Author: Mita Choudhury
Publisher: Bucknell University Press
ISBN: 9780838754481
Category : History
Languages : en
Pages : 236
Book Description
In an original contribution to criticism, Interculturalism and Resistance demonstrates the eighteenth-century theatrical culture's ambivalence toward what has recently been described as the "exoticism of multiculturalism.""--BOOK JACKET.
Interculturalism and Resistance in the London Theater, 1660-1800
Author: Mita Choudhury
Publisher: Bucknell University Press
ISBN: 9780838754481
Category : History
Languages : en
Pages : 236
Book Description
In an original contribution to criticism, Interculturalism and Resistance demonstrates the eighteenth-century theatrical culture's ambivalence toward what has recently been described as the "exoticism of multiculturalism.""--BOOK JACKET.
Publisher: Bucknell University Press
ISBN: 9780838754481
Category : History
Languages : en
Pages : 236
Book Description
In an original contribution to criticism, Interculturalism and Resistance demonstrates the eighteenth-century theatrical culture's ambivalence toward what has recently been described as the "exoticism of multiculturalism.""--BOOK JACKET.
Tracing the Heroic Through Gender
Author: Carolin Hauck
Publisher: Ergon Verlag
ISBN: 3956504038
Category : History
Languages : en
Pages : 209
Book Description
In nahezu allen Gesellschaften und Epochen ist das Heroische vielfach gegendert. Die soziale und kulturelle Produktion des Heroischen ist jedoch nicht ausschließlich mit dem Instrumentarium der Männlichkeitsforschung zu fassen, und ebenso wenig scheint es sinnvoll, Frauen bzw. Weiblichkeit in diesem Zusammenhang lediglich als Ausnahmen zu verstehen. Vielmehr gilt es, den relationalen Charakter ernst zu nehmen. Der vorliegende Band unternimmt erstmals den Versuch, Geschlecht als analytische Kategorie für die Heroismusforschung fruchtbar zu machen. Auf der Basis vielfältiger geisteswissenschaftlicher Ansätze dient diese Kategorie als 'Spurensucherin' (tracer) des Heroischen und als Instrument zur Untersuchung der historischen Bedingungen, medialen und performativen Erscheinungsformen sowie zeiträumlichen Konjunkturen und Transformationen. Diese gilt es, mit Hilfe der Kategorie Geschlecht und unter Nutzung der zugehörigen Eigenschaften neu auszumessen.
Publisher: Ergon Verlag
ISBN: 3956504038
Category : History
Languages : en
Pages : 209
Book Description
In nahezu allen Gesellschaften und Epochen ist das Heroische vielfach gegendert. Die soziale und kulturelle Produktion des Heroischen ist jedoch nicht ausschließlich mit dem Instrumentarium der Männlichkeitsforschung zu fassen, und ebenso wenig scheint es sinnvoll, Frauen bzw. Weiblichkeit in diesem Zusammenhang lediglich als Ausnahmen zu verstehen. Vielmehr gilt es, den relationalen Charakter ernst zu nehmen. Der vorliegende Band unternimmt erstmals den Versuch, Geschlecht als analytische Kategorie für die Heroismusforschung fruchtbar zu machen. Auf der Basis vielfältiger geisteswissenschaftlicher Ansätze dient diese Kategorie als 'Spurensucherin' (tracer) des Heroischen und als Instrument zur Untersuchung der historischen Bedingungen, medialen und performativen Erscheinungsformen sowie zeiträumlichen Konjunkturen und Transformationen. Diese gilt es, mit Hilfe der Kategorie Geschlecht und unter Nutzung der zugehörigen Eigenschaften neu auszumessen.
Strolling Players of Empire
Author: Kathleen Wilson
Publisher: Cambridge University Press
ISBN: 1108846149
Category : History
Languages : en
Pages : 497
Book Description
Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.
