Information Relating to the Pottery Industry in Japan PDF Download
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Author: National Council of the Pottery Industry
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: National Council of the Pottery Industry
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: National Council of the Pottery Industry
Publisher:
ISBN:
Category : Pottery industry
Languages : en
Pages : 110
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Book Description
Author: National Council of the Potter Industry
Publisher: Forgotten Books
ISBN: 9780484499026
Category :
Languages : en
Pages : 128
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Book Description
Excerpt from Information Relating to the Pottery Industry in Japan The distinction made in the Questionnaire between China and General earthenware is difficult to observe in dealing with Japanese ceramics. The Japanese distinguish between Earthenware, which corresponds to the English classification, and porcelain. Intermediate between these two is the modern manufacture (confined to one or two firms) of what is called in Japan Hard Earthenware, a generic term corresponding to faience or semi-porcelain but commercially applied t0'an Ironstone China. Apart from this, there is very little export ware that would come under the heading General Earthenware in Japan, and the following account may be taken to refer to China Porcelain) exclusively unless otherwise specifically stated. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Frank Roy Rutter
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 16
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Book Description
Author: Hugo Munsterberg
Publisher: Tuttle Publishing
ISBN: 1462913091
Category : Antiques & Collectibles
Languages : en
Pages : 465
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Book Description
Featuring dozens of color photographs and extensive commentary, this Japanese ceramics guide is an comprehensive resource for collectors and art enthusiasts. For the collector of Japanese ceramics, the chief value of the book will lie in the author's very practical advice on what, where, and how to collect; what to pay; how to choose a dealer; how to distinguish between the genuine and the imitation; and similar matters of importance. For the non-collector who nevertheless admires Japanese ceramics, the main interest will undoubtedly lie in the concise and highly readable background information that Mr. Munsterberg presents and in his amiable manner of leading the reader to an appreciation of Japan's ceramic art. For both the collector and the non-collector, the abundance of illustrations, many of them in color, will provide an aesthetic treat.
Author: Meghen Jones
Publisher: Routledge
ISBN: 0429631995
Category : Art
Languages : en
Pages : 278
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Book Description
Ceramics and Modernity in Japan offers a set of critical perspectives on the creation, patronage, circulation, and preservation of ceramics during Japan’s most dramatic period of modernization, the 1860s to 1960s. As in other parts of the world, ceramics in modern Japan developed along the three ontological trajectories of art, craft, and design. Yet, it is widely believed that no other modern nation was engaged with ceramics as much as Japan—a "potter’s paradise"—in terms of creation, exhibition, and discourse. This book explores how Japanese ceramics came to achieve such a status and why they were such significant forms of cultural production. Its medium-specific focus encourages examination of issues regarding materials and practices unique to ceramics, including their distinct role throughout Japanese cultural history. Going beyond descriptive historical treatments of ceramics as the products of individuals or particular styles, the closely intertwined chapters also probe the relationship between ceramics and modernity, including the ways in which ceramics in Japan were related to their counterparts in Asia and Europe. Featuring contributions by leading international specialists, this book will be useful to students and scholars of art history, design, and Japanese studies.
Author: Bill Geisinger
Publisher: Bill Geisinger
ISBN: 0975435132
Category : Art, Japanese
Languages : en
Pages : 90
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Book Description
From 2005 through 2007, the author studied nine families from the original 1968 documentary film "Potters of Japan" by Richard and Marj Peeler. The Kondo, Shimaoka, Ichino, Kaneshige, Mori, Katō, Fujiwara, Waraku and Takahashi family names are synonymous with Japanese pottery. Each produces ceramic work that is respected and admired by thousands of Japanese and individuals throughout the world. This book is a review of each family since the original film and essentially a study of contemporary Japanese Ceramics from 1968 to the present. There are as many similarities as differences among this group of potters. Tradition is pivotal here; family name, prestige, artistic and technical secrets are passed from generation to generation with each family developing their own expression and unique qualities. Today, studio pottery in Japan has grown and there are many more people working and expanding the traditions of the original six old kilns (rokkouyo) and this book is an introduction to studio pottery in Japan today.
Author: Augustus Wollaston Franks
Publisher:
ISBN:
Category : Pottery
Languages : en
Pages : 142
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Book Description
Author: William Burgess
Publisher:
ISBN:
Category : Potters
Languages : en
Pages : 36
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Book Description
Author: Brian Moeran
Publisher: Routledge
ISBN: 1136796738
Category : Social Science
Languages : en
Pages : 287
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Book Description
This is a study of a group of potters living in a small community in the south of Japan, and about the problems they face in the production, marketing and aesthetic appraisal of a kind of stoneware pottery generally referred to as mingei, or folk art. It shows how different people in an art world bring to bear different sets of values as they negotiate the meaning of mingei and try to decide whether a pot is 'art', 'folk art', or mere 'craft'. At the same time, this book is an unusual monograph in that it reaches beyond the mere study of an isolated community to trace the origins and history of 'folk art' in general. By showing how a set of aesthetic ideals originating in Britain was taken to Japan, and thence back to Europe and the United States - as a result of the activities of people like William Morris, Yanagi So etsu, Bernard Leach and Hamada Sho ji - this book rewrites the history of contemporary western ceramics.
