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Author: Frederick J. Dockstader
Publisher: Greenwich, Conn. : New York Graphic Society
ISBN:
Category : Indian art
Languages : en
Pages : 232
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Book Description
The magnificent art and decorative craftsmanship of the Indian tribes of North America appear in all of their colonial variety and complexity in this superb volume. Examples are included of the work of every major region in the areas now comprising the United States and Canada, of most of the numerically important or artistically pre-eminent tribes, and all of the major techniques employed by Indian artists. No reader of this book can long continue in a misapprehension of the stereotyped image of 'the Indian.' The varying cultures which developed on the North American continent - from the Eskimo hunters of the Arctic to the woodland League of the Iroquois, and from the Pueblo agriculturalists to the nomads of the Great Plains - are all represented. Each found its own ways of using available natural resources for utilitarian objects, for religious and ritual purposes, or for sheer aesthetic pleasure. The book abounds in beautiful examples of characteristics shell and quill work, pottery and weaving, deer and buffalo hide painting, carved stone pipes and tomahawks so commonly associated with Indian cultures. Less familiar are illustrations of mysterious stone effigy sculptures from the death-cults of the ancient Southeast; sophisticated carvings in stone and ivory from the Midwest; elaborate horse-trappings and costuming from the Great Plains; and a fascinating variety of masks. Dr. Dockstader draws upon a thorough knowledge of Indian life, custom and artistic tradition to relate this material to its sources in his introduction and in the extensive background comments accompanying each of the illustrations. He sees the art of the American Indian not as a subject for static sociological research, but as a living and continuing expression of a vital people, and he has included in this book a number of examples of recent and contemporary work by Indian artists. -- from dust jacket.
Author: Frederick J. Dockstader
Publisher: Greenwich, Conn. : New York Graphic Society
ISBN:
Category : Indian art
Languages : en
Pages : 232
Get Book Here
Book Description
The magnificent art and decorative craftsmanship of the Indian tribes of North America appear in all of their colonial variety and complexity in this superb volume. Examples are included of the work of every major region in the areas now comprising the United States and Canada, of most of the numerically important or artistically pre-eminent tribes, and all of the major techniques employed by Indian artists. No reader of this book can long continue in a misapprehension of the stereotyped image of 'the Indian.' The varying cultures which developed on the North American continent - from the Eskimo hunters of the Arctic to the woodland League of the Iroquois, and from the Pueblo agriculturalists to the nomads of the Great Plains - are all represented. Each found its own ways of using available natural resources for utilitarian objects, for religious and ritual purposes, or for sheer aesthetic pleasure. The book abounds in beautiful examples of characteristics shell and quill work, pottery and weaving, deer and buffalo hide painting, carved stone pipes and tomahawks so commonly associated with Indian cultures. Less familiar are illustrations of mysterious stone effigy sculptures from the death-cults of the ancient Southeast; sophisticated carvings in stone and ivory from the Midwest; elaborate horse-trappings and costuming from the Great Plains; and a fascinating variety of masks. Dr. Dockstader draws upon a thorough knowledge of Indian life, custom and artistic tradition to relate this material to its sources in his introduction and in the extensive background comments accompanying each of the illustrations. He sees the art of the American Indian not as a subject for static sociological research, but as a living and continuing expression of a vital people, and he has included in this book a number of examples of recent and contemporary work by Indian artists. -- from dust jacket.
Author: David W. Penney
Publisher: London : Thames & Hudson
ISBN: 9780500203774
Category : Art
Languages : en
Pages : 232
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Book Description
Artistic traditions of indigenous North America are explored in a study that draws on the testimonies of oral tradition, Native American history, and North American archaeology, focusing on the artists themselves and their cultural identities. Original.
Author: Janet Catherine Berlo
Publisher: Oxford : Oxford University Press
ISBN: 9780192842183
Category : Art
Languages : en
Pages : 306
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Book Description
The richness of Native American art is explored from the early pre-Columbian period to the present day, stressing the conceptual and iconographic continuities over five centuries and across an immensely diverse range of regions. 53 color photos. 104 halftones. 8 maps.
Author: Norman Feder
Publisher: Abradale Press
ISBN: 9780810981324
Category : Art
Languages : en
Pages : 445
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Book Description
Discussing and illustrating the art forms of the Native Americans of North America, a comprehensive tour covers such areas as the Plains, the Southwest, California, the Great Basin and the Pacific Plateau, the Pacific Northwest Coast, the Arctic Coast, and the Woodlands.
Author: Bill Holm
Publisher: University of Washington Press
ISBN: 0295999500
Category : Art
Languages : en
Pages : 145
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Book Description
The 50th anniversary edition of this classic work on the art of Northwest Coast Indians now offers color illustrations for a new generation of readers along with reflections from contemporary Northwest Coast artists about the impact of this book. The masterworks of Northwest Coast Native artists are admired today as among the great achievements of the world’s artists. The painted and carved wooden screens, chests and boxes, rattles, crest hats, and other artworks display the complex and sophisticated northern Northwest Coast style of art that is the visual language used to illustrate inherited crests and tell family stories. In the 1950s Bill Holm, a graduate student of Dr. Erna Gunther, former Director of the Burke Museum, began a systematic study of northern Northwest Coast art. In 1965, after studying hundreds of bentwood boxes and chests, he published Northwest Coast Indian Art: An Analysis of Form. This book is a foundational reference on northern Northwest Coast Native art. Through his careful studies, Bill Holm described this visual language using new terminology that has become part of the established vocabulary that allows us to talk about works like these and understand changes in style both through time and between individual artists’ styles. Holm examines how these pieces, although varied in origin, material, size, and purpose, are related to a surprising degree in the organization and form of their two-dimensional surface decoration. The author presents an incisive analysis of the use of color, line, and texture; the organization of space; and such typical forms as ovoids, eyelids, U forms, and hands and feet. The evidence upon which he bases his conclusions constitutes a repository of valuable information for all succeeding researchers in the field. Replaces ISBN 9780295951027
Author: Janet Catherine Berlo
Publisher: Metropolitan Museum of Art
ISBN: 0870998579
Category : Diker, Charles
Languages : en
Pages : 130
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Book Description
This catalogue includes 139 Native North American works of art that represent many peoples and a variety of materials and functions, presented here for their aesthetic value.-- Metropolitan Museum of Art website.
