Author: Elizabeth Barnes
Publisher:
ISBN: 9780813025407
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
"Its range--both chronological and methodological--as well as the consistently high quality of its essays makes this collection stand out. A timely and important collection . . . on literary representations of incest [that will] become the touchstone for further work in the field."--Teresa A. Goddu, Vanderbilt University "These original and provocative essays fill a significant gap in our literary histories of sex and gender."--Bruce Burgett, University of Washington, Bothell This wide-ranging collection tracks the contradictory roles of incest in Anglo-American literature, politics, and culture from the Middle Ages, a period Elizabeth Barnes states is considered unrivaled for its "unblinking acceptance of many varieties of incest," to the present. Barnes explicates the role of incest in Anglo-American literature and culture, and in doing so sheds new light on the familiar story of incest as a vice of barbarians and a privilege of the elite. This unprecedented critical treatment of the subject speaks comprehensively to the greater attention placed on the occurrence of incest in the last several decades even as it provides a critical grasp of the topic from complex theoretical and historically nuanced perspectives. The essays range across a variety of methodological approaches--including psychoanalytic, cultural-historical, biographical, and queer theoretical. In this seminal work in the field, Elizabeth Barnes clarifies the role of literature as a privileged site for the inquiry into incest. She links literature's ability to "tell trauma"--a theoretical issue of the book--to the personal, political, and cultural approaches to incest that the volume addresses. The result is a collection, unlike many of such broad scope, whose essays flow seamlessly and coherently from one focus to the next. Contents Part I. The Royal Privilege of Incest 1. "Worse Than Bogery": Incest Stories in Middle English Literature, by Elizabeth Archibald 2. Incest and Authority in Pericles, Prince of Tyre, by Susan Frye 3. Sexual and Social Mobility in The Duchess of Malfi, by Frank Whigham 4. Incest and Class: 'Tis Pity She's a Whore and the Borgias, by Lisa Hopkins Part II. The Fall of the Fathers 5. The Ambivalence of Nature's Law: Representations of Incest in Dryden and His English Contemporaries, by T.G.A. Nelson 6. Natural and National Unions: Incest and Sympathy in the Early Republic, by Elizabeth Barnes 7. Temperance in the Bed of a Child: Incest and Social Order in Nineteenth-Century America, by Karen Sanchez-Eppler Part III. The Silence of the Daughters 8. Incest in the Story of Tancredi: Christine de Pizan's Poetics of Euphemism, by Elizabeth Allen 9. "Don't Say Such Foolish Things, Dear": Speaking Incest in The Voyage Out, by Jen Shelton 10. "Father, Don't You See I'm Burning?": Identification and Remembering in H.D.'s World War II Writing, by Madelyn Detloff Part IV. Incest in the House of Culture 11. Telling Fact from Fiction: Dorothy Allison's Disciplinary Stories, by Gillian Harkins 12. "Hereisthehouse": Cultural Spaces of Incest in The Bluest Eye, by Minrose C. Gwin 13. Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture, by Ann Cvetkovich 14. The New Face of Incest?: Race, Class, and the Controversy over Kathryn Harrison's The Kiss, by Mako Yoshikawa Elizabeth L. Barnes is associate professor of English at the College of William and Mary.
Incest and the Literary Imagination
Author: Elizabeth Barnes
Publisher:
ISBN: 9780813025407
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
"Its range--both chronological and methodological--as well as the consistently high quality of its essays makes this collection stand out. A timely and important collection . . . on literary representations of incest [that will] become the touchstone for further work in the field."--Teresa A. Goddu, Vanderbilt University "These original and provocative essays fill a significant gap in our literary histories of sex and gender."--Bruce Burgett, University of Washington, Bothell This wide-ranging collection tracks the contradictory roles of incest in Anglo-American literature, politics, and culture from the Middle Ages, a period Elizabeth Barnes states is considered unrivaled for its "unblinking acceptance of many varieties of incest," to the present. Barnes explicates the role of incest in Anglo-American literature and culture, and in doing so sheds new light on the familiar story of incest as a vice of barbarians and a privilege of the elite. This unprecedented critical treatment of the subject speaks comprehensively to the greater attention placed on the occurrence of incest in the last several decades even as it provides a critical grasp of the topic from complex theoretical and historically nuanced perspectives. The essays range across a variety of methodological approaches--including psychoanalytic, cultural-historical, biographical, and queer theoretical. In this seminal work in the field, Elizabeth Barnes clarifies the role of literature as a privileged site for the inquiry into incest. She links literature's ability to "tell trauma"--a theoretical issue of the book--to the personal, political, and