Indian Botanical Drawings 1793-1868 PDF Download
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Author: Henry J. Noltie
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
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Book Description
Author: Henry J. Noltie
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 108
Get Book Here
Book Description
Author: M. H. Lazarus
Publisher: National Museum Wales
ISBN: 9780720005257
Category : Art
Languages : en
Pages : 322
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Book Description
There are over 7,000 botanical illustrations in the collections of the National Museums & Galleries of Wales, now comprehensively catalogued for the first time
Author: Rachel Bryant Davies
Publisher: Bloomsbury Publishing
ISBN: 1350200360
Category : History
Languages : en
Pages : 329
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Book Description
Rachel Bryant Davies and Erin Johnson-Williams lead a cast of renowned scholars to initiate an interdisciplinary conversation about the mechanisms of power that have shaped the nineteenth-century archive, to ask: What is a nineteenth-century archive, broadly defined? This landmark collection of essays will broach critical and topical questions about how the complex discourses of power involved in constructions of the nineteenth-century archive have impacted, and continue to impact, constructions of knowledge across disciplinary boundaries, and beyond academic confines. The essays, written from a range of disciplinary perspectives, grapple with urgent problems of how to deal with potentially sensitive nineteenth-century archival items, both within academic scholarship and in present-day public-facing institutions, which often reflect erotic, colonial and imperial, racist, sexist, violent, or elitist ideologies. Each contribution grapples with these questions from a range of perspectives: Musicology, Classics, English, History, Visual Culture, and Museums and Archives. The result is far-reaching historical excavation of archival experiences.
Author: Londa Schiebinger
Publisher: University of Pennsylvania Press
ISBN: 0812293479
Category : History
Languages : en
Pages : 353
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Book Description
In the early modern world, botany was big science and big business, critical to Europe's national and trade ambitions. Tracing the dynamic relationships among plants, peoples, states, and economies over the course of three centuries, this collection of essays offers a lively challenge to a historiography that has emphasized the rise of modern botany as a story of taxonomies and "pure" systems of classification. Charting a new map of botany along colonial coordinates, reaching from Europe to the New World, India, Asia, and other points on the globe, Colonial Botany explores how the study, naming, cultivation, and marketing of rare and beautiful plants resulted from and shaped European voyages, conquests, global trade, and scientific exploration. From the earliest voyages of discovery, naturalists sought profitable plants for king and country, personal and corporate gain. Costly spices and valuable medicinal plants such as nutmeg, tobacco, sugar, Peruvian bark, peppers, cloves, cinnamon, and tea ranked prominently among the motivations for European voyages of discovery. At the same time, colonial profits depended largely on natural historical exploration and the precise identification and effective cultivation of profitable plants. This volume breaks new ground by treating the development of the science of botany in its colonial context and situating the early modern exploration of the plant world at the volatile nexus of science, commerce, and state politics. Written by scholars as international as their subjects, Colonial Botany uncovers an emerging cultural history of plants and botanical practices in Europe and its possessions.
Author: John McAleer
Publisher: Manchester University Press
ISBN: 1526118343
Category : History
Languages : en
Pages : 304
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Book Description
Exhibiting the empire considers how a whole range of cultural products – from paintings, prints, photographs, panoramas and ‘popular’ texts to ephemera, newspapers and the press, theatre and music, exhibitions, institutions and architecture – were used to record, celebrate and question the development of the British Empire. It represents a significant and original contribution to our understanding of the relationship between culture and empire. Written by leading scholars from a range of disciplinary backgrounds, individual chapters bring fresh perspectives to the interpretation of media, material culture and display, and their interaction with history. Taken together, this collection suggests that the history of empire needs to be, in part at least, a history of display and of reception. This book will be essential reading for scholars and students interested in British history, the history of empire, art history and the history of museums and collecting.
Author: John MacDonald MacKenzie
Publisher: Yale University Press
ISBN: 0300260784
Category : History
Languages : en
Pages : 451
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Book Description
A compelling history of British imperial culture, showing how it was adopted and subverted by colonial subjects around the world As the British Empire expanded across the globe, it exported more than troops and goods. In every colony, imperial delegates dispersed British cultural forms. Facilitated by the rapid growth of print, photography, film, and radio, imperialists imagined this new global culture would cement the unity of the empire. But this remarkably wide-ranging spread of ideas had unintended and surprising results. In this groundbreaking history, John M. MacKenzie examines the importance of culture in British imperialism. MacKenzie describes how colonized peoples were quick to observe British culture--and adapted elements to their own ends, subverting British expectations and eventually beating them at their own game. As indigenous communities integrated their own cultures with the British imports, the empire itself was increasingly undermined. From the extraordinary spread of cricket and horse racing to statues and ceremonies, MacKenzie presents an engaging imperial history--one with profound implications for global culture in the present day.