Publisher: Cambridge University Press
ISBN: 1108846149
Category : History
Languages : en
Pages : 497
Book Description
Why did Britons get up a play wherever they went? Kathleen Wilson reveals how the performance of English theater and a theatricalized way of viewing the world shaped the geopolitics and culture of empire in the long eighteenth century. Ranging across the Atlantic, Indian and Pacific Oceans to encompass Kingston, Calcutta, Fort Marlborough, St. Helena and Port Jackson as well as London and provincial towns, she shows how Britons on the move transformed peripheries into historical stages where alternative collectivities were enacted, imagined and lived. Men and women of various ethnicities, classes and legal statuses produced and performed English theater in the world, helping to consolidate a national and imperial culture. The theater of empire also enabled non-British people to adapt or interpret English cultural traditions through their own performances, as Englishness also became a production of non-English peoples across the globe.
Christian-Muslim Relations. A Bibliographical History Volume 13 Western Europe (1700-1800)
Author:
Publisher: BRILL
ISBN: 9004402837
Category : Religion
Languages : en
Pages : 1025
Book Description
Christian-Muslim Relations, a Bibliographical History Volume 13 (CMR 13) covering Western Europe in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and appraisals of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 13, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations. Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Karoline Cook, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Emma Gaze Loghin, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Ann Thomson, Carsten Walbiner.
Publisher: BRILL
ISBN: 9004402837
Category : Religion
Languages : en
Pages : 1025
Book Description
Christian-Muslim Relations, a Bibliographical History Volume 13 (CMR 13) covering Western Europe in the period 1700-1800 is a further volume in a general history of relations between the two faiths from the 7th century to the early 20th century. It comprises a series of introductory essays and also the main body of detailed entries which treat all the works, surviving or lost, that have been recorded. These entries provide biographical details of the authors, descriptions and appraisals of the works themselves, and complete accounts of manuscripts, editions, translations and studies. The result of collaboration between numerous leading scholars, CMR 13, along with the other volumes in this series, is intended as a basic tool for research in Christian-Muslim relations. Section editors: Clinton Bennett, Luis F. Bernabé Pons, Jaco Beyers, Emanuele Colombo, Karoline Cook, Lejla Demiri, Martha Frederiks, David D. Grafton, Stanisław Grodź, Alan Guenther, Vincenzo Lavenia, Emma Gaze Loghin, Gordon Nickel, Claire Norton, Radu Păun, Reza Pourjavady, Douglas Pratt, Charles Ramsey, Peter Riddell, Umar Ryad, Mehdi Sajid, Cornelia Soldat, Karel Steenbrink, Ann Thomson, Carsten Walbiner.
The Oxford Handbook of the Georgian Theatre 1737-1832
Author: Julia Swindells
Publisher: Oxford Handbooks
ISBN: 0199600309
Category : Drama
Languages : en
Pages : 786
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
Publisher: Oxford Handbooks
ISBN: 0199600309
Category : Drama
Languages : en
Pages : 786
Book Description
The Oxford Handbook of the Georgian Theatre 1737-1832 provides a comprehensive guide to theatre of the Georgian era across the range of dramatic forms.
The Rise and Fall of Rape on the English Stage
Author: Anne Greenfield
Publisher: Taylor & Francis
ISBN: 1040102549
Category : Performing Arts
Languages : en
Pages : 106
Book Description
This book examines one of the most pervasive and successful dramatic tropes of the Restoration and early eighteenth century: sexual violence. During this sixty-year span, there were over fifty tragic and tragi-comedic productions that showcased rape and/or attempted rape—a remarkable number that was unprecedented in English dramatic history. Rape was not merely depicted more frequently during the Restoration, but it was also placed at the center of more plots, given more pathetic emphasis, and even staged more centrally. Restoration dramatists were the first to revolve routinely entire plots around the rapes of their innocent heroines, to give powerful voices to these heroines post-rape, and to imbue their sexually violent scenes with new and attention-getting staging techniques, such as discovery scenes. As this book argues, sexual violence emerged at this time as a highly flexible dramatic trope that could be used to illustrate terrifying political scenarios, elicit extreme pathos in audiences, and demonstrate the bearing that lost chastity had on social stability. It is precisely the rich, multi-faceted appeal of these productions—politically, sexually, visually, and culturally—that explains the popularity and significance of this dramatic trope on the English stage. This book will be of interest to students and scholars in Restoration, eighteenth-century studies, and theatre and performance studies.
