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Author: Colum Hourihane
Publisher: Princeton University Press
ISBN: 9780691099903
Category : Art
Languages : en
Pages : 260
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Book Description
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned. The studies cover art from the Late Antique period to the end of the fifteenth century and include most of the media represented in the archive, from manuscripts to sculpture to glass. From reinterpreting previous scholarship to making new insights into the medieval mind, they explore such themes as Jephtha's Daughter; Mary Magdalene; Saints Blaise, Paul, Joseph, and Elisabeth of Hungary; and topics including women in the Bibles moralis es, Late German sermons, the iconographic program at Bourges Cathedral, Franciscan devotional art, and a late medieval Islamic manuscript. This volume presents some of the most exciting and interdisciplinary approaches to the study of these subjects, from the home of medieval iconography in Princeton. The contributors are Adelaide Bennett, Lois Drewer, Ivan Great, Judith Golden, Gerald Guest, Margaret Jennings, Margaret Lindsey, Mika Natif, Lynn Ransom, Pamela Sheingorn, and A. E. Wright.
Author: Colum Hourihane
Publisher: Princeton University Press
ISBN: 9780691099903
Category : Art
Languages : en
Pages : 260
Get Book Here
Book Description
Established in 1917, the Index of Christian Art, located at Princeton University, is now the largest archive of medieval art in existence and the most specialized resource for the iconographer. Throughout its eighty-five years, it has justly been recognized as one of the most learned institutions for the study of the art and culture of the medieval world. The essays in this book, all by staff or scholars of the archive, highlight some of the current research in the archive and the scholarship for which it has been widely renowned. The studies cover art from the Late Antique period to the end of the fifteenth century and include most of the media represented in the archive, from manuscripts to sculpture to glass. From reinterpreting previous scholarship to making new insights into the medieval mind, they explore such themes as Jephtha's Daughter; Mary Magdalene; Saints Blaise, Paul, Joseph, and Elisabeth of Hungary; and topics including women in the Bibles moralis es, Late German sermons, the iconographic program at Bourges Cathedral, Franciscan devotional art, and a late medieval Islamic manuscript. This volume presents some of the most exciting and interdisciplinary approaches to the study of these subjects, from the home of medieval iconography in Princeton. The contributors are Adelaide Bennett, Lois Drewer, Ivan Great, Judith Golden, Gerald Guest, Margaret Jennings, Margaret Lindsey, Mika Natif, Lynn Ransom, Pamela Sheingorn, and A. E. Wright.
Author: Colum Hourihane
Publisher:
ISBN:
Category :
Languages : en
Pages : 456
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Book Description
Author: Colum Hourihane
Publisher: Penn State Press
ISBN: 9780976820239
Category : Art
Languages : en
Pages : 420
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Book Description
This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. The measurement and documentation of time has been a universal issue since the dawn of civilization&—and no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought were reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivaled visual record for the student and scholar.
Author: Colum Hourihane
Publisher:
ISBN: 9789057005329
Category : Art, Medieval
Languages : en
Pages : 224
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Book Description
Author: Helen Woodruff
Publisher:
ISBN:
Category : Art, Early Christian
Languages : en
Pages : 110
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Book Description
Author: Colum Hourihane
Publisher: Index of Christian Art Department of Art and Archeology Princeton
ISBN: 9780983753704
Category : Art, Anglo-Saxon
Languages : en
Pages : 0
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Book Description
An interdisciplinary collection of essays examining Irish and Anglo-Saxon art in the early medieval period.
Author: Colum Hourihane
Publisher:
ISBN: 9780691095479
Category : Art
Languages : en
Pages : 438
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Book Description
"The works of art catalogued here range in date from the third to the fifteenth century and represent fourteen different media, including frescoes, ivories, manuscripts, stained glass, sculpture, mosaics, and textiles. Each entry gives concise information on the object's current location, date, and primary subject. An index allows the reader to browse the medieval world geographically for images of David still in situ, and the modern world for objects in museums, libraries, and other collections."--BOOK JACKET.
Author: Princeton University. Department of Art and Archaeology
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 10
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Book Description
Author: Colum Hourihane
Publisher: Princeton Univ Department of Art &
ISBN: 9780691050362
Category : Art
Languages : en
Pages : 456
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Book Description
The concept of opposing forces of good and evil expressed in a broad range of moral qualities--virtues and vices--is one of the most dominant themes in the history of Christian art. The complex interrelationship of these moral traits received considerable study in the medieval period, resulting in a vast and elaborate system of imagery that has been largely neglected by modern scholarship. Rich resources for the study of this important subject are made available by this volume, which publishes the complete holdings of the more than 230 personifications of Virtues and Vices in the Index of Christian Art's text files. Ranging from Abstinence to Wisdom and from Ambition to Wrath, and covering depictions of the Tree of Virtues, the Tree of Vices, and the Conflict of Virtues and Vices, this is the largest and most comprehensive collection of such personifications in existence. The catalogue documents the occurrence of these Virtues and Vices in well over 1,000 works of art produced between the fifth and the fifteenth centuries. The entries include objects in twelve different media and give detailed information on their current location, date, and subject. This extract from the Index of Christian Art's files, the first to be published, is accompanied by six essays devoted to the theme of virtue and vice. They investigate topics such as the didactic function of the bestiaries and the Physiologus, female personifications in the Psychomachia of Prudentius, the Virtues in the Floreffe Bible frontispiece, and good and evil in the architectural sculpture of German sacramentary houses. The contributors are Ron Baxter, Anne-Marie Bouché, Jesse M. Gellrich, S. Georgia Nugent, Colum Hourihane, and Achim Timmerman.
Author: Robert Couzin
Publisher: BRILL
ISBN: 9004448713
Category : History
Languages : en
Pages : 327
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Book Description
Robert Couzin’s Right and Left in Early Christian and Medieval Art provides the first in-depth study of handedness, position, and direction in the visual culture of Europe and Byzantium from the fourth to the fourteenth century.
