Introduction to Mexican Music for Solo Cello (1962-2014) from a Performer's Perspective PDF Download
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Author: Dobrochna Joanna Zubek
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
This paper examines fifty-two Mexican solo cello works (and also three works written for two cellos, one written for cello and actor, and one written for cello and tape), all of which were acquired over a four-year course of research. All of these works were composed in the modern or avant-garde style between 1962 and 2014 and represent a lesser-known area of Mexican music. During the period from 2013 through 2014, eleven works were given to the author by Carlos Prieto, thirty-five works were obtained directly from composers, and five works came from library consultations during research trips to Mexico: at the National Library in Mexico City, at the National Center for Investigation and Documentation of Music in Mexico (CENEDIM), and at the National Center for the Arts in Mexico (CENART). Introduction to Mexican Music for Solo Cello (1962-2012) from a Performer's Perspective documents an interdisciplinary approach to research: interactions and interviews with living Mexican composers, analysis and thoughts on interpretation of works by those composers, compilation of a list of works for solo cello written between 1962 and 2014 based on Adventure of a Cello by Carlos Prieto, Influence of Carlos Prieto on Contemporary Cello Repertoire by A.S. Saucedo Estrada, and the author's research. The paper focuses on the vital contribution of cellist Carlos Prieto to the growth and proliferation of contemporary Mexican cello music. The paper includes documented interviews by the author with prominent composers and artists in Mexico including Carlos Prieto, Manuel de Elias, Ana Lara, Max Lifchitz, Samuel Máynez, Lucia Álvarez, Radko Tichavský, and Iracema de Andrade. This research is the first of its kind to document Mexican works for solo cello and to provide background analysis of these works from a performer's perspective. All of the pieces covered in this project have yet to make a significant impact on the wider world or on professional cellists outside of Mexico.
Author: Dobrochna Joanna Zubek
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
This paper examines fifty-two Mexican solo cello works (and also three works written for two cellos, one written for cello and actor, and one written for cello and tape), all of which were acquired over a four-year course of research. All of these works were composed in the modern or avant-garde style between 1962 and 2014 and represent a lesser-known area of Mexican music. During the period from 2013 through 2014, eleven works were given to the author by Carlos Prieto, thirty-five works were obtained directly from composers, and five works came from library consultations during research trips to Mexico: at the National Library in Mexico City, at the National Center for Investigation and Documentation of Music in Mexico (CENEDIM), and at the National Center for the Arts in Mexico (CENART). Introduction to Mexican Music for Solo Cello (1962-2012) from a Performer's Perspective documents an interdisciplinary approach to research: interactions and interviews with living Mexican composers, analysis and thoughts on interpretation of works by those composers, compilation of a list of works for solo cello written between 1962 and 2014 based on Adventure of a Cello by Carlos Prieto, Influence of Carlos Prieto on Contemporary Cello Repertoire by A.S. Saucedo Estrada, and the author's research. The paper focuses on the vital contribution of cellist Carlos Prieto to the growth and proliferation of contemporary Mexican cello music. The paper includes documented interviews by the author with prominent composers and artists in Mexico including Carlos Prieto, Manuel de Elias, Ana Lara, Max Lifchitz, Samuel Máynez, Lucia Álvarez, Radko Tichavský, and Iracema de Andrade. This research is the first of its kind to document Mexican works for solo cello and to provide background analysis of these works from a performer's perspective. All of the pieces covered in this project have yet to make a significant impact on the wider world or on professional cellists outside of Mexico.
Author: Daniel Levitin
Publisher: Penguin UK
ISBN: 0241987369
Category : Music
Languages : en
Pages : 229
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Book Description
From the author of The Changing Mind and The Organized Mind comes a New York Times bestseller that unravels the mystery of our perennial love affair with music ***** 'What do the music of Bach, Depeche Mode and John Cage fundamentally have in common?' Music is an obsession at the heart of human nature, even more fundamental to our species than language. From Mozart to the Beatles, neuroscientist, psychologist and internationally-bestselling author Daniel Levitin reveals the role of music in human evolution, shows how our musical preferences begin to form even before we are born and explains why music can offer such an emotional experience. In This Is Your Brain On Music Levitin offers nothing less than a new way to understand music, and what it can teach us about ourselves. ***** 'Music seems to have an almost wilful, evasive quality, defying simple explanation, so that the more we find out, the more there is to know . . . Daniel Levitin's book is an eloquent and poetic exploration of this paradox' Sting 'You'll never hear music in the same way again' Classic FM magazine 'Music, Levitin argues, is not a decadent modern diversion but something of fundamental importance to the history of human development' Literary Review
Author: Timothy Rice
Publisher: Oxford University Press
ISBN: 0199794375
Category : Music
Languages : en
Pages : 168
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Book Description
Explaining that musicality is an essential touchstone of the human experience, a concise introduction to the study of the nature of music, its community and its cultural values explains the diverse work of today's ethnomusicologists and how researchers apply anthropological and other social disciplines to studies of human and cultural behaviors. Original.
