Indian Sculpture of the Gupta Period A.D. 300-650 PDF Download
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Author: Vincent Arthur Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 28
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Book Description
Author: Vincent Arthur Smith
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 28
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Book Description
Author: James C. Harle
Publisher: Oxford University Press, USA
ISBN:
Category : Art
Languages : en
Pages : 162
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Book Description
Author: Vasudeva Sharana Agrawala
Publisher: Varanasi : Prithivi Prakashan
ISBN:
Category : Art
Languages : en
Pages : 186
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Book Description
Author: Bharat Kala Bhavan
Publisher:
ISBN:
Category : Sculpture
Languages : en
Pages : 206
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Book Description
Author: Śrīrāma Goyala
Publisher:
ISBN:
Category : Architecture, Gupta
Languages : en
Pages : 294
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Book Description
Author: Ananda K. Coomaraswamy
Publisher:
ISBN:
Category :
Languages : en
Pages : 194
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Book Description
Author: Karl J. Khandalavala
Publisher:
ISBN:
Category : History
Languages : en
Pages : 152
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Book Description
Author: Ludwig Bachhofer
Publisher:
ISBN: 9788121503372
Category : Buddhist sculpture
Languages : en
Pages : 137
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Book Description
Illustrations: Numerous B/w Illustrations Description: These profusely illustrated volumes offer a scholarly analysis of Indian sculpture from c. 300 BC to c. 500 AD. The dates chosen are not arbitrary, for although a highly civilized nation existed in the North long before the Aryan and Dravidian invasion, little is known about the art of India before the fourth century BC. In the third century AD, during the Gupta period, an important change took place in the Indian spirit; sensualism was to be divorced from spiritualism for a long time. Within these boundaries, the eminent scholar distinguishes three phases: an early period, full of confusion and contradiction; a middle or golden period, full of order and strength; and a late period, full of exuberance both of form and outlook. The author's excellent chronology and detailed descriptions cover the Maurya period, when Chandragupta (321-297) wished to imitate the magnificence of Alexander's court; figural sculpture and memorial pillars of Asoka, Chandragupta's grandson; the reliefs from Barhut in the Centre and from Amaravati in the South; the magnificent Buddhist alto-relievo at Sanchi; the sculpture of the Gandhara school; and the Buddhist sculpture of the North-West, North and South. Throughout the centuries studies in the relationship between sculpture and architecture is explored. From the very start there seemed to be a desire to subject structure to sculpture, even though in the middle period-between 50 BC and 75 AD-last period examined, the victory of sculpture was complete, when the representations on the stupas of Amaravati threw a glittering net over the entire structure.
Author: Vincent Arthur Smith
Publisher: Oxford, Clarendon Press
ISBN:
Category : India
Languages : en
Pages : 880
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Book Description
Author: Susan L. Huntington
Publisher: Motilal Banarsidass
ISBN: 8120836170
Category : Art
Languages : en
Pages : 786
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Book Description
To scholars in the field, the need for an up-to-date overview of the art of South Asia has been apparent for decades. Although many regional and dynastic genres of Indic art are fairly well understood, the broad, overall representation of India's centuries of splendor has been lacking. The Art of Ancient India is the result of the author's aim to provide such a synthesis. Noted expert Sherman E. Lee has commented: –Not since Coomaraswamyês History of Indian and Indonesian Art (1927) has there been a survey of such completeness.” Indeed, this work restudies and reevaluates every frontier of ancient Indic art _ from its prehistoric roots up to the period of Muslim rule, from the Himalayan north to the tropical south, and from the earliest extant writing through the most modern scholarship on the subject. This dynamic survey-generously complemented with 775 illustrations, including 48 in full color and numerous architectural ground plans, and detailed maps and fine drawings, and further enhanced by its guide to Sanskrit, copious notes, extensive bibliography, and glossary of South Asian art terms-is the most comprehensive and most fully illustrated study of South Asian art available. The works and monuments included in this volume have been selected not only for their artistic merit but also in order to both provide general coverage and include transitional works that furnish the key to an all encompassing view of the art. An outstanding portrayal of ancient Indiaês highest intellectual and technical achievements, this volume is written for many audiences: scholars, for whom it provides an up-to-date background against which to examine their own areas of study; teachers and students of college level, for whom it supplies a complete summary of and a resource for their own deeper investigations into Indic art; and curious readers, for whom it gives a broad-based introduction to this fascinating area of world art.
