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Author: Christoph Tietze
Publisher:
ISBN: 9781584592280
Category : Music
Languages : en
Pages :
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Author: Christoph Tietze
Publisher:
ISBN: 9781584592280
Category : Music
Languages : en
Pages :
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Book Description
Author: Joseph Oldknow
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 440
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Book Description
![Introits and hymns, with some anthems adapted to the seasons of the Christian year [ed. by W.U. Richards]. PDF](https://books.google.com/books/content/images/frontcover/7w0DAAAAQAAJ?fife=w80-h100)
Author: Introits
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 270
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Book Description
Author: Christoph Tietze
Publisher: LiturgyTrainingPublications
ISBN: 9781595250117
Category : Music
Languages : en
Pages : 332
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Book Description
The introit is the entrance song to the eucharistic celebration of the Catholic Church, sung to a prescribed text that is thematically linked to the season or the particular celebration and belongs to the category of antiphonal Mass chants. The introit chant is the last of the Mass propers to be researched in detail. In this groundbreaking study, Christoph Tietze presents the history and development of the introit through the ages. He has also composed congregational settings of the proper parts of the Mass for the liturgical year. This book shows how to make these texts practical for parish use. It will help pastors, music directors, and seminarians better understand the texts for use in today's liturgies. Book jacket.
![Introits and Hymns, with some anthems, adapted to the seasons of the Christian year. [Compiled by George Cosby White.] PDF](https://books.google.com/books/content/images/frontcover/q75VAAAAcAAJ?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 264
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Author:
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 176
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Author:
Publisher:
ISBN:
Category : Hymns
Languages : en
Pages : 280
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Author:
Publisher:
ISBN:
Category : Church year
Languages : en
Pages : 154
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Author: George Orillo Baclay
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 336
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Book Description
"Music and silence-how I detest them both!"Screwtape, under-secretary to the devil, The Screwtape Letters by C. S. LewisIt's easy to see why the enemies of mankind would hate and fear both sacred silence and sacred music. Both bring joy, spur contemplation, and draw the soul nearer to the Lord. Both have been part of our private prayer as well as our communal liturgy for thousands of years.The Psalms-biblical songs of praise, supplication, and wonder-have been sung for three thousand years. Naturally, Jesus, His disciples, and later the early Christian community also sang hymns (from the Greek word meaning "songs of praise"), as The New Testament makes clear. We sing because we love, and sung praise elevates our words, takes them out of the realm of the commonplace, and increases our joy. The holy pleasure of singing to God involves the entire person-spirit, heart, mind, and body-and unites us not only with the Divine but also with one another as a worshiping community.This collection of hymns for the singing Catholic congregation exemplifies the best of the genre. These songs are religiously orthodox, beautiful, sacred, and-for the most part-familiar. But here you will also find worthy hymn tunes and texts that are new to you.We present this book to propose not that hymns replace the proper chants for that days Mass* but live happily alongside them. In most instances the proper chants for processions are the prerogative of cantors and choirs and, as they change very day as part of the Mass aren't practical to be sung by the congregation. Hymns, on the other hand, belong to all the faithful and serve as a key means of the "active participation" spoken of in Vatican II's Constitution on the Sacred Liturgy. Hymns have been sung as an important part of the Liturgy of the Hours for century upon century, so they are nothing new, new only to be sung at Mass. "To promote active participation, the people should be encouraged to take part by means of acclamations, responses, psalmody, antiphons, and songs, as well as by actions, gestures, and bodily attitudes. And at the proper times all should observe a reverent silence."Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Paragraph 30In a parish where the scriptures are sung, the introit will accompany the procession of the ministers and the cross. Clergy, choir, and people can then sing a congregational hymn. The same is true at offertory and Communion: hymns can follow the proper chants. And at the conclusion of Mass, a suitable hymn can send the people forth with the praise of Almighty God on their lips.May this book bring joy to all who sing from it! What is the source of the Sung Antiphons for the Roman liturgy Mass?The proper texts of the Antiphons of the Roman liturgy may be found in: Graduale Romanum; English translations of these texts are also widely available. The antiphons from the Roman Missal, third edition, may also serve as proper texts. For more information see: Sacrosanctum Concilium (Constitution on the Sacred Liturgy, Vatican II, 1963), Musicam Sacram (Instruction on Music in the Liturgy, 1967)The General Instruction of the Roman Missal, 2010.
Author: George Cosby White
Publisher: Forgotten Books
ISBN: 9781527950405
Category : Music
Languages : en
Pages : 172
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Book Description
Excerpt from Introits and Hymns: With Some Anthems, Adapted to the Seasons of the Christian Year Drop down, ye heavens, from above, skies pour down righteousness; let the earth and let them bring forth salvation. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