Publisher: Taylor & Francis
ISBN: 1040102549
Category : Performing Arts
Languages : en
Pages : 106
Book Description
This book examines one of the most pervasive and successful dramatic tropes of the Restoration and early eighteenth century: sexual violence. During this sixty-year span, there were over fifty tragic and tragi-comedic productions that showcased rape and/or attempted rape—a remarkable number that was unprecedented in English dramatic history. Rape was not merely depicted more frequently during the Restoration, but it was also placed at the center of more plots, given more pathetic emphasis, and even staged more centrally. Restoration dramatists were the first to revolve routinely entire plots around the rapes of their innocent heroines, to give powerful voices to these heroines post-rape, and to imbue their sexually violent scenes with new and attention-getting staging techniques, such as discovery scenes. As this book argues, sexual violence emerged at this time as a highly flexible dramatic trope that could be used to illustrate terrifying political scenarios, elicit extreme pathos in audiences, and demonstrate the bearing that lost chastity had on social stability. It is precisely the rich, multi-faceted appeal of these productions—politically, sexually, visually, and culturally—that explains the popularity and significance of this dramatic trope on the English stage. This book will be of interest to students and scholars in Restoration, eighteenth-century studies, and theatre and performance studies.
Before the Raj
Author: James Mulholland
Publisher: JHU Press
ISBN: 1421439611
Category : History
Languages : en
Pages : 313
Book Description
In this history of colonial literary production, James Mulholland argues that the East India Company was a central actor in the institutionalization of anglophone literary culture in India. as the EIC employed people from a variety of ethnic and national origin, it also expanded its cultural infrastructure, from presses and newspapers to poetry collections, letters, papermaking and selling, circulating libraries, an amateur theaters. Recovering this rich archive from a network of authors, reading publics, and corporate agents, Before the Raj shows how regional reading and writing reflected the knotty geopolitical situation and the comingling of Anglo and Indian cultures at a moment when the subcontinent's colonial future was not yet clear. The "translocal" links among Madras. Calcutta, Bombay, and settlements surrounding the Bay of Bengal demonstrate that anglophone literature adapted itself to geographical politics and social circumstances rather than being simply imitative of the works produced in the English metropole. Book jacket.
Publisher: JHU Press
ISBN: 1421439611
Category : History
Languages : en
Pages : 313
Book Description
In this history of colonial literary production, James Mulholland argues that the East India Company was a central actor in the institutionalization of anglophone literary culture in India. as the EIC employed people from a variety of ethnic and national origin, it also expanded its cultural infrastructure, from presses and newspapers to poetry collections, letters, papermaking and selling, circulating libraries, an amateur theaters. Recovering this rich archive from a network of authors, reading publics, and corporate agents, Before the Raj shows how regional reading and writing reflected the knotty geopolitical situation and the comingling of Anglo and Indian cultures at a moment when the subcontinent's colonial future was not yet clear. The "translocal" links among Madras. Calcutta, Bombay, and settlements surrounding the Bay of Bengal demonstrate that anglophone literature adapted itself to geographical politics and social circumstances rather than being simply imitative of the works produced in the English metropole. Book jacket.
Scheherazade's Children
Author: Philip F. Kennedy
Publisher: NYU Press
ISBN: 1479840319
Category : Art
Languages : en
Pages : 468
Book Description
Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.
