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Author: Marc Spitz
Publisher: Crown
ISBN: 0609807749
Category : Music
Languages : en
Pages : 322
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Book Description
Taking us back to late ’70s and early ’80s Hollywood—pre-crack, pre-AIDS, pre-Reagan—We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there. “California was wide-open sex—no condoms, no birth control, no morality, no guilt.” —Kim Fowley “The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie “The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe “The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer “At least fifty punks were living at the Canterbury. You’d walk into the courtyard and there’d be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda Carlisle Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock ’n’ roll of today.
Author: Marc Spitz
Publisher: Crown
ISBN: 0609807749
Category : Music
Languages : en
Pages : 322
Get Book Here
Book Description
Taking us back to late ’70s and early ’80s Hollywood—pre-crack, pre-AIDS, pre-Reagan—We Got the Neutron Bomb re-creates word for word the rage, intensity, and anarchic glory of the Los Angeles punk scene, straight from the mouths of the scenesters, zinesters, groupies, filmmakers, and musicians who were there. “California was wide-open sex—no condoms, no birth control, no morality, no guilt.” —Kim Fowley “The Runaways were rebels, all of us were. And a lot of people looked up to us. It helped a lot of kids who had very mediocre, uneventful, unhappy lives. It gave them something to hold on to.” —Cherie Currie “The objective was to create something for our own personal satisfaction, because everything in our youthful and limited opinion sucked, and we knew better.” —John Doe “The Masque was like Heaven and Hell all rolled into one. It was a bomb shelter, a basement. It was so amazing, such a dive ... but it was our dive.” —Hellin Killer “At least fifty punks were living at the Canterbury. You’d walk into the courtyard and there’d be a dozen different punk songs all playing at the same time. It was an incredible environment.” —Belinda Carlisle Assembled from exhaustive interviews, We Got the Neutron Bomb tells the authentically gritty stories of bands like the Runaways, the Germs, X, the Screamers, Black Flag, and the Circle Jerks—their rise, their fall, and their undeniable influence on the rock ’n’ roll of today.
Author: Nitza Yarom
Publisher: Psychology Press
ISBN: 9781583917589
Category : Psychology
Languages : en
Pages : 262
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Book Description
Nitza Yarom looks at psychoanalysis in many different ways.
Author: Jorjeana Marie
Publisher: Ten Speed Press
ISBN: 0399582037
Category : Language Arts & Disciplines
Languages : en
Pages : 225
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Book Description
Free yourself from writer’s block and inner critics with the creative power of improv! “Jorjeana Marie’s generous, joyful, and oh-so-useful book shows writers—both seasoned and new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way Improv instructor and writer Jorjeana Marie reveals a new way to generate idea after brilliant idea. Applying the rules of improv to fiction writing, Marie presents fun games and exercises you can do from the comfort of your desk at home. Surprise yourself with new plots, infinite characters and settings, and a supreme confidence in your own process. Armed with the power of improv—and liberating exercises like Ad Agency, Raise the Stakes, and Family Portraits—you’ll soon be an idea machine. With Improv for Writers, your creative storytelling well will never run dry again. Advance praise for Improv for Writers “Here’s a secret. Many authors started out as drama geeks and later found that theatrical skills like deep-diving into character and improvising on the fly were essential tools for writing fiction. Jorjeana Marie’s generous, joyful and oh-so useful book applies the principles of improv to writing and though a series of targeted, fun exercises shows writers—both the seasoned and the new—how to unleash their creativity and find their best story.”—Gayle Forman, New York Times bestselling author of If I Stay and I Have Lost My Way “Part practical, part playful, part encouraging and affirming, Jorjeana Marie’s Improv for Writers is a certain antidote to writing blocks—and writer’s block! This book is a necessary and vital tool for authors and storytellers everywhere.”—Karma Brown, bestselling author of The Life Lucy Knew “Thank you, Jorjeana Marie for infusing joy and play and experimentation in the often-arduous act of writing fiction. I'll be turning to these exercises whenever I need to jump-start my writing session and will be recommending many of my writing students to do the same.”—Nina LaCour, Michael L. Printz Award-winning author of We Are Okay, Hold Still, The Disenchantments, and Everything Leads to You; and You Know Me Well, a novel written in collaboration with David Levithan.
