Author: Jussi Parikka
Publisher: U of Minnesota Press
ISBN: 081666739X
Category : Science
Languages : en
Pages : 321
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Book Description
Since the early nineteenth century, when entomologists first popularized the unique biological and behavioral characteristics of insects, technological innovators and theorists have proposed insects as templates for a wide range of technologies. In Insect Media, Jussi Parikka analyzes how insect forms of social organization-swarms, hives, webs, and distributed intelligence-have been used to structure modern media technologies and the network society, providing a radical new perspective on the interconnection of biology and technology. Through close engagement with the pioneering work of insect ethologists, including Jakob von Uexküll and Karl von Frisch, posthumanist philosophers, media theorists, and contemporary filmmakers and artists, Parikka develops an insect theory of media, one that conceptualizes modern media as more than the products of individual human actors, social interests, or technological determinants. They are, rather, profoundly nonhuman phenomena that both draw on and mimic the alien lifeworlds of insects. Deftly moving from the life sciences to digital technology, from popular culture to avant-garde art and architecture, and from philosophy to cybernetics and game theory, Parikka provides innovative conceptual tools for exploring the phenomena of network society and culture. Challenging anthropocentric approaches to contemporary science and culture, Insect Media reveals the possibilities that insects and other nonhuman animals offer for rethinking media, the conflation of biology and technology, and our understanding of, and interaction with, contemporary digital culture.
Author: Jussi Parikka
Publisher:
ISBN: 9781452947075
Category : Bionics
Languages : en
Pages : 281
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Book Description
Since the early nineteenth century, when entomologists first popularized the unique biological and behavioral characteristics of insects, technological innovators and theorists have proposed insects as templates for a wide range of technologies. In Insect Media, Jussi Parikka analyzes how insect forms of social organization-swarms, hives, webs, and distributed intelligence-have been used to structure modern media technologies and the network society, providing a radical new perspective on the interconnection of biology and technology. Through close engagement with the pioneering work of insect ethologists, including Jakob von Uexkull and Karl von Frisch, posthumanist philosophers, media theorists, and contemporary filmmakers and artists, Parikka develops and insect theory of media, one taht conceptualizes modern media as more than the products of individual human actors, social interests, or technological determinants. They are, rather, profoundly nonhuman phenomena that both draw on and mimic the alien lifeworlds of insects.
Author: Jussi Parikka
Publisher: U of Minnesota Press
ISBN: 1452944571
Category : Social Science
Languages : en
Pages : 204
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Book Description
Media history is millions, even billions, of years old. That is the premise of this pioneering and provocative book, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves—Earth’s history, geological formations, minerals, and energy. And to do so, writes Jussi Parikka, is to confront the profound environmental and social implications of this ubiquitous, but hardly ephemeral, realm of modern-day life. Exploring the resource depletion and material resourcing required for us to use our devices to live networked lives, Parikka grounds his analysis in Siegfried Zielinski’s widely discussed notion of deep time—but takes it back millennia. Not only are rare earth minerals and many other materials needed to make our digital media machines work, he observes, but used and obsolete media technologies return to the earth as residue of digital culture, contributing to growing layers of toxic waste for future archaeologists to ponder. He shows that these materials must be considered alongside the often dangerous and exploitative labor processes that refine them into the devices underlying our seemingly virtual or immaterial practices. A Geology of Media demonstrates that the environment does not just surround our media cultural world—it runs through it, enables it, and hosts it in an era of unprecedented climate change. While looking backward to Earth’s distant past, it also looks forward to a more expansive media theory—and, implicitly, media activism—to come.
Author: Patricia J. Vittum
Publisher: Comstock Publishing Associates
ISBN:
Category : Science
Languages : en
Pages : 528
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Book Description
The book provides an overview of detection and diagnosis of insect infestation, survey techniques, and principles of strategy and control."--BOOK JACKET.
