds of Sino-Muslims, a vital minority population. Offering programs that presented themselves as protectors of Islam, the Japanese aimed to provide Muslims with a viable alternative—and, at the same time, to create new Muslim consumer markets that would, the Japanese hoped, act to subvert the existing global capitalist world order and destabilize the Soviets. This history can be told only by reinstating agency to Muslims in China who became active participants in the brokering and political jockeying between the Chinese Nationalists and the Japanese Empire. Hammond argues that the competition for their loyalty was central to the creation of the ethnoreligious identity of Muslims living on the Chinese mainland. Their wartime experience ultimately helped shape the formation of Sino-Muslims' religious identities within global Islamic networks, as well as their incorporation into the Chinese state, where the conditions of that incorporation remain unstable and contested to this day.
Author: Jonathan Lipman
Publisher:
ISBN: 9781474426459
Category : History
Languages : en
Pages : 288
Get Book Here
Book Description
"Tells the stories of Chinese Muslims trying to create coherent lives at the intersection of two potentially conflicting cultures. How can people belong simultaneously to two cultures, originating in two different places and expressed in two different languages, without alienating themselves from either? Muslims have lived in the Chinese culture area for 1400 years, and the intellectuals among them have long wrestled with this problem. Unlike Persian, Turkish, Urdu, or Malay, the Chinese language never adopted vocabulary from Arabic to enable a precise understanding of Islam's religious and philosophical foundations. Islam thus had to be translated into Chinese, which lacks words and arguments to justify monotheism, exclusivity, and other features of this Middle Eastern religion. Even in the 21st century, Muslims who are culturally Chinese must still justify their devotion to a single God, avoidance of pork, and their communities' distinctiveness--among other things--to sceptical non-Muslim neighbours and an increasingly intrusive state"--
Author: James Frankel
Publisher: Bloomsbury Publishing
ISBN: 0755638840
Category : Social Science
Languages : en
Pages : 209
Get Book Here
Book Description
In China there are up to 25 million Muslims living in the country, representing over 1200 years of Chinese-Islamic relations. However, little is known about the historical and contemporary geopolitical relations between China and the Muslim world, or the situation for the diverse groups of Muslims living in China today. In this book, James Frankel studies the rich and dynamic history of Muslims in China from the Tang dynasty (618-907) to the present day. He shows that Muslims in China remain an internally diverse population separated geographically, ethnically, linguistically, economically, educationally, and along sectarian and kinship lines. But despite having its own local flavours and accents, Islam in China is recognisable as the same religious tradition practiced by approximately 1.8 billion Muslims worldwide and Muslims in China are inextricably part of society, living alongside other minorities and amongst the great Han Chinese majority. Tracing 1200 years of history, this book shows that Muslim communities in China have undergone tremendous change, touched by the forces of Chinese history, the development of Islamic traditions outside China, and geopolitics. In highlighting the paradoxical situation in which Chinese Muslims have found themselves - living as both insiders and outsiders to Chinese society and state - the book examines why after so many centuries of habitation and naturalisation, Muslims in China are still stigmatized by their perceived alien origins. The book follows the 'yin and yang' of compatibility and difference and the connections and ruptures between two great civilisations.
Author: Kristian Petersen
Publisher: Oxford University Press
ISBN: 0190634340
Category : History
Languages : en
Pages : 305
Get Book Here
Book Description
During the early modern period, Muslims in China began to embrace the Chinese characteristics of their heritage. Several scholar-teachers incorporated tenets from traditional Chinese education into their promotion of Islamic knowledge. As a result, some Sino-Muslims established an educational network which utilized an Islamic curriculum made up of Arabic, Persian, and Chinese works. The corpus of Chinese Islamic texts written in this system is collectively labeled the Han Kitab. Interpreting Islam in China explores the Sino-Islamic intellectual tradition through the works of some its brightest luminaries. Three prominent Sino-Muslim authors are used to illustrate transformations within this tradition, Wang Daiyu, Liu Zhi, and Ma Dexin. Kristian Petersen puts these scholars in dialogue and demonstrates the continuities and departures within this tradition. Through an analysis of their writings, he considers several questions: How malleable are religious categories and why are they variously interpreted across time? How do changing historical circumstances affect the interpretation of religious beliefs and practices? How do individuals navigate multiple sources of authority? How do practices inform belief? Overall, he shows that these authors presented an increasingly universalistic portrait of Islam through which Sino-Muslims were encouraged to participate within the global community of Muslims. The growing emphasis on performing the pilgrimage to Mecca, comprehensive knowledge of the Qur'an, and personal knowledge of Arabic stimulated communal engagement. Petersen demonstrates that the integration of Sino-Muslims within a growing global environment, where international travel and communication was increasingly possible, was accompanied by the rising self-awareness of a universally engaged Muslim community.
Author: Jonathan M. Bloom
Publisher: Routledge
ISBN: 1351942581
Category : Art
Languages : en
Pages : 634
Get Book Here
Book Description
This volume deals with the formative period of Islamic art (to c. 950), and the different approaches to studying it. Individual essays deal with architecture, ceramics, coins, textiles, and manuscripts, as well as with such broad questions as the supposed prohibition of images, and the relationships between sacred and secular art. An introductory essay sets each work in context; it is complemented by a bibliography for further reading.
