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Author: Mary S. Zurbuchen
Publisher:
ISBN:
Category :
Languages : en
Pages : 165
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Book Description
The oldest and most extensive written language of Southeast Asia is Old Javanese, or Kawi. It is the oldest language in terms of written records, and the most extensive in the number and variety of its texts. Javanese literature has taken many forms. At various times, prose stories, sung poetry or other metrical types, chronicles, scientific, legal, and philosophical treatises, prayers, chants, songs, and folklore were all written down. Yet relatively few texts are available in English. The unstudied texts remaining are an unexplored record of Javanese culture as well as a language still alive as a literary medium in Bali. Introduction to Old Javanese Language and Literature represents a first step toward remedying the dearth of Old Javanese texts available to English-speaking students. The ideal teaching companion, this anthology offers transliterated original texts with facing-page English translations. Theanthology focuses on prose selections, since their straightforward style and syntax offer the beginning student the most rewarding experience. Four sections make up the collection. Part I offers several short readings as the most accessible entry point into Old Javanese. Part II contains two moralistic fables from an Old Javanese retelling of the Hindu Pañcatantra cycle. Part III takes up the epic, providing excerpts from one of the books of the Old Javanese retelling of the Mahabharata. Part IV offers excerpts from two chronicles, the generic conventions of which challenge received notions of history writing because of their supernaturalism and folkloric elements. Includes introduction, glossary, and notes.
Author: Mary S. Zurbuchen
Publisher:
ISBN:
Category :
Languages : en
Pages : 165
Get Book Here
Book Description
The oldest and most extensive written language of Southeast Asia is Old Javanese, or Kawi. It is the oldest language in terms of written records, and the most extensive in the number and variety of its texts. Javanese literature has taken many forms. At various times, prose stories, sung poetry or other metrical types, chronicles, scientific, legal, and philosophical treatises, prayers, chants, songs, and folklore were all written down. Yet relatively few texts are available in English. The unstudied texts remaining are an unexplored record of Javanese culture as well as a language still alive as a literary medium in Bali. Introduction to Old Javanese Language and Literature represents a first step toward remedying the dearth of Old Javanese texts available to English-speaking students. The ideal teaching companion, this anthology offers transliterated original texts with facing-page English translations. Theanthology focuses on prose selections, since their straightforward style and syntax offer the beginning student the most rewarding experience. Four sections make up the collection. Part I offers several short readings as the most accessible entry point into Old Javanese. Part II contains two moralistic fables from an Old Javanese retelling of the Hindu Pañcatantra cycle. Part III takes up the epic, providing excerpts from one of the books of the Old Javanese retelling of the Mahabharata. Part IV offers excerpts from two chronicles, the generic conventions of which challenge received notions of history writing because of their supernaturalism and folkloric elements. Includes introduction, glossary, and notes.
Author: Mary S. Zurbuchen
Publisher: University of Michigan Press
ISBN: 0472902180
Category : Language Arts & Disciplines
Languages : en
Pages : 165
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Book Description
The oldest and most extensive written language of Southeast Asia is Old Javanese, or Kawi. It is the oldest language in terms of written records, and the most extensive in the number and variety of its texts. Javanese literature has taken many forms. At various times, prose stories, sung poetry or other metrical types, chronicles, scientific, legal, and philosophical treatises, prayers, chants, songs, and folklore were all written down. Yet relatively few texts are available in English. The unstudied texts remaining are an unexplored record of Javanese culture as well as a language still alive as a literary medium in Bali. Introduction to Old Javanese Language and Literature represents a first step toward remedying the dearth of Old Javanese texts available to English-speaking students. The ideal teaching companion, this anthology offers transliterated original texts with facing-page English translations. Theanthology focuses on prose selections, since their straightforward style and syntax offer the beginning student the most rewarding experience. Four sections make up the collection. Part I offers several short readings as the most accessible entry point into Old Javanese. Part II contains two moralistic fables from an Old Javanese retelling of the Hindu Pañcatantra cycle. Part III takes up the epic, providing excerpts from one of the books of the Old Javanese retelling of the Mahābhārata. Part IV offers excerpts from two chronicles, the generic conventions of which challenge received notions of history writing because of their supernaturalism and folkloric elements. Includes introduction, glossary, and notes.
Author: George L. Campbell
Publisher: Taylor & Francis
ISBN: 9780415202978
Category : Foreign Language Study
Languages : en
Pages : 946
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Book Description
Many languages, particularly those which have achieved literary status, have been studied in great detail, and specialized descriptions of these are plentiful. What has not been so readily available, however, is a general survey covering a wide spectrum of the world's languages on a comparative basis. It is this kind of comparative cross-section of languages, ranging from the familiar and well-documented to the relatively obscure, that the Compendium of the World's Languages presents.