Author: Pieter Hovens
Publisher: Zkf Publishers
ISBN: 9783981162080
Category : Indian art
Languages : en
Pages : 0
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Book Description
North American Indian Art: Masterpieces and Museum Collections from the Netherlands showcases 114 oustanding examples of Native art and heritage from the Canadian subarctic forests to the American Southwest preserved in Dutch museums. Many of these rare material documents collected between the seventeenth and the twenty-first century have never been published before. They are here stunningly presented as individual works of art and placed into their cultural and historical contexts by forty-two leading American, Canadian, and European experts who weave together the historical narrative of each object's acquisition with current Native and scholarly interpretations of their use and meaning. In his introductory essay Pieter Hovens provides a detailed account of the history of Dutch interests in North American Indian cultures, from the seventeenth-century colonial experience in New Netherland through the collecting activities of public institutions and private connoisseurs to academic scholarship and social engagement. All of these interests have contributed to the wealth and range of objects featured here as well as to the public perception of Native Americans in the Netherlands. This book offers for the first time an overview of all institutional collections of Native North American arts and cultures in a single European country. It is the privilege of the Dutch museums to share these heritage collections with the widest audience possible.
Author: Gaylord Torrence
Publisher: Metropolitan Museum of Art
ISBN: 1588396622
Category : Art
Languages : en
Pages : 233
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Book Description
This landmark publication reevaluates historical Native American art as a crucial but under-examined component of American art history. The Charles and Valerie Diker Collection, a transformative promised gift to The Metropolitan Museum of Art, includes masterworks from more than fifty cultures across North America. The works highlighted in this volume span centuries, from before contact with European settlers to the early twentieth century. In this beautifully illustrated volume, featuring all new photography, the innovative visions of known and unknown makers are presented in a wide variety of forms, from painting, sculpture, and drawing to regalia, ceramics, and baskets. The book provides key insights into the art, culture, and daily life of culturally distinct Indigenous peoples along with critical and popular perceptions over time, revealing that to engage Native art is to reconsider the very meaning of America. p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Author: George A. Corbin
Publisher: Routledge
ISBN: 0429973055
Category : Art
Languages : en
Pages : 648
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Book Description
This introduction to the art of tribal peoples of North America, Africa, and the South Pacific does not briefly cover the hundreds of artistic traditions in these three vast areas but rather studies in depth thirty-six art styles within all three areas using the methods of art history, including stylistic analysis and iconographic interpretation. Emphasis is on the art in cultural context and as a system of visual communication within each tribal area. Where appropriate for a more complete understanding of the art, data from archaeology, ethnology, linguistics, religion, and other humanistic disciplines are included.Among the peoples and cultures whose art is studied are the Haida, Kwakiutl, and Tlingit; the Hohokam and Mongollon, the Anasazi and Hopi; the Dogon and Bamana of Mali; the Asante of Ghana; the Benin, Yoruba, and Ibo of Nigeria; the Fan, the Bamum, and the Kuba of Central Africa; Australian aboriginal and Island New Guinea art; Island Melanesia art; central and eastern Polynesia; Hawaii and the Maori in Marginal Polynesia.The format of the text and selected illustrations is based on seventeen years of teaching African, North American Indian, and South Pacific art to undergraduate and graduate students at Herbert H. Lehman College (CUNY), New York University, and Columbia University. The book is intended for art history and anthropology students and the interested lay reader or collector. The detailed notes at the end of the book are for further study, research, and understanding of the tribal art style under discussion.
Author: Richard F. Townsend
Publisher: Yale University Press
ISBN: 0300214839
Category : Art
Languages : en
Pages : 397
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Book Description
A stunning survey of the indigenous art, architecture, and spiritual beliefs of the Americas, from the Precolumbian era to the 20th century This landmark publication catalogues the Art Institute of Chicago’s outstanding collection of Indian art of the Americas, one of the foremost of its kind in the United States. Showcasing a host of previously unpublished objects dating from the Precolumbian era to the 20th century, the book marks the first time these holdings have been comprehensively documented. Richard Townsend and Elizabeth Pope weave an overarching narrative that ranges from the Midwestern United States to the Yucatán Peninsula to the heart of South America. While exploring artists’ myriad economic, historical, linguistic, and social backgrounds, the authors demonstrate that they shared both a deep, underlying cosmological view and the desire to secure their communities’ prosperity by affirming connections to the sacred forces of the natural world. The critical essays focus on topics that bridge traditions across North, Central, and South America, including materials, methods of manufacture, the diversity of stylistic features, and the iconography and functions of various objects. Gorgeously illustrated in color with more than 500 vibrant images, this handsome catalogue serves as the definitive survey of an unparalleled collection.
