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Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
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Book Description
Author: Library of Congress. Copyright Office
Publisher: Copyright Office, Library of Congress
ISBN:
Category : Copyright
Languages : en
Pages : 1760
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Book Description
Author: Michael H. Kater
Publisher: Oxford University Press
ISBN: 0195099249
Category : Biography & Autobiography
Languages : en
Pages : 414
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Book Description
How does creativity thrive in the face of fascism? How can a highly artistic individual function professionally in so threatening a climate? The final book in a critically acclaimed trilogy that includes Different Drummers (OUP 1992) and The Twisted Muse (OUP 1997), this is a detailed study of the often interrelated careers of eight outstanding German composers who lived and worked amid the dictatorship of the Third Reich: Werner Egk, Paul Hindemith, Kurt Weill, Karl Amadeus Hartmann, Carl Orff, Hans Pfitzner, Arnold Schoenberg, and Richard Strauss. Noted historian Michael H. Kater weighs issues of accommodation and resistance to ask whether these artists corrupted themselves in the service of a criminal regime -- and if so, whether this is evident in their music. He also considers the degrees to which the Nazis poetically, socially, economically, and aesthetically succeeded in their treatment of these individuals, whose lives and compositions represent diverse responses to totalitarianism.
Author: Joža Karas
Publisher: New York : Beaufort Books
ISBN:
Category : History
Languages : en
Pages : 264
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Book Description
When Adolf Hitler created the model camp at Theresienstadt for the better-known of Europe's Jewish transportees, he gathered together many of the continent's finest musicians. This book examines the associations, compositions, performances (opera, orchestras, chamber music, recitals) and above all, the people in Terezín. The Protectorate or Terezin Ghetto was not as bad as the concentration camps and it held Czech Jews and the best musicians of the times. After 3 1/2 years, in the fall of 1944, 1,000 Jews were transported from Terezin to Auschwitz to the gas chamber.
Author: Wilma Iggers
Publisher: Wayne State University Press
ISBN: 9780814322284
Category : Czech
Languages : en
Pages : 436
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Book Description
While much has been written about East European and German Jewry, relatively little attention has been given to the Jews of Bohemia and Moravia, although they played an important role in the industrial, economic, and cultural life of central Europe. This book examines the social and cultural history of the Jewish community in Czechoslovakia from the Age of Enlightenment to the middle of the twentieth century. From family histories, newspaper and magazine articles, wills, and letters, Wilma Iggers has culled descriptions of life, customs, and local color; portrayals of important individuals and families; stories of individuals depicting the transition of a culture and a people from the Middle Ages to modern times; an examination of complaints about the deterioration of the religious communities and of religious instruction; and the history of anti- Semitism. Practically all reports reflect the difficult struggle for survival as Jews. The texts also address special legislation regarding the Jews, industrialization and urbanization, changes in religious and familial structures, growing involvement in the culture and politics of the worldly communities, cultural assimilation, changes in stereotypes about the Jews, and the effects of political forces from outside. The Jews of Bohemia and Moravia begins with the expulsion of the Jews from Prague by Empress Maria Theresa in 1744, an event which caused a shock that remained in the Jewish consciousness for a long time. The book concludes with texts from the middle of the twentieth century dealing with the most recent generation of Bohemian and Moravian Jews. Despite fluctuations and radical breaks, the time span from 1744 to 1952 constitutes a single unit that encompasses striking cultural and economic developments as well as anti-Semitism and cynicism unmatched even in the Middle Ages. With their strong emotional ties to the land of their birth, Bohemian and Moravian Jews are closer to the Central and West Europeans than to the Jews from Eastern Europe. Although Jews are often criticized for adapting themselves easily to other countries--meaning that they have no real roots--their strong emotional ties to their countries of origin are clearly expressed in a number of documents included in this book.
Author: Z. Ornea
Publisher:
ISBN:
Category : History
Languages : ro
Pages : 464
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Book Description
This fascinating study of the intellectual origins and ideological and political evolution of the extreme right of interwar Romania offers a sensitive explanation of the part played by the Iron Guard in the history of Romanianism-anti-Semitism with university-based ideologies in the late 1920s and the 1930s. The work is largely based on analyses of printed literary and political tracts as well as on the nature of propaganda and the evolution of the doctrines of the Guardist movement.