Author: Nancy K. Florida
Publisher:
ISBN:
Category : Foreign Language Study
Languages : en
Pages : 586
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Book Description
V. 1. Introduction and manuscripts of the Karaton Surakarta -- v. 2. Manuscripts of the Mangkunagaran Palace.
Author: R.M. Soedarsono
Publisher: UGM PRESS
ISBN: 979420174X
Category : Performing Arts
Languages : en
Pages : 483
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Book Description
Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wayang wong performances we put on stage at the dawn of the day because it was karsa-Dalĕm, the Sultan’s will. In my opinion, there must be something particularly significant behind the creation of wayang wong, because the Surakarta court never performed this dance genre, and I realized that to obtain satisfactory answers to these questions I would have to do extensive research on this subject. In August, 1977, when I participated in the World Music Congress at Berkeley, I met Professor Judith Becker. On onve occasion I taled with her concerning the possibility of my pursuin a Ph.D. degree at the University of Michigan with a dissertation topic, “Wayang Wong”. She responded wholeheartedly and, without any delay, made a long distance call to her husband, Professor Alton L. Becker. Both of them became my teachers, advisors and co-chairmen. After my return from Berkeley I started to do research on some aspects of wayang wong. In 1980 I began my course work in Southeast Asian Studies at the University of Michigan emphasizing three areas of study: (1) Southeast Asian Performance Traditions; (2) Southeast Asian History; and (3) Southeast Asian Literature. With the assistance of the Asian Cultural Council I continued my research at the Asia Society and the Library of Performing Arts in New York. There I scrutinized wayang wong films, especially the one of the lakon Mintaraga made by Mr. Tassilo Adam in 1926. Although the film is very choppy, it gave me priceless information about he magnificent production and also about the large audience of kawula-Dalĕm, the Sultan’s subjects. Who witnessed the perfor-mance. With the assistance of the Asian Cultural Council, the Ford Foundation and the University of Michigan I returned to Java during the summer of 1981 to continue by research at the Yogya-karta court libraries. The Sanabudaya Museum, and to interview numerous ex-wayang wong dancers. From these activities the first evidence for my hypothesis emerged, i.e., that wayang wong was a state ritual and not just a mere entertainment in the Yogyakarta court. By reading numerous wayang wong texts –Sĕrat Kandha and Sĕrat Pocapan, all in Javanese handwriting--, manuscripts about he Yogyakarta’s pusakas, and by analysing the conception of kingship of Mataram, I obtainded enough data to confirm my hypothesis further. It became apparent to me that wayang wong was created by Sultan Hamĕngkubuwana I in the late 1970’s as a revival of the Old javanese wayang wang. Photographs play a significant role in this work, since visual information about this dance drama gives us a clear image of numerous scenes. With the exception of figures nos. 1317, 69 and 84 all the photographs and pictures are from my own collection and drawing. Photographs are, nevertheless, motionless shots of dance movement and, therefore, cannot distinguish the movements of one character from another. Hence I have felt it necessary to put the basic movements of the twenty-one wayang wong types of character in Labanotation.
Author: George L. Campbell
Publisher: Routledge
ISBN: 1136258469
Category : Foreign Language Study
Languages : en
Pages : 1966
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Book Description
This third edition of Compendium of the World’s Languages has been thoroughly revised to provide up-to-date and accurate descriptions of a wide selection of natural language systems. All cultural and historical notes as well as statistical data have been checked, updated and in many cases expanded. Presenting an even broader range of languages and language families, including new coverage of Australian aboriginal languages and expanded treatment of North American and African languages, this new edition offers a total of 342 entries over nearly 2000 pages. Key features include: Complete rewriting, systematization and regularisation of the phonology sections Provision of IPA symbol grids arranged by articulatory feature and by alphabetic resemblance to facilitate use of the new phonology sections Expansion of morphology descriptions for most major languages Provision of new illustrative text samples Addition of a glossary of technical terms and an expanded bibliography Comparative tables of the numerals 1-10 in a representative range of languages, and also grouped by family Drawing upon a wealth of recent developments and research in language typology and broadened availability of descriptive data, this new incarnation of George Campbell’s astounding Compendium brings a much-loved survey emphatically into the twenty-first century for a new generation of readers. Scholarly, comprehensive and highly accessible, Compendium of the World’s Languages remains the ideal reference for all interested linguists and professionals alike.
Author:
Publisher:
ISBN:
Category : Austronesian languages
Languages : en
Pages : 718
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Book Description
Includes reports of meetings of the institute.
Author: Jacob Ensink
Publisher: BRILL
ISBN: 9004286845
Category : History
Languages : en
Pages : 82
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1642
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Book Description
Author: Helen Creese
Publisher: Bibliotheca Indonesica
ISBN:
Category : Literary Criticism
Languages : en
Pages : 528
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Book Description
For more than a millennium, the poets of Java and Bali have celebrated their deities, their patrons and the cult of beauty and love through the writing of kakawin. The Parthayana ("The Journeying of Partha") is a kakawin written in Bali in the early eighteenth century in honour of the Dewa Agung of Klungkung, Surawirya (d.1736). It relates the physical and spiritual journey of the Pandawa hero, Arjuna, as he undertakes a period of exile lasting twelve years and describes his romantic adventures. This edition of the Parthayana, together with an English translation and commentary provides insights into the practice of kakawin composition in Bali and places it in the wider context of Balinese literature.