Author: Jussi Parikka
Publisher: Peter Lang
ISBN: 9780820488370
Category : Art
Languages : en
Pages : 344
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Book Description
Digital Contagions is the first book to offer a comprehensive and critical analysis of the culture and history of the computer virus phenomenon. The book maps the anomalies of network culture from the angles of security concerns, the biopolitics of digital systems, and the aspirations for artificial life in software. The genealogy of network culture is approached from the standpoint of accidents that are endemic to the digital media ecology. Viruses, worms, and other software objects are not, then, seen merely from the perspective of anti-virus research or practical security concerns, but as cultural and historical expressions that traverse a non-linear field from fiction to technical media, from net art to politics of software. Jussi Parikka mobilizes an extensive array of source materials and intertwines them with an inventive new materialist cultural analysis. Digital Contagions draws from the cultural theories of Gilles Deleuze and Félix Guattari, Friedrich Kittler, and Paul Virilio, among others, and offers novel insights into historical media analysis.
Author: John Henry Comstock
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 492
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Book Description
Author: Just M. Vlak
Publisher: Springer Science & Business Media
ISBN: 0306468506
Category : Science
Languages : en
Pages : 303
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Book Description
A comprehensive reference work covering the key issues in insect cell cultures, this text includes 30 review papers on such topics as: cell lines (development, characterisation, physiology, cultivation and medium design); viruses (virus-cell interactions, replication, recombinant construction, infection kinetics, post-translational modification and passage effects); engineering (shear, bioreactors including perfusion, immobilisation, scale-up and modelling, downstream processing); applications; and economics and regulatory aspects.; This text should be useful for cell biologists, biochemists, molecular biologists, virologists, immunologists and other basic and applied disciplines related to cell culture engineering, both academic and industrial.
Author: Vincent B. Wigglesworth
Publisher: Springer Science & Business Media
ISBN: 9400959737
Category : Science
Languages : en
Pages : 832
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Book Description
INSECTS PROVIDE an ideal medium in which to study all the problems of physiology. But if this medium is to be used to the best advantage, the principles and peculiarities of the insect's organization must be first appreciated. It is the purpose of this book to set forth these principles so far as they are understood at the present day. There exist already many excellent text-books of general ento mology; notably those of Imms, Weber, and Snodgrass, to mention only the more recent. But these authors have necessarily been preoccupied chiefly with describing the diversity of form among insects; discussions on function being correspondingly condensed. In the present work the emphasis is reversed. Struc ture is described only to an extent sufficient to make the physiological argument intelligible. Every anatomical peculiarity, every ecological specialization, has indeed its physiological counterpart. In that sense, anatomy, physiology and ecology are not separable. But regarded from the standpoint from which the present work is written, the endless modifications that are met with among insects are but illustrations of the general principles of their physiology, which it is the aim of this book to set forth. Completeness in such a work is not possible, or desirable; but an endeavour has been made to illustrate each physiological characteristic by a few concrete examples, and to include sufficient references to guide the student to the more important sources. The physiology of insects is to some the handmaid of Economic Entomology.
Author: Linda Glaser
Publisher: Millbrook Press
ISBN: 0761380426
Category : Juvenile Nonfiction
Languages : en
Pages : 36
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Book Description
Buzz! Zip! Zoom! When the weather is warm, insects are everywhere. But what do they do in winter? Honeybees huddle in their hive. Monarch butterflies fly south. Woolly bear caterpillars hide under leaves and snow. This book shows what twelve different insects do to survive winter's chill.
Author: Janet Harbord
Publisher: Bloomsbury Publishing USA
ISBN: 1628922400
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
In the beginning, cinema was an encounter between humans, images and machine technology, revealing a stream of staccato gestures, micrographic worlds, and landscapes seen from above and below. In this sense, cinema's potency was its ability to bring other, non-human modes of being into view, to forge an encounter between multiple realities that nonetheless co-exist. Yet the story of cinema became (through its institutionalization) one in which the human swiftly assumed centrality through the literary crafting of story, character and the expression of interiority. Ex-centric Cinema takes an archaeological approach to the study of cinema through the writings of philosopher Giorgio Agamben, arguing that whilst we have a century-long tradition of cinema, the possibility of what cinema may have become is not lost, but co-exists in the present as an unexcavated potential. The term given to this history is ex-centric cinema, describing a centre-less moving image culture where animals, children, ghosts and machines are privileged vectors, where film is always an incomplete project, and where audiences are a coming community of ephemeral connections and links. Discussing such filmmakers as Harun Farocki, the Lumiere Brothers, Guy Debord and Wong Kar-wai, Janet Harbord draws connections with Agamben to propose a radically different way of thinking about cinema.