Author: Erling E. Guldbrandsen
Publisher: Cambridge University Press
ISBN: 1107127211
Category : Art
Languages : en
Pages : 369
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Book Description
This collection brings fresh perspectives to bear upon key questions surrounding the composition, performance and reception of musical modernism.
Author: Ellen Koskoff
Publisher: University of Illinois Press
ISBN: 0252096401
Category : Music
Languages : en
Pages : 240
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Book Description
One of the pioneers of gender studies in music, Ellen Koskoff edited the foundational text Women and Music in Cross Cultural Perspective, and her career evolved in tandem with the emergence and development of the field. In this intellectual memoir, Koskoff describes her journey through the maze of social history and scholarship related to her work examining the intersection of music and gender. Koskoff collects new, revised, and hard-to-find published material from mid-1970s through 2010 to trace the evolution of ethnomusicological thinking about women, gender, and music, offering a perspective of how questions emerged and changed in those years, as well as Koskoff's reassessment of the early years and development of the field. Her goal: a personal map of the different paths to understanding she took over the decades, and how each inspired, informed, and clarified her scholarship. For example, Koskoff shows how a preference for face-to-face interactions with living people served her best in her research, and how her now-classic work within Brooklyn's Hasidic community inflamed her feminist consciousness while leading her into ethnomusicological studies. An uncommon merging of retrospective and rumination, A Feminist Ethnomusicology: Writings on Music and Gender offers a witty and disarmingly frank tour through the formative decades of the field and will be of interest to ethnomusicologists, anthropologists, scholars of the history and development of feminist thought, and those engaged in fieldwork. Includes a foreword by Suzanne Cusick framing Koskoff's career and an extensive bibliography provided by the author.
Author: Mark Pedelty
Publisher: University of Texas Press
ISBN: 0292774184
Category : Music
Languages : en
Pages : 353
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Book Description
On the Zócalo, the main square of Mexico City, Mexico's entire musical history is performed every day. "Mexica" percussionists drum and dance to the music of Aztec rituals on the open plaza. Inside the Metropolitan Cathedral, choristers sing colonial villancicos. Outside the National Palace, the Mexican army marching band plays the "Himno Nacional," a vestige of the nineteenth century. And all around the square, people listen to the contemporary sounds of pop, rock, and música grupera. In all, some seven centuries of music maintain a living presence in the modern city. This book offers an up-to-date, comprehensive history and ethnography of musical rituals in the world's largest city. Mark Pedelty details the dominant musical rites of the Aztec, colonial, national, revolutionary, modern, and contemporary eras, analyzing the role that musical ritual played in governance, resistance, and social change. His approach is twofold. Historical chapters describe the rituals and their functions, while ethnographic chapters explore how these musical forms continue to resonate in contemporary Mexican society. As a whole, the book provides a living record of cultural continuity, change, and vitality.
Author: David Hebert
Publisher: Cambridge Scholars Publishing
ISBN: 1527511901
Category : Music
Languages : en
Pages : 431
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Book Description
This unique edited volume offers a distinctive theoretical perspective and advanced insights into how music is impacted by the interaction of global forces with local conditions. As the first major book to apply the timely notion of “glocality” to music, this collection features robust scholarship on genres and practices from many corners of the world: from studies of European opera professions and the oeuvre of several contemporary art music composers, to music in Uzbekistan and Indonesia, urban street musicians, and even the didjeridoo. The authors interrogate theories of glocalization, distinguishing this notion from globalization and other more familiar concepts, and demonstrate how its application illuminates the mechanisms that link changing musical practices and technologies with their social milieu. This incisive book is relevant to scholars of many different specializations, particularly those with a deep interest in relationships between music and society, both past and present. More broadly, its discussions will be of value to those concerned with how changing policies and technologies impact cultural heritage and the creative approaches of performing artists worldwide.
Author: Michael McClure
Publisher: City Lights Publishers
ISBN: 0872866270
Category : Poetry
Languages : en
Pages : 122
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Book Description
Lion roars, detonated dada, and visceral emotional truths: McClure describes these tantras as “ceremonies to change the nature of reality."
Author: Thomas Patteson
Publisher: Univ of California Press
ISBN: 0520288025
Category : Music
Languages : en
Pages : 251
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Book Description
Listening to instruments -- "The joy of precision" : mechanical instruments and the aesthetics of automation -- "The alchemy of tone" : Jörg Mager and electric music -- "Sonic handwriting" : media instruments and musical inscription -- "A new, perfect musical instrument" : the trautonium and electric music in the 1930s -- The expanding instrumentarium
Author: Charles-Louis Hanon
Publisher: Alfred Music
ISBN: 9781457440724
Category : Music
Languages : en
Pages : 52
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Book Description
A slight condensation of Hanon's first exercises. The simplification in layout and range make the exercises appear less difficult to a young student.
