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Author: Pauline Rohatagi
Publisher: Marg Publications
ISBN: 8185026084
Category : India
Languages : en
Pages : 1
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Book Description
The tremendous pictorial richness of rare prints, engravings, lithographs, and maps which had a wide market in 18th- and 19th-century British India are featured here. This book covers a wide range of interesting subjects: the peoples of India, costumes, customs, eating habits of the British in India, architecture, landscape, flora
Author: Pauline Rohatagi
Publisher: Marg Publications
ISBN: 8185026084
Category : India
Languages : en
Pages : 1
Get Book Here
Book Description
The tremendous pictorial richness of rare prints, engravings, lithographs, and maps which had a wide market in 18th- and 19th-century British India are featured here. This book covers a wide range of interesting subjects: the peoples of India, costumes, customs, eating habits of the British in India, architecture, landscape, flora
Author: Hermionede Almeida
Publisher: Routledge
ISBN: 1351562959
Category : Art
Languages : en
Pages : 917
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Book Description
Indian Renaissance: British Romantic Art and the Prospect of India is the first comprehensive examination of British artists whose first-hand impressions and prospects of the Indian subcontinent became a stimulus for the Romantic Movement in England; it is also a survey of the transformation of the images brought home by these artists into the cultural imperatives of imperial, Victorian Britain. The book proposes a second - Indian - Renaissance for British (and European) art and culture and an undeniable connection between English Romanticism and British Imperialism. Artists treated in-depth include James Forbes, James Wales, Tilly Kettle, William Hodges, Johann Zoffany, Francesco Renaldi, Thomas and William Daniell, Robert Home, Thomas Hickey, Arthur William Devis, R. H. Colebrooke, Alexander Allan, Henry Salt, James Baillie Fraser, Charles Gold, James Moffat, Charles D'Oyly, William Blake, J. M. W. Turner and George Chinnery.
Author: Prasannajit de Silva
Publisher: Cambridge Scholars Publishing
ISBN: 1527514285
Category : Art
Languages : en
Pages : 309
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Book Description
A stereotypical view of the nineteenth-century British in India, which might be characterised as one of deliberate isolation and segregation from their surroundings, has recently been complemented by one evoking a high degree of integration and closer co-existence in the eighteenth century. Focusing on a period which straddles this apparent shift, this book explores a variety of ways in which British residents in India represented their lives through visual material, and reveals a more nuanced position. Consideration of these images, which have often been overlooked in the scholarly literature, opens up questions of identity facing the British population in India at this time and facing colonial societies more generally, and issues about the role of visual culture in negotiating them. It also underlines the fragile and contested nature of identity: the colonists’ self-fashioning encompassed not only expressions of difference from their Indian setting, but also what distinguished them from their compatriots back in Britain, as well as engaging with metropolitan attitudes towards, and prejudices about, them.
Author: Matthew H. Edney
Publisher: University of Chicago Press
ISBN: 0226184862
Category : History
Languages : en
Pages : 481
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Book Description
In this fascinating history of the British surveys of India, Matthew H. Edney relates how imperial Britain used modern survey techniques to not only create and define the spatial image of its Empire, but also to legitimate its colonialist activities. "There is much to be praised in this book. It is an excellent history of how India came to be painted red in the nineteenth century. But more importantly, Mapping an Empire sets a new standard for books that examine a fundamental problem in the history of European imperialism."—D. Graham Burnett, Times Literary Supplement "Mapping an Empire is undoubtedly a major contribution to the rapidly growing literature on science and empire, and a work which deserves to stimulate a great deal of fresh thinking and informed research."—David Arnold, Journal of Imperial and Commonwealth History "This case study offers broadly applicable insights into the relationship between ideology, technology and politics. . . . Carefully read, this is a tale of irony about wishful thinking and the limits of knowledge."—Publishers Weekly
Author: Francesca Orsini
Publisher: Routledge
ISBN: 1351888315
Category : Language Arts & Disciplines
Languages : en
Pages : 391
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Book Description
The History of the Book in South Asia covers not only the various modern states that make up South Asia today but also a multitude of languages and scripts. For centuries it was manuscripts that dominated book production and circulation, and printing technology only began to make an impact in the late eighteenth century. Print flourished in the colonial period and in particular lithographic printing proved particularly popular in South Asia both because it was economical and because it enabled multi-script printing. There are now vibrant publishing cultures in the nation states of South Asia, and the essays in this volume cover the whole range from palm-leaf manuscripts to contemporary print culture.
Author: Rebecca Brown
Publisher: Routledge
ISBN: 113697850X
Category : Art
Languages : en
Pages : 162
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Book Description
Spinning was seen as both an economic and political activity that could bring together the diverse population of South Asia. This book looks at the politics of spinning both as a visual symbol and as a symbolic practice. It traces the genealogy of spinning from its early colonial manifestations in Company painting to its reinterpretation, deployment and manipulation by the anti-colonial movement.
