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Author: Deirdre David
Publisher: Springer
ISBN: 1349187925
Category : Literary Criticism
Languages : en
Pages : 284
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Book Description
Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women's higher education in nineteenth century England.
Author: Deirdre David
Publisher: Springer
ISBN: 1349187925
Category : Literary Criticism
Languages : en
Pages : 284
Get Book Here
Book Description
Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women's higher education in nineteenth century England.
Author: Deirdre David
Publisher:
ISBN: 9780801419652
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
Examines the works of three Victorian writers, looks at the ways they subverted and affirmed their society, and discusses women's higher education in nineteenth century England
Author: Susan Rubinow Gorsky
Publisher: Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
In Femininity to Feminism, Susan Rubinow Gorsky combines social history research--including statistics about family life, women's education, and women in the work force--with an examination of the way these issues are presented in literature by and about women. Gorsky's work illuminates women's lives and writings in relation to the cultural attitudes that influenced their creation. Focusing on the intensity of women's struggle to find their own literary and political voices and to be heard in the public sphere, Gorsky traces the emergence of a shared self-consciousness that began to express itself in literary and social resistance to patriarchy.
Author: Leila Silvana May
Publisher: Bucknell University Press
ISBN: 9780838754597
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Historians and literary critics have long understood the crucial significance of the family to the nineteenth-century middle-class sensibility, but almost all critical analyses to date have concentrated on the "vertical" pole of the familial axis - the parent-child relationship - and very little on the "horizontal" pole - the sibling bond. This book looks beyond these analyses to show that at the core of nineteenth-century domestic ideology is the figure of the sister."--BOOK JACKET.
Author: Rachel Vorona Cote
Publisher: Grand Central Publishing
ISBN: 1538729717
Category : Social Science
Languages : en
Pages : 352
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Book Description
Lacing cultural criticism, Victorian literature, and storytelling together, "TOO MUCH spills over: with intellect, with sparkling prose, and with the brainy arguments of Vorona Cote, who posits that women are all, in some way or another, still susceptible to being called too much." (Esmé Weijun Wang) A weeping woman is a monster. So too is a fat woman, a horny woman, a woman shrieking with laughter. Women who are one or more of these things have heard, or perhaps simply intuited, that we are repugnantly excessive, that we have taken illicit liberties to feel or fuck or eat with abandon. After bellowing like a barn animal in orgasm, hoovering a plate of mashed potatoes, or spraying out spit in the heat of expostulation, we've flinched-ugh, that was so gross. I am so gross. On rare occasions, we might revel in our excess--belting out anthems with our friends over karaoke, perhaps--but in the company of less sympathetic souls, our uncertainty always returns. A woman who is Too Much is a woman who reacts to the world with ardent intensity is a woman familiar to lashes of shame and disapproval, from within as well as without. Written in the tradition of Shrill, Dead Girls, Sex Object and other frank books about the female gaze, TOO MUCH encourages women to reconsider the beauty of their excesses-emotional, physical, and spiritual. Rachel Vorona Cote braids cultural criticism, theory, and storytelling together in her exploration of how culture grinds away our bodies, souls, and sexualities, forcing us into smaller lives than we desire. An erstwhile Victorian scholar, she sees many parallels between that era's fixation on women's "hysterical" behavior and our modern policing of the same; in the space of her writing, you're as likely to encounter Jane Eyre and Lizzie Bennet as you are Britney Spears and Lana Del Rey. This book will tell the story of how women, from then and now, have learned to draw power from their reservoirs of feeling, all that makes us "Too Much."
Author: Deborah Anna Logan
Publisher: University of Missouri Press
ISBN: 9780826211750
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Logan's study is distinguished by its exclusive focus on women writers, including Charlotte Bronte, George Eliot, Elizabeth Gaskell, Harriet Martineau, Elizabeth Barrett Browning, Florence Nightingale, Sarah Grand, and Mary Prince. Logan utilizes primary texts from these Victorian writers as well as contemporary critics such as Catherine Gallagher and Elaine Showalter to provide the background on social factors that contributed to the construction of fallen-woman discourse.