Author: Michael H. Kater
Publisher: Oxford University Press
ISBN: 019535107X
Category : History
Languages : en
Pages : 344
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Book Description
Is music removed from politics? To what ends, beneficent or malevolent, can music and musicians be put? In short, when human rights are grossly abused and politics turned to fascist demagoguery, can art and artists be innocent? These questions and their implications are explored in Michael Kater's broad survey of musicians and the music they composed and performed during the Third Reich. Great and small--from Valentin Grimm, a struggling clarinetist, to Richard Strauss, renowned composer--are examined by Kater, sometimes in intimate detail, and the lives and decisions of Nazi Germany's professional musicians are laid out before the reader. Kater tackles the issue of whether the Nazi regime, because it held music in crassly utilitarian regard, acted on musicians in such a way as to consolidate or atomize the profession. Kater's examination of the value of music for the regime and the degree to which the regime attained a positive propaganda and palliative effect through the manner in which it manipulated its musicians, and by extension, German music, is of importance for understanding culture in totalitarian systems. This work, with its emphasis on the social and political nature of music and the political attitude of musicians during the Nazi regime, will be the first of its kind. It will be of interest to scholars and general readers eager to understand Nazi Germany, to music lovers, and to anyone interested in the interchange of music and politics, culture and ideology.
Author: William Wilkinson
Publisher:
ISBN:
Category : Eastern question (Balkan)
Languages : en
Pages : 324
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Book Description
Author: Shirli Gilbert
Publisher: Oxford University Press
ISBN: 0199277974
Category : History
Languages : en
Pages : 262
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Book Description
In Music in the Holocaust Shirli Gilbert provides the first large-scale, critical account of the role of music amongst communities imprisoned under Nazism. She documents a wide scope of musical activities, ranging from orchestras and chamber groups to choirs, theatres, communal sing-songs, and cabarets, in some of the most important internment centres in Nazi-occupied Europe, including Auschwitz and the Warsaw and Vilna ghettos. Gilbert is also concerned with exploring theways in which music - particularly the many songs that were preserved - contribute to our broader understanding of the Holocaust and the experiences of its victims. Music in the Holocaust is, at its core, a social history, taking as its focus the lives of individuals and communities imprisoned under Nazism.Music opens a unique window on to the internal world of those communities, offering insight into how they understood, interpreted, and responded to their experiences at the time.
Author: Erik Levi
Publisher: Springer
ISBN: 1349245828
Category : History
Languages : en
Pages : 316
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Book Description
In this authoritative study, one of the first to appear in English, Erik Levi explores the ambiguous relationship between music and politics during one of the darkest periods of recent cultural history. Utilising material drawn from contemporary documents, journals and newspapers, he traces the evolution of reactionary musical attitudes which were exploited by the Nazis in the final years of the Weimar Republic, chronicles the mechanisms that were established after 1933 to regiment musical life throughout Germany and the occupied territories, and examines the degree to which the climate of xenophobia, racism and anti-modernism affected the dissemination of music either in the opera house and concert hall, or on the radio and in the media.
Author: Robert Colls
Publisher: OUP Oxford
ISBN: 019155412X
Category : History
Languages : en
Pages : 424
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Book Description
The English stand now in need of a new sense of home and belonging - a reassessment of who they are. This is a history of who they were, written from the perspective of the twenty-first century. It begins by considering how the English state identified an English nation which, from very early days, seems to have seen itself as not simply the creature of state or king. It considers also how in modern times the English nation survived shattering revolutions in technology, urban living, and global conflict, while at the same time retaining a softer, more human vision of themselves as a people in touch with their nature and their land. They claimed that there was more to living in England than work and wages, there was more to running a vast empire than just exploiting it. For all its faults and inequalities, they identified with their state. For all their shortcomings they were confident of their place in history. As little as forty years ago, these ideas were not much in doubt. Though vague and often contradictory, they held together as the English people held together -as a whole. Indeed, 'Englishness' was hardly recognized as a subject for analysis, except perhaps in a rather ironic and self-mocking vein. But now 'the national question' is back and history is at the top of the agenda. From a rich store of historical memory and possibility, Robert Colls connects the identity of England in the past with the changing and uncertain identity of England today.