Publisher: NYU Press
ISBN: 1479840319
Category : Art
Languages : en
Pages : 468
Book Description
Scheherazade’s Children gathers together leading scholars to explore the reverberations of the tales of the Arabian Nights across a startlingly wide and transnational range of cultural endeavors. The contributors, drawn from a wide array of disciplines, extend their inquiries into the book’s metamorphoses on stage and screen as well as in literature—from India to Japan, from Sanskrit mythology to British pantomime, from Baroque opera to puppet shows. Their highly original research illuminates little-known manifestations of the Nights, and provides unexpected contexts for understanding the book’s complex history. Polemical issues are thereby given unprecedented and enlightening interpretations. Organized under the rubrics of Translating, Engaging, and Staging, these essays view the Nights corpus as a uniquely accretive cultural bundle that absorbs the works upon which it has exerted influence. In this view, the Arabian Nights is a dynamic, living and breathing cross-cultural phenomenon that has left its mark on fields as disparate as the European novel and early Indian cinema. While scholarly, the writers’ approach is also lively and entertaining, and the book is richly illustrated with unusual materials to deliver a sparkling and highly original exploration of the Arabian Nights’ radiating influence on world literature, performance, and culture.
Women Writing Music in Late Eighteenth-Century England
Author: Leslie Ritchie
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
Publisher: Routledge
ISBN: 1351536621
Category : Literary Criticism
Languages : en
Pages : 280
Book Description
Combining new musicology trends, formal musical analysis, and literary feminist recovery work, Leslie Ritchie examines rare poetic, didactic, fictional, and musical texts written by women in late eighteenth-century Britain. She finds instances of and resistance to contemporary perceptions of music as a form of social control in works by Maria Barth mon, Harriett Abrams, Mary Worgan, Susanna Rowson, Hannah Cowley, and Amelia Opie, among others. Relating women's musical compositions and writings about music to theories of music's function in the formation of female subjectivities during the latter half of the eighteenth century, Ritchie draws on the work of cultural theorists and cultural historians, as well as feminist scholars who have explored the connection between femininity and performance. Whether crafting works consonant with societal ideals of charitable, natural, and national order, or re-imagining their participation in these musical aids to social harmony, women contributed significantly to the formation of British cultural identity. Ritchie's interdisciplinary book will interest scholars working in a range of fields, including gender studies, musicology, eighteenth-century British literature, and cultural studies.
New Readings in the Literature of British India, c. 1780-1947
Author: Shafquat Towheed
Publisher: Columbia University Press
ISBN: 3838256735
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
The contributions to this book amply demonstrate the richness, vitality, and complexity of the colonial transactions between Britain and India over the last two centuries, and they do so by approaching the topic from a specific perspective: by interpreting the rubric 'new readings' as broadly, creatively, and productively as possible. They cover a wide range of literary responses and genres: eighteenth-century drama, the gothic novel, verse, autobiography, history, religious writing, journalism, women's memoirs, travel writing, popular fiction, and the modernist novel. Brought together in one volume, these essays offer a small, but representative sample of the multifaceted literary and cultural traffic between Britain and India in the colonial period. In the richness and diversity of the various contributors' strategies and interpretations, these new readings urge us to return once again to texts that we think we know, as well as to explore those that we do not, with a freshly renewed sense of their complexity, immediacy, and relevance.
Publisher: Columbia University Press
ISBN: 3838256735
Category : Literary Criticism
Languages : en
Pages : 341
Book Description
The contributions to this book amply demonstrate the richness, vitality, and complexity of the colonial transactions between Britain and India over the last two centuries, and they do so by approaching the topic from a specific perspective: by interpreting the rubric 'new readings' as broadly, creatively, and productively as possible. They cover a wide range of literary responses and genres: eighteenth-century drama, the gothic novel, verse, autobiography, history, religious writing, journalism, women's memoirs, travel writing, popular fiction, and the modernist novel. Brought together in one volume, these essays offer a small, but representative sample of the multifaceted literary and cultural traffic between Britain and India in the colonial period. In the richness and diversity of the various contributors' strategies and interpretations, these new readings urge us to return once again to texts that we think we know, as well as to explore those that we do not, with a freshly renewed sense of their complexity, immediacy, and relevance.