Author: Nilanjana Mukherjee
Publisher: Taylor & Francis
ISBN: 1000193292
Category : Social Science
Languages : en
Pages : 272
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Book Description
This volume explores how India as a geographical space was constructed by the British colonial regime in visual and material terms. It demonstrates the instrumentalisation of cultural artefacts such as landscape paintings, travel literature and cartography, as spatial practices overtly carrying scientific truth claims, to materially produce artificial spaces that reinforced power relations. It sheds light on the primary dominance of cartographic reason in the age of European Enlightenment which framed aesthetic and scientific modes of representation and imagination. The author cross-examines this imperial gaze as a visual perspective which bore the material inscriptions of a will to assert, possess and control. The distinguishing theme in this study is the production of India as a new geography sourced from Britain's own interaction with its rural outskirts and domination in its fringes. This book: Addresses the concept of "production of space" to study the formulation of a colonial geography which resulted in the birth of a new place, later a nation; Investigates a generative period in the formation of British India c. 1750–1850 as a colonial territory vis-à-vis its representation and reiteration in British maps, landscape paintings and travel writings; Brings Great Britain and British India together on one plane not only in terms of the physical geo-spaces but also in the excavation of critical domains by alluding to critics from both spaces; Seeks to understand the pictorial grammar that legitimised the expansive British imperial cartographic gaze as the dominant narrative which marginalised all other existing local ideas of space and inhabitation. Rethinking colonial constructions of modern India, this volume will be of immense interest to scholars and researchers of modern history, cultural geography, colonial studies, English literature, cultural studies, art, visual studies and area studies.
Author: Riho Isaka
Publisher: Routledge
ISBN: 1000468585
Category : Social Science
Languages : en
Pages : 206
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Book Description
This book is a historical study of modern Gujarat, India, addressing crucial questions of language, identity, and power. It examines the debates over language among the elite of this region during a period of significant social and political change in the late nineteenth and early twentieth centuries. Language debates closely reflect power relations among different sections of society, such as those delineated by nation, ethnicity, region, religion, caste, class, and gender. They are intimately linked with the process in which individuals and groups of people try to define and project themselves in response to changing political, economic, and social environments. Based on rich historical sources, including official records, periodicals, literary texts, memoirs, and private papers, this book vividly shows the impact that colonialism, nationalism, and the process of nation-building had on the ideas of language among different groups, as well as how various ideas of language competed and negotiated with each other. Language, Identity, and Power in Modern India: Gujarat, c.1850–1960 will be of particular interest to students and scholars working on South Asian history and to those interested in issues of language, society, and politics in different parts of the modern world.
Author: Hermione de Almeida
Publisher: Cambridge Scholars Publishing
ISBN: 1527560015
Category : Literary Criticism
Languages : en
Pages : 472
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Book Description
This book brings to light an extraordinary satiric epic on Britain’s empire, one suppressed right after its publication in 1828. Tom Raw, the Griffin, written and illustrated by the Romantic artist Charles D’Oyly, is vital, engaging, morally earnest, and trenchant in its critique—and wickedly funny in its observations and depictions of British India. Known in art circles for his Indian landscapes, D’Oyly was born in Bengal; he returned there from England at age 16 to serve in increasingly titular posts in the occupying government; by 1818, he was a full-time artist in Patna. In his story of a young English cadet serving his country in India, D’Oyly writes and draws as an outsider to Britain’s imperial project abroad—but with the knowledge of an insider. His epic poem traces the political and cultural fault lines of Britain’s nascent empire. Like Lord Byron’s Don Juan (1819-24), Tom Raw is exuberantly comic and terrifyingly serious in its prescience on the prospects of nineteenth-century Britain and future world empires. Tom Raw has a real, original place in the literature, art and culture of its age, and is a key entity in the study of global Romanticism.
Author: Claude Markovits
Publisher: Anthem Press
ISBN: 184331231X
Category : Migration, Internal
Languages : en
Pages : 381
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Book Description
The idea of an "eternal India", based on stable and unchanging villages, has been in disarray for at least two decades. However, having demolished this myth, historians have been rather less able to construct an alternative vision. This volume sets out to do just that, using the idea of "circulation" in relation to South Asia in the colonial period. It comprises a set of complementary essays which deal with merchant circulation, pilgrimages, cartography, policing, labor mobility, and the movement of itinerant groups from colonial administrators to wandering bards, demonstrating that the South Asia of this period was made and remade by changing patterns and the logic of circulation. Once this perspective is integrated into the analysis of society, new and disturbing questions emerge on issues such as culture, identity and ethnogenesis, which are normally treated in the context of fixed and stable societies. The essays in this volume - written by some of the leading authorities in South Asian history - break new ground in suggesting the outlines of a different framework for historical analysis. This volume will interest not only South Asianists, but also those interested in historical method as well as wider comparative perspectives on early modern and contemporary history.