Author: Deirdre David
Publisher: Cornell University Press
ISBN: 1501723677
Category : Literary Criticism
Languages : en
Pages : 252
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Book Description
Deirdre David here explores women's role in the literature of the colonial and imperial British nation, both as writers and as subjects of representation. David's inquiry juxtaposes the parliamentary speeches of Thomas Macaulay and the private letters of Emily Eden, a trial in Calcutta and the missionary literature of Victorian women, writing about thuggee and emigration to Australia. David shows how, in these texts and in novels such as Charlotte Brontë's Jane Eyre, Charles Dickens's Dombey and Son, Wilkie Collins's Moonstone, and H. Rider Haggard's She, the historical and symbolic roles of Victorian women were linked to the British enterprise abroad. Rule Britannia traces this connection from the early nineteenth-century nostalgia for masculine adventure to later patriarchal anxieties about female cultural assertiveness. Missionary, governess, and moral ideal, promoting sacrifice for the good of the empire—such figures come into sharp relief as David discusses debates over English education in India, class conflicts sparked by colonization, and patriarchal responses to fears about feminism and race degeneration. In conclusion, she reveals how Victorian women, as writers and symbols of colonization, served as critics of empire.
Author: Barbara Garlick
Publisher: Rodopi
ISBN: 9789042013001
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
From the contents: Virginia BLAIN: Be these his daughters?: Caroline Bowles Southey, Elizabeth Barrett Browning and disruption in a patriarchal poetics of women's autobiography. - Meg TASKER: 'Aurora Leigh': Elizabeth Barrett Browning's novel approach to the woman poet. - E. WARWICK SLINN: Elizabeth Barrett Browning and the problem of female agency. - Debra FRIED: In Daisy's lane: variants and personification in Emily Dickinson.
Author: Rohan Amanda Maitzen
Publisher: Routledge
ISBN: 113652651X
Category : Literary Criticism
Languages : en
Pages : 254
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Book Description
First published in 1999. and Middlemarch and of a range of nineteenth-century historical works, including works by and about women that are discussed extensively here for the first time. The blurring of boundaries between historical and fictional narratives, stimulated by the enormous success of Walter Scott's novels, and the development of social history are shown to have been key factors in an uneven, controversial, but persistent feminization of history, the first because of the longstanding association of novels with women the second because social history focuses on the private sphere, traditionally women's domain. Along with the appearance of numerous historical texts written by women and taking women as their subjects, these developments challenged conventional beliefs about historical authority and relevance that had long relegated women to the margins, both literally and metaphorically. In its exploration of these changes and their implications, Gender and Victorian Historical Writing revises standard assumptions about Victorian ideas of history, finding an awareness of and experimentation with gender and genre that prefigure theoretical and scholarly concerns in contemporary women's history.
Author: Charlotte Perkins Gilman
Publisher: Modernista
ISBN: 9180946518
Category :
Languages : en
Pages : 18
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Book Description
She has just given birth to their child. He labels her postpartum depression as »hysteria.« He rents the attic in an old country house. Here, she is to rest alone – forbidden to leave her room. Instead of improving, she starts hallucinating, imagining herself crawling with other women behind the room's yellow wallpaper. And secretly, she records her experiences. The Yellow Wall-Paper [1892] is the short but intense, Gothic horror story, written as a diary, about a woman in an attic – imprisoned in her gender; by the story. Charlotte Perkins Gilman's feminist novella was long overlooked in American literary history. Nowadays, it is counted among the classics. CHARLOTTE PERKINS GILMAN (1860–1935), born in Hartford, Connecticut, was an American feminist theorist, sociologist, novelist, short story writer, poet, and playwright. Her writings are precursors to many later feminist theories. With her radical life attitude, Perkins Gilman has been an inspiration for many generations of feminists in the USA. Her most famous work is the short story The Yellow Wall-Paper [1892], written when she suffered from postpartum psychosis.