Author: Martyn Rix
Publisher: University of Chicago Press
ISBN: 022611984X
Category : Science
Languages : en
Pages : 257
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Book Description
The seventeenth century heralded a golden age of exploration, as intrepid travelers sailed around the world to gain firsthand knowledge of previously unknown continents. These explorers also collected the world’s most beautiful flora, and often their findings were recorded for posterity by talented professional artists. The Golden Age of Botanical Art tells the story of these exciting plant-hunting journeys and marries it with full-color reproductions of the stunning artwork they produced. Covering work through the nineteenth century, this lavishly illustrated book offers readers a look at 250 rare or unpublished images by some of the world’s most important botanical artists. Truly global in its scope, The Golden Age of Botanical Art features work by artists from Europe, China, and India, recording plants from places as disparate as Africa and South America. Martyn Rix has compiled the stories and art not only of well-known figures—such as Leonardo da Vinci and the artists of Empress Josephine Bonaparte—but also of those adventurous botanists and painters whose names and work have been forgotten. A celebration of both extraordinarily beautiful plant life and the globe-trotting men and women who found and recorded it, The Golden Age of Botanical Art will enchant gardeners and art lovers alike.
Author: Henry J. Noltie
Publisher: Royal Botanic Gardens Edinburg
ISBN:
Category : Botanical gardens
Languages : en
Pages : 248
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Book Description
This lavishly illustrated book is about a remarkable collection of botanical drawings belonging to the Royal Botanic Gardens, Edinburgh. The watercolours were commissioned by Alexander Gibson, an East India Company surgeon, and depict plants grown in the botanic gardens under his control in the Bombay Presidency. They are the work of an unknown Portuguese-Indian artist and were made between 1847 and 1850. The main section of the book includes colour reproductions of the 170 drawings arranged in order of the Bombay Flora, which Gibson co-authored with Nicholas Dalzell. Half the species depicted are native to western India, the other half are exotics from as far afield as Argentina and Australia. The colour plates are preceded by substantial chapters on Gibson's life and work and a history of Dapuri and the other botanic gardens under his charge. An illustrated introduction tells of the author's travels in search of information about Gibson, his gardens and the drawings
Author: David John Arnold
Publisher: University of Washington Press
ISBN: 0295800941
Category : Social Science
Languages : en
Pages : 314
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Book Description
Offers a new interpretation of the history of colonial India and a critical contribution to the understanding of environmental history and the tropical world. Arnold considers the ways in which India’s material environment became increasingly subject to the colonial understanding of landscape and nature, and to the scientific scrutiny of itinerant naturalists.
Author: Theresa M. Kelley
Publisher: JHU Press
ISBN: 1421407604
Category : Literary Criticism
Languages : en
Pages : 397
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Book Description
Botany in the romantic era played a role in debates about life, nature, and knowledge, as evidenced in this ambitious, beautifully illustrated study. Winner, 2012 British Society for Literature and Science Book Prize Romanticism was a cultural and intellectual movement characterized by discovery, revolution, and the poetic as well as by the philosophical relationship between people and nature. Botany sits at the intersection where romantic scientific and literary discourses meet. Clandestine Marriage explores the meaning and methods of how plants were represented and reproduced in scientific, literary, artistic, and material cultures of the period. Theresa M. Kelley synthesizes romantic debates about taxonomy and morphology, the contemporary interest in books and magazines devoted to plant study and images, and writings by such authors as Mary Wollstonecraft and Anna Letitia Barbauld. Period botanical paintings of flowers are reproduced in vibrant color, bringing her argument and the romantics' passion for plants to life. In addition to exploring botanic thought and practice in the context of British romanticism, Kelley also looks to the German philosophical traditions of Kant, Hegel, and Goethe and to Charles Darwin’s reflections on orchids and plant pollination. Her interdisciplinary approach allows a deeper understanding of a time when exploration of the natural world was a culture-wide enchantment.
