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Author: Laurel Birch de Aguilar
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 284
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Book Description
Author: Laurel Birch de Aguilar
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 284
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Book Description
Author: Laurel Birch de Aguilar
Publisher:
ISBN:
Category : Chewa (African people)
Languages : en
Pages : 0
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Book Description
This thesis presents an interpretation of nyau masks of the Chewa people in the central region of Malawi. Theoretically, ethnography in the thesis is informed by text interpretation as in the writings of Paul Ricoeur (1979). Texts in the thesis include the inscription of a performance, narratives of ritual events, oral discourse, and the masks themselves. Masks as texts include form, color, imagery, portraiture, construction and materials used, naming, roles, and movement; and the discourse about these. In the thesis masks are inscribed in their various roles as they are performed in funerals, initiations into the nyau society, and funeral remembrance dances. Each Chapter develops one context of masks and masking, ending with an interpretation of that context. Each interpretation builds upon the interpretations of others from one Chapter to the next, culminating in an overall interpretation of Chewa masks and masking in the final conclusion. This methodology is further focused by one recurring theme of masks; life, death and a sense of rebirth, in reference to the work of Bloch and Parry (1982) and others. Seven Chapters elaborate central ideas about the masks and the nyau masking society. These ideas include: performance and the masked event; the mask materials, mask-makers and re-creation of mask identity; the masks in relation to one another and in relation to the community; masks from historical experience; values and hierarchy of masks; ritual roles in masking; and a construction of nyau cosmology which is embodied in masks, particularly Kasivamaliro. The thesis attempts to demonstrate that Chewa masks, with all the inherent conflicting, diverse and differing local understandings presented in each context, also presents a totality; an interpretation which incorporates all of these contexts into a larger text. This wholeness is shown to be construed from the myriad details which make up masking, accounting for change and adaptation while asserting a continuity in the central theme of death and rebirth.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 650
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Author: British Museum. Department of Greek and Roman Antiquities
Publisher: London Printed by order of the Trustees 1888.
ISBN:
Category : Cameos
Languages : en
Pages : 288
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Author: Christos Lynteris
Publisher: MIT Press
ISBN: 0262370921
Category : Medical
Languages : en
Pages : 323
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Book Description
How epidemic photography during a global pandemic of bubonic plague contributed to the development of modern epidemiology and our concept of the “pandemic.” In Visual Plague, Christos Lynteris examines the emergence of epidemic photography during the third plague pandemic (1894–1959), a global pandemic of bubonic plague that led to over twelve million deaths. Unlike medical photography, epidemic photography was not exclusively, or even primarily, concerned with exposing the patient’s body or medical examinations and operations. Instead, it played a key role in reconceptualizing infectious diseases by visualizing the “pandemic” as a new concept and structure of experience—one that frames and responds to the smallest local outbreak of an infectious disease as an event of global importance and consequence. As the third plague pandemic struck more and more countries, the international circulation of plague photographs in the press generated an unprecedented spectacle of imminent global threat. Nothing contributed to this sense of global interconnectedness, anticipation, and fear more than photography. Exploring the impact of epidemic photography at the time of its emergence, Lynteris highlights its entanglement with colonial politics, epistemologies, and aesthetics, as well as with major shifts in epidemiological thinking and public health practice. He explores the characteristics, uses, and impact of epidemic photography and how it differs from the general corpus of medical photography. The new photography was used not simply to visualize or illustrate a pandemic, but to articulate, respond to, and unsettle key questions of epidemiology and epidemic control, as well as to foster the notion of the “pandemic,” which continues to affect our lives today.
Author: Gary Edson
Publisher: McFarland
ISBN: 1476612331
Category : Art
Languages : en
Pages : 268
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Book Description
For at least 20,000 years, masking has been a mark of cultural evolution and an indication of magical-religious sophistication in society. This book provides a comprehensive understanding of the mask as a powerful cultural phenomenon--a means by which human groupings attempted to communicate their dignity and sense of purpose, as well as establish a continuum between the natural and supernatural worlds. It addresses the distinctive environments within which masks flourished, and analyzes the mask as a manifestation of art, ethnology and anthropology.
Author: British Museum. Department of Greek and Roman Antiquities
Publisher:
ISBN:
Category : Cameos
Languages : en
Pages : 580
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Author: Zachary Kingdon
Publisher: Routledge
ISBN: 1136476660
Category : Social Science
Languages : en
Pages : 267
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Book Description
A Host of Devils provides an in-depth account of the background, origin and development of the spirit figure sculptures which emerged during colonial times among the Makonde people of Mozambique. The creation of such works is shown to connect with a regional system of knowledge and practice, within which spirits function as a format for expression. The book describes the ways in which the sculpture emerged, as well as the author's experience of learning how to carve.
Author: Sharrona Pearl
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Literary Criticism
Languages : en
Pages : 137
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Book Description
Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. From the theater mask and masquerade to the masked criminal and the rise of facial recognition software, masks have long performed as an instrument for the protection and concealment of identity. Even as they conceal and protect, masks – as faces – are an extension of the self. At the same time, they are a part of material culture: what are masks made of? What traces do they leave behind? Acknowledging that that mask-wearing has become increasingly weaponized and politicized, Sharrona Pearl looks at the politics of the mask, exploring how identity itself is read on this object. By exploring who we do (and do not) seek to protect through different forms of masking, Sharrona Pearl's long history of masks helps us to better understand what it is we value. Object Lessons is published in partnership with an essay series in The Atlantic.
Author:
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 720
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Book Description
