Author: Darren Murphy
Publisher: Bloomsbury Publishing
ISBN: 1849435308
Category : Drama
Languages : en
Pages : 95
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Book Description
Irish Blood, English Heart is an exploration of how memories, real and imagined, can shape our lives. Ray is a charming, enigmatic and successful comedian turned author. His brother Con is a London taxi driver struggling to keep his family together and bruised by his brother's success. When the two meet in a mysterious lockup following their estranged father's death, raw memories and unspoken truths come spilling out. Irish Blood, English Heart was performed at Trafalgar Studios, 2 May 2011 - 21 May 2011
Author: Annie Caulfield
Publisher: Penguin UK
ISBN: 014193591X
Category : Biography & Autobiography
Languages : en
Pages : 267
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Book Description
Annie Caulfield's early years were spent by the seaside in Ireland. However, the family shifted to Sixties London and soon she wasn't sure who she was - was she English, was she Irish, and if so, what kind of Irish? Watching the news of The Troubles, she was unable to recognise the country she'd left behind. On return journeys to visit her family over the last thirty years, she discovers how much The Troubles have caused weird and successful aspects of the country's life and history to be overlooked. Caulfield's background is religiously and politically mixed, giving her a unique and often astute perspective on The Troubles. This is an Irish emigrant's tale, asking whether you can ever really go back to your roots. If you were a punk rocker when others were on hunger strike, can you really put your hand on your heart and say 'my people'? If you get a headache and go home to watch Big Brother on 12th July, are you just too flippant to understand your own country? There are many books on the recent history of Northern Ireland, but none give such a funny insight into the lives of ordinary people as Annie Caulfield's affectionate portrait of 'Alternative Ulster'.
Author: Ethel Crowley
Publisher: Orpen Press
ISBN: 1909518441
Category : Social Science
Languages : en
Pages : 252
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Book Description
Ireland’s economy is being scrutinised daily by everyone from politicians to pub goers, but what about the deeper questions of Ireland’s sense of identity and community? Socially, Ireland is in a period of rapid change – is it time to get behind the numbers and look at who we really are? In Your Place or Mine? sociologist Ethel Crowley looks at our attitudes to home, place, family, sexuality and community. Do we still need the traditional forms of connection to home, family, community and locality in the highly globalised society in which we live? Do we still like to stay within the heart of a familiar comfort zone or are we willing to push its boundaries? Your Place or Mine? captures some of the complexities of contemporary Ireland. What is the impact of globalisation and multiculturalism? Are community values really declining? Despite a more liberal attitude to sexuality, are we a liberal society? Ethel Crowley mixes warm-hearted biography and sociological rigour to create a set of reflections on finding our place in the world, as a country and as individuals. 'Crowley uses an exciting, innovative approach to identify and describe the cultural transformations of contemporary Ireland. Mixing personal memories with sociologically informed debate, she provides an insightful and imaginative explanation of how Ireland has combined the local with the global.' Professor Tom Inglis, School of Sociology, University College Dublin
Author: D. McKinney
Publisher: Hal Leonard Corporation
ISBN: 1495028925
Category : Biography & Autobiography
Languages : en
Pages : 363
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Book Description
(FAQ). No one can argue that Morrissey is one of the best lyricists and charismatic front men in music history. But people love to argue about other things his mysterious personal life, his pompous attitude, and the history and meaning behind his biggest hits. Morrissey FAQ will put to rest any questions and doubts about the singer known around the world for his meaningful lyrics and biting wit. Readers will also learn about his passions, his weaknesses, the people who love him, the people who hate him, and the people who want to be him. Not since Elvis have fans been so obsessed with a singer; they fight with each other at concerts, they rush and tackle him onstage, they dress and act like him, and they even build shrines dedicated to him. Liking Morrissey isn't just liking his music it's a way of life. Morrissey is known for his over-the-top lyrics, his stage antics, his philosophies, and his whining. But after reading this book and digging deeper into the brooding mystique that is Morrissey, you'll also start whining... for more Moz!
Author: Anja Thümmler
Publisher: GRIN Verlag
ISBN: 3869436646
Category : Foreign Language Study
Languages : en
Pages : 116
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Book Description
Thesis (M.A.) from the year 2004 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 1.3, University of Leipzig, language: English, abstract: This thesis evaluates the relation between British popular music and national identity. It concentrates on developments during the 1990s, bringing together all three popular genres of pop music during that period: indie rock, dance music and black music. Taking into account theoretical considerations on popular music, this thesis applies theories of collective identities in general and national identity in particular to Nineties pop. By analyzing an example of popular music media as well as selected music texts, the discourses within popular music culture are being compared to general discourses on questions of national identity within Great Britain.