Author: David Ensminger
Publisher: PM Press
ISBN: 1604868864
Category : Music
Languages : en
Pages : 433
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Book Description
Left of the Dial features interviews by musical journalist, folklorist, educator, and musician David Ensminger with leading figures of the punk underground: Ian MacKaye (Minor Threat/Fugazi), Jello Biafra (Dead Kennedys), Dave Dictor (MDC), and many more. Ensminger probes the legacy of punk’s sometimes fuzzy political ideology, its ongoing DIY traditions, its rupture of cultural and social norms, its progressive media ecology, its transgenerational and transnational appeal, its pursuit of social justice, its hybrid musical nuances, and its sometimes ambivalent responses to queer identities, race relations, and its own history. Passionate, far-reaching, and fresh, these conversations illuminate punk’s oral history with candor and humor. Rather than focus on discographies and rehashed gig memories, the interviews aim to unveil the secret history of punk and hardcore ideologies and values, as understood by the performers. In addition, Ensminger has culled key graphics from his massive punk flyer collection to celebrate the visual history of the bands represented. The book also features rare photographs shot by Houston-based photographer Ben DeSoto during the heyday of punk and hardcore, which capture the movement’s raw gusto, gritty physicality, and resilient determination. Interviews include Peter Case (Nerves, Plimsouls), Captain Sensible (The Damned), Tony Kinman (The Dils), El Vez, Charlie Harper (UK Subs), The Deaf Club (an oral history of the landmark San Francisco club), Mike Palm (Agent Orange), Gregg Turner (Angry Samoans), Ian MacKaye (Minor Threat, Fugazi), Jello Biafra (Dead Kennedys), Gary Floyd (Dicks, Sister Double Happiness), Mike Watt (Minutemen, fIREHOSE), Shawn Stern (Youth Brigade), Kira Roessler (Black Flag, Dos), Jack Grisham (TSOL), Keith Morris (Circle Jerks, Off!) Fred “Freak” Smith (Beefeater), U-Ron Bondage (Really Red), Vic Bondi (Articles of Faith), Lisa Fancher (Frontier Records), Dave Dictor (MDC), and Thomas Barnett (Strike Anywhere).
Author: Hugh Aldersey-Williams
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 200
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Book Description
Twenty-one industrial and graphic design firms are profiled from interviews on the background, working methods and views of each. Profiles are followed by a 4-6 page color portfolio of the firm's work. No bibliography. A square format: 101/4x101/4". Annotation copyrighted by Book News, Inc., Portland, OR
Author: Dewar MacLeod
Publisher: University of Oklahoma Press
ISBN: 0806183403
Category : History
Languages : en
Pages : 189
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Book Description
Los Angeles rock generally conjures memories of surf music, The Doors, or Laurel Canyon folkies. But punk? L.A.'s punk scene, while not as notorious as that of New York City, emerged full-throated in 1977 and boasted bands like The Germs, X, and Black Flag. This book explores how, in the land of the Beach Boys, punk rock took hold. As a teenager, Dewar MacLeod witnessed firsthand the emergence of the punk subculture in Southern California. As a scholar, he here reveals the origins of an as-yet-uncharted revolution. Having combed countless fanzines and interviewed key participants, he shows how a marginal scene became a "mass subculture" that democratized performance art, and he captures the excitement and creativity of a neglected episode in rock history. Kids of the Black Hole tells how L.A. punk developed, fueled by youth unemployment and alienation, social conservatism, and the spare landscape of suburban sprawl communities; how it responded to the wider cultural influences of Southern California life, from freeways to architecture to getting high; and how L.A. punks borrowed from their New York and London forebears to create their own distinctive subculture. Along the way, MacLeod not only teases out the differences between the New York and L.A. scenes but also distinguishes between local styles, from Hollywood's avant-garde to Orange County's hardcore. With an intimate knowledge of bands, venues, and zines, MacLeod cuts to the heart of L.A. punk as no one has before. Told in lively prose that will satisfy fans, Kids of the Black Hole will also enlighten historians of American suburbia and of youth and popular culture.
Author: Peter Biskind
Publisher: Macmillan
ISBN: 0805065636
Category : History
Languages : en
Pages : 385
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Book Description
Seeing is Believing is a provocative, shrewd, witty look at the Hollywood fifties movies we all love-or love to hate-and the thousand subtle ways they reflect the political tensions of the decade. Peter Biskind, former executive editor of Premiere, is one of our most astute cultural critics. Here he concentrates on the films everybody saw but nobody really looked at--classics like Giant, On the Waterfront, Rebel Without a Cause, and Invasion of the Body Snatchers--and shows us how movies that appear to be politically innocent in fact carry an ideological burden. As we see organization men and rugged individualists, housewives and career women, cops and doctors, teen angels and teenage werewolves fight it out across the screen from suburbia to the farthest reaches of the cosmos, we understand that we have been watching one long dispute about how to be a man, a woman, an American--the conflicts of the period in action. A work of brilliant analysis and meticulous conception, Seeing Is Believing offers fascinating insights into how to read films of any era.
Author: Barney Hoskyns
Publisher: Hal Leonard Corporation
ISBN: 9780879309435
Category : Music
Languages : en
Pages : 460
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Book Description
British rock historian Hoskyns examines the long and twisted rock & roll history of Los Angeles in its glamorous and debauched glory. The Beach Boys, The Doors, the Eagles, Joni Mitchell, and others populate the pages of this comprehensive and extensively illustrated book.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 162
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Book Description
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Author: Robert Ludlum
Publisher: Bantam
ISBN: 0345539230
Category : Fiction
Languages : en
Pages : 386
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Book Description
The name on the computer screen is James Barbour Matlock, college professor and Vietnam veteran. He’s Washington’s choice to stop a far-reaching conspiracy in an undercover assignment destined to put his neck against the razor’s edge of danger. But the faceless men behind the scenes don’t care if it means savaging the woman he loves or trapping him in a maze of unrelenting terror. They just care about one thing: Matlock is the perfect man for the job—and the reason why is disturbing, explosive, and extremely deadly. Praise for Robert Ludlum and The Matlock Paper “A sure winner . . . fast paced, suspenseful, and bound to keep you turning the pages.”—The Denver Post “A 110% story all in overdrive . . . Ludlum writes better and better.”—Kirkus Reviews “Suspense, violence, and total readability.”—Chicago Tribune
