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Author: Irish Arts Review, Limited
Publisher:
ISBN: 9780951372234
Category : Art
Languages : en
Pages : 256
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Book Description
Author: Irish Arts Review, Limited
Publisher:
ISBN: 9780951372234
Category : Art
Languages : en
Pages : 256
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Book Description
Author: Catherine Marshall
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
A brief history of Irish art masterpieces offers many fine illustrations.
Author: Homan Potterton
Publisher:
ISBN: 9780953651054
Category :
Languages : en
Pages : 220
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 292
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Book Description
Author: Metropolitan Museum of Art (New York, N.Y.)
Publisher: Metropolitan Museum of Art
ISBN: 0870991647
Category : Art, Ancient
Languages : en
Pages : 228
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Book Description
Author: Homan Potterton
Publisher:
ISBN: 9780952387640
Category : Art
Languages : en
Pages : 234
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Book Description
Author: Homan Potterton
Publisher:
ISBN: 9780953651047
Category :
Languages : en
Pages : 272
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Book Description
Author: Jackie Bennett
Publisher: Frances Lincoln
ISBN: 1781318751
Category : Gardening
Languages : en
Pages : 227
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Book Description
The Artist’s Garden offers an intriguing study into 20 gardens that have inspired and been home to some of the greatest painters of history. The most alluring image of an artist at work is surely one where he or she has come out of their studio, set up their easel on the garden path, pulled on a hat to shade their eyes from the sun and taken their brush and palette in hand. This sumptuously illustrated and fascinating book delves into the stories behind the gardens which inspired some of the most beautiful and important works of art. These gardens not only supplied the inspiration for creative works but also illuminate the professional motivation and private life of the artists themselves – from Cezanne’s house in the south of France to Childe Hassam at Celia Thaxter’s garden off the coast off Maine. Flowers and gardens have often been the first choice for artists looking for a subject. A garden close to the artist’s studio is not only convenient for daily material and ideas, but also has the advantage of changing through the seasons and over time. Claude Monet’s Giverny was the catalyst for hundreds of great paintings (by Monet and other artists), each one different from the one before. Sometimes a whole village becomes the focus for a colony of artists as at Gerberoy in Picardy and Skagen on the northernmost tip of Denmark. This book is about the real homes and gardens that inspired these great artists – gardens that can still be visited today. The relationship between artist and garden is a complex one. A few artists, including Pierre Bonnard and his neighbour Monet were keen gardeners, as much in love with their plants as their work, while for others like Sorolla in Madrid, his courtyard home was both a sanctuary and a source of ideas. This book is as unmissable for art lovers as it is for anyone who knows the joy of time spent in gardens, offering an intriguing insight into the lives of these great painters and the gardens which inspired them to their creative heights.
Author: Róisín Kennedy
Publisher:
ISBN: 1789622352
Category : Art
Languages : en
Pages : 304
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Book Description
Art and the Nation State is a wide-ranging study of the reception and critical debate on modernist art from the foundation of the Irish Free State in 1922 to the end of the modernist era in the 1970s. Drawing on art works, media coverage, reviews, writings and the private papers of key Irish and international artists, critics and commentators including Samuel Beckett, Thomas MacGreevy, Clement Greenberg, James Johnson Sweeney, Herbert Read and Brian O'Doherty, the study explores the significant contribution of Irish modernist art to post-independence cultural debate and diverging notions of national Irish identity. Through an analysis of major controversies, the book examines how the reputations of major Irish artists was moulded by the prevailing demands of national identity, modernization and the dynamics of the international art world. Debate about the relevance of the work of leading international modernists such as the Irish-American sculptor, Andrew O'Connor, the French expressionist painter, Georges Rouault, the British sculptor Henry Moore and the Irish born, but ostensibly British, artist Francis Bacon to Irish cultural life is also analysed, as is the equally problematic positioning of Northern Irish artists.