Author: Victor Kennedy
Publisher: Cambridge Scholars Publishing
ISBN: 1443896209
Category : Music
Languages : en
Pages : 270
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Book Description
Ethnic and Cultural Identity in Music and Song Lyrics looks at a variety of popular and folk music from around the world, with examples of British, Slovene, Chinese and American songs, poems and musicals. Charles Taylor says that “it is through story that we find or devise ways of living bearably in time”; one can make the same claim for music. Inexorably tied to time, to the measure of the beat, but freed from time by the polysemous potential of the words, song rapidly becomes “our” song, helping to cement memory and community, to make the past comprehensible and the present bearable. The authors of the fifteen chapters in this volume demonstrate how lyrics set to music can reflect, express and construct collective identities, both traditional and contemporary.
Author: Robert Edgar
Publisher: Bloomsbury Publishing USA
ISBN: 1501340662
Category : Biography & Autobiography
Languages : en
Pages : 265
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Book Description
Music, Memory and Memoir provides a unique look at the contemporary cultural phenomenon of the music memoir and, leading from this, the way that music is used to construct memory. Via analyses of memoirs that consider punk and pop, indie and dance, this text examines the nature of memory for musicians and the function of music in creating personal and cultural narratives. This book includes innovative and multidisciplinary approaches from a range of contributors consisting of academics, critics and musicians, evaluating this phenomenon from multiple academic and creative practices, and examines the contemporary music memoir in its cultural and literary contexts.
Author: Sean Campbell
Publisher: Manchester University Press
ISBN: 1847794734
Category : Music
Languages : en
Pages : 439
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Book Description
For five short years in the 1980s, a four-piece Manchester band released a collection of records that had undeniably profound effects on the landscape of popular music and beyond. Today, public and critical appreciation of The Smiths is at its height, yet the most important British band after The Beatles have rarely been subject to sustained academic scrutiny. Why pamper life’s complexities?: Essays on The Smiths seeks to remedy this by bringing together diverse research disciplines to place the band in a series of enlightening social, cultural and political contexts as never before. Topics covered by the essays range from class, sexuality, Catholicism, Thatcherism, regional and national identities, to cinema, musical poetics, suicide and fandom. Lyrics, interviews, the city of Manchester, cultural iconography and the cult of Morrissey are all considered anew. The essays breach the standard confines of music history, rock biography and pop culture studies to give a sustained critical analysis of the band that is timely and illuminating. This book will be of interest to scholars and students in the fields of sociology, literature, geography, cultural and media studies. It is also intended for a wider audience of those interested in the enduring appeal of one of the most complex and controversial bands. Accessible and original, these essays will help to contextualise the lasting cultural legacy of The Smiths.
Author: Mark Fitzgerald
Publisher: Routledge
ISBN: 1317092503
Category : Music
Languages : en
Pages : 340
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Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ’music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ’Historical Perspectives’, ’Recent and Contemporary Production’ and ’Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ’moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold
Author: Dr John O'Flynn
Publisher: Ashgate Publishing, Ltd.
ISBN: 147240968X
Category : Music
Languages : en
Pages : 341
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Book Description
Music and Identity in Ireland and Beyond represents the first interdisciplinary volume of chapters on an intricate cultural field that can be experienced and interpreted in manifold ways, whether in Ireland (The Republic of Ireland and/or Northern Ireland), among its diaspora(s), or further afield. While each contributor addresses particular themes viewed from discrete perspectives, collectively the book contemplates whether ‘music in Ireland’ can be regarded as one interrelated plane of cultural and/or national identity, given the various conceptions and contexts of both Ireland (geographical, political, diasporic, mythical) and Music (including a proliferation of practices and genres) that give rise to multiple sites of identification. Arranged in the relatively distinct yet interweaving parts of ‘Historical Perspectives’, ‘Recent and Contemporary Production’ and ‘Cultural Explorations’, its various chapters act to juxtapose the socio-historical distinctions between the major style categories most typically associated with music in Ireland - traditional, classical and popular - and to explore a range of dialectical relationships between these musical styles in matters pertaining to national and cultural identity. The book includes a number of chapters that examine various movements (and ‘moments’) of traditional music revival from the late eighteenth century to the present day, as well as chapters that tease out various issues of national identity pertaining to individual composers/performers (art music, popular music) and their audiences. Many chapters in the volume consider mediating influences (infrastructural, technological, political) and/or social categories (class, gender, religion, ethnicity, race, age) in the interpretation of music production and consumption. Performers and composers discussed include U2, Raymond Deane, Afro-Celt Sound System, E.J. Moeran, Séamus Ennis, Kevin O’Connell, Stiff Little Fingers, Frederick May, Arnold Bax and Morrissey.