cultural approaches to incest that the volume addresses. The result is a collection, unlike many of such broad scope, whose essays flow seamlessly and coherently from one focus to the next. Contents Part I. The Royal Privilege of Incest 1. "Worse Than Bogery": Incest Stories in Middle English Literature, by Elizabeth Archibald 2. Incest and Authority in Pericles, Prince of Tyre, by Susan Frye 3. Sexual and Social Mobility in The Duchess of Malfi, by Frank Whigham 4. Incest and Class: 'Tis Pity She's a Whore and the Borgias, by Lisa Hopkins Part II. The Fall of the Fathers 5. The Ambivalence of Nature's Law: Representations of Incest in Dryden and His English Contemporaries, by T.G.A. Nelson 6. Natural and National Unions: Incest and Sympathy in the Early Republic, by Elizabeth Barnes 7. Temperance in the Bed of a Child: Incest and Social Order in Nineteenth-Century America, by Karen Sanchez-Eppler Part III. The Silence of the Daughters 8. Incest in the Story of Tancredi: Christine de Pizan's Poetics of Euphemism, by Elizabeth Allen 9. "Don't Say Such Foolish Things, Dear": Speaking Incest in The Voyage Out, by Jen Shelton 10. "Father, Don't You See I'm Burning?": Identification and Remembering in H.D.'s World War II Writing, by Madelyn Detloff Part IV. Incest in the House of Culture 11. Telling Fact from Fiction: Dorothy Allison's Disciplinary Stories, by Gillian Harkins 12. "Hereisthehouse": Cultural Spaces of Incest in The Bluest Eye, by Minrose C. Gwin 13. Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture, by Ann Cvetkovich 14. The New Face of Incest?: Race, Class, and the Controversy over Kathryn Harrison's The Kiss, by Mako Yoshikawa Elizabeth L. Barnes is associate professor of English at the College of William and Mary.
Publisher:
ISBN: 9780813025407
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
"Its range--both chronological and methodological--as well as the consistently high quality of its essays makes this collection stand out. A timely and important collection . . . on literary representations of incest [that will] become the touchstone for further work in the field."--Teresa A. Goddu, Vanderbilt University "These original and provocative essays fill a significant gap in our literary histories of sex and gender."--Bruce Burgett, University of Washington, Bothell This wide-ranging collection tracks the contradictory roles of incest in Anglo-American literature, politics, and culture from the Middle Ages, a period Elizabeth Barnes states is considered unrivaled for its "unblinking acceptance of many varieties of incest," to the present. Barnes explicates the role of incest in Anglo-American literature and culture, and in doing so sheds new light on the familiar story of incest as a vice of barbarians and a privilege of the elite. This unprecedented critical treatment of the subject speaks comprehensively to the greater attention placed on the occurrence of incest in the last several decades even as it provides a critical grasp of the topic from complex theoretical and historically nuanced perspectives. The essays range across a variety of methodological approaches--including psychoanalytic, cultural-historical, biographical, and queer theoretical. In this seminal work in the field, Elizabeth Barnes clarifies the role of literature as a privileged site for the inquiry into incest. She links literature's ability to "tell trauma"--a theoretical issue of the book--to the personal, political, and cultural approaches to incest that the volume addresses. The result is a collection, unlike many of such broad scope, whose essays flow seamlessly and coherently from one focus to the next. Contents Part I. The Royal Privilege of Incest 1. "Worse Than Bogery": Incest Stories in Middle English Literature, by Elizabeth Archibald 2. Incest and Authority in Pericles, Prince of Tyre, by Susan Frye 3. Sexual and Social Mobility in The Duchess of Malfi, by Frank Whigham 4. Incest and Class: 'Tis Pity She's a Whore and the Borgias, by Lisa Hopkins Part II. The Fall of the Fathers 5. The Ambivalence of Nature's Law: Representations of Incest in Dryden and His English Contemporaries, by T.G.A. Nelson 6. Natural and National Unions: Incest and Sympathy in the Early Republic, by Elizabeth Barnes 7. Temperance in the Bed of a Child: Incest and Social Order in Nineteenth-Century America, by Karen Sanchez-Eppler Part III. The Silence of the Daughters 8. Incest in the Story of Tancredi: Christine de Pizan's Poetics of Euphemism, by Elizabeth Allen 9. "Don't Say Such Foolish Things, Dear": Speaking Incest in The Voyage Out, by Jen Shelton 10. "Father, Don't You See I'm Burning?": Identification and Remembering in H.D.'s World War II Writing, by Madelyn Detloff Part IV. Incest in the House of Culture 11. Telling Fact from Fiction: Dorothy Allison's Disciplinary Stories, by Gillian Harkins 12. "Hereisthehouse": Cultural Spaces of Incest in The Bluest Eye, by Minrose C. Gwin 13. Sexual Trauma/Queer Memory: Incest, Lesbianism, and Therapeutic Culture, by Ann Cvetkovich 14. The New Face of Incest?: Race, Class, and the Controversy over Kathryn Harrison's The Kiss, by Mako Yoshikawa Elizabeth L. Barnes is associate professor of English at the College of William and Mary.
Incest and the Medieval Imagination
Author: Elizabeth Archibald
Publisher: OUP Oxford
ISBN: 0191540854
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
Incest is a remarkably frequent theme in medieval literature; it occurs in a wide range of genres, including romances, saints's lives, and exempla. Historically, the Church in the later Middle Ages was very concerned about breaches of the complex laws against incest, which was defined very broadly at the time to cover family relationships outside the nuclear family and also spiritual relationships through baptism. Medieval writers accepted that incestuous desire was a widespread phenomenon among women as well as men. They are surprisingly open about incest, though of course they disapprove of it; in many exemplary stories incest is identified with original sin, but the moral emphasizes the importance of contrition and the availability of grace even to such heinous sinners. This study begins with a brief account of the development of medieval incest laws, and the extent to which they were obeyed. Next comes a survey of classical incest stories and their legacy; many were retold in the Middle Ages, but they were frequently adapted to the purposes of Christian moralizers. In the three chapters that follow, homegrown medieval incest stories are grouped by relationship: mother-son (focusing on the Gregorius legend), father-daughter (focusing on La Manekine and its analogues), and sibling (focusing on the Arthurian legend). The final chapter considers the very common medieval trope of the Virgin Mary as mother, daughter, sister and bride of Christ, the one exception to the incest taboo. In western society today, incest has recently been recognized as a serious social problem, and has also become a frequent theme in both fiction and non-fiction, just as it was in the Middle Ages. This interdisciplinary study is the first broad survey of medieval incest stories in Latin and the vernaculars (mainly French, English and German). It situates the incest theme in both literary and cultural contexts, and offers many thought-provoking comparisons and contrasts to our own society in terms of gender relations, the power of patriarchy, the role of religious institutions in regulating morality, and the relationship between life and literature.
Publisher: OUP Oxford
ISBN: 0191540854
Category : Literary Criticism
Languages : en
Pages : 313
Book Description
Incest is a remarkably frequent theme in medieval literature; it occurs in a wide range of genres, including romances, saints's lives, and exempla. Historically, the Church in the later Middle Ages was very concerned about breaches of the complex laws against incest, which was defined very broadly at the time to cover family relationships outside the nuclear family and also spiritual relationships through baptism. Medieval writers accepted that incestuous desire was a widespread phenomenon among women as well as men. They are surprisingly open about incest, though of course they disapprove of it; in many exemplary stories incest is identified with original sin, but the moral emphasizes the importance of contrition and the availability of grace even to such heinous sinners. This study begins with a brief account of the development of medieval incest laws, and the extent to which they were obeyed. Next comes a survey of classical incest stories and their legacy; many were retold in the Middle Ages, but they were frequently adapted to the purposes of Christian moralizers. In the three chapters that follow, homegrown medieval incest stories are grouped by relationship: mother-son (focusing on the Gregorius legend), father-daughter (focusing on La Manekine and its analogues), and sibling (focusing on the Arthurian legend). The final chapter considers the very common medieval trope of the Virgin Mary as mother, daughter, sister and bride of Christ, the one exception to the incest taboo. In western society today, incest has recently been recognized as a serious social problem, and has also become a frequent theme in both fiction and non-fiction, just as it was in the Middle Ages. This interdisciplinary study is the first broad survey of medieval incest stories in Latin and the vernaculars (mainly French, English and German). It situates the incest theme in both literary and cultural contexts, and offers many thought-provoking comparisons and contrasts to our own society in terms of gender relations, the power of patriarchy, the role of religious institutions in regulating morality, and the relationship between life and literature.
Incest in contemporary literature
Author: Miles Leeson
Publisher: Manchester University Press
ISBN: 1526122189
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.
Publisher: Manchester University Press
ISBN: 1526122189
Category : Literary Criticism
Languages : en
Pages : 382
Book Description
This is the first edited collection of essays which focuses on the incest taboo and its literary and cultural presentation from the 1950s to the present day. It considers a number of key authors and artists, rather than a single author from this period. The collection exposes the wide use of incest and sexual trauma, and the frequency this appears within contemporary literature and related arts. Incest in contemporary literature discusses the impact of this change in attitudes on literature and literary adaptations in the latter half of the twentieth century, and early years of the twenty-first century. Although primarily concerned with fiction, the collection includes work on television and film. Authors discussed include Iain Banks, A.S. Byatt, Angela Carter, Simone de Beauvoir, Ted Hughes, Doris Lessing, Ian McEwan Iris Murdoch, Vladimir Nabokov, Andrea Newman and Pier Pasolini and Sylvia Plath.
Masculinity and Marian Efficacy in Shakespeare's England
Author: Ruben Espinosa
Publisher: Routledge
ISBN: 1317099877
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Masculinity and Marian Efficacy in Shakespeare's England offers a new approach to evaluating the psychological 'loss' of the Virgin Mary in post-Reformation England by illustrating how, in the wake of Mary's demotion, re-inscriptions of her roles and meanings only proliferated, seizing hold of national imagination and resulting in new configurations of masculinity. The author surveys the early modern cultural and literary response to Mary's marginalization, and argues that Shakespeare employs both Roman Catholic and post-Reformation views of Marian strength not only to scrutinize cultural perceptions of masculinity, but also to offer his audience new avenues of exploring both religious and gendered subjectivity. By deploying Mary's symbolic valence to infuse certain characters, and dramatic situations with feminine potency, Espinosa analyzes how Shakespeare draws attention to the Virgin Mary as an alternative to an otherwise unilaterally masculine outlook on salvation and gendered identity formation.
Publisher: Routledge
ISBN: 1317099877
Category : Literary Criticism
Languages : en
Pages : 238
Book Description
Masculinity and Marian Efficacy in Shakespeare's England offers a new approach to evaluating the psychological 'loss' of the Virgin Mary in post-Reformation England by illustrating how, in the wake of Mary's demotion, re-inscriptions of her roles and meanings only proliferated, seizing hold of national imagination and resulting in new configurations of masculinity. The author surveys the early modern cultural and literary response to Mary's marginalization, and argues that Shakespeare employs both Roman Catholic and post-Reformation views of Marian strength not only to scrutinize cultural perceptions of masculinity, but also to offer his audience new avenues of exploring both religious and gendered subjectivity. By deploying Mary's symbolic valence to infuse certain characters, and dramatic situations with feminine potency, Espinosa analyzes how Shakespeare draws attention to the Virgin Mary as an alternative to an otherwise unilaterally masculine outlook on salvation and gendered identity formation.
Stuart Women Playwrights, 1613–1713
Author: Pilar Cuder-Dominguez
Publisher: Routledge
ISBN: 1317048997
Category : Performing Arts
Languages : en
Pages : 177
Book Description
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
Publisher: Routledge
ISBN: 1317048997
Category : Performing Arts
Languages : en
Pages : 177
Book Description
In the field of seventeenth-century English drama, women participated not only as spectators or readers, but more and more as patronesses, as playwrights, and later on as actresses and even as managers. This study examines English women writers' tragedies and tragicomedies in the seventeenth century, specifically between 1613 and 1713, which represent the publication dates of the first original tragedy (Elizabeth Cary's The Tragedy of Mariam) and the last one (Anne Finch's Aristomenes) written by a Stuart woman playwright. Through this one-hundred year period, major changes in dramatic form and ideology are traced in women's tragedies and tragicomedies. In examining the whole of the century from a gender perspective, this project breaks away from conventional approaches to the subject, which tend to establish an unbridgeable gap between the early Stuart period and the Restoration. All in all, this study represents a major overhaul of current theories of the evolution of English drama as well as offering an unprecedented reconstruction of the genealogy of seventeenth-century English women playwrights.
The Cambridge Companion to Shakespeare and Contemporary Dramatists
Author: A. J. Hoenselaars
Publisher: Cambridge University Press
ISBN: 0521767547
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
This Companion is devoted to the life and works of Shakespeare and contemporary playwrights in early modern London.
Publisher: Cambridge University Press
ISBN: 0521767547
Category : Literary Criticism
Languages : en
Pages : 327
Book Description
This Companion is devoted to the life and works of Shakespeare and contemporary playwrights in early modern London.
Paradoxes of Traditional Chinese Literature
Author: Eva Hung
Publisher: Chinese University Press
ISBN: 9789622015944
Category : Education
Languages : en
Pages : 296
Book Description
This book is a collection of nine articles on various paradoxical aspects of traditional Chinese literature. The literary works chosen for analysis range from the Tang dynasty to the late Qing. Besides providing new approaches to the well known classic authors such as Honglou Meng, Jin Ping Mei, Xixiang ji, and Liaozhai zhiyi, there are also detailed analysis of such diverse works as Liu Zongyuan's fiction, analogues of the Liu Yi story, lesser known versions of the play White Rabbit, as well as a number of late Qing fictions. Contributors to this volume include some of the most respected names in sinology today.
Publisher: Chinese University Press
ISBN: 9789622015944
Category : Education
Languages : en
Pages : 296
Book Description
This book is a collection of nine articles on various paradoxical aspects of traditional Chinese literature. The literary works chosen for analysis range from the Tang dynasty to the late Qing. Besides providing new approaches to the well known classic authors such as Honglou Meng, Jin Ping Mei, Xixiang ji, and Liaozhai zhiyi, there are also detailed analysis of such diverse works as Liu Zongyuan's fiction, analogues of the Liu Yi story, lesser known versions of the play White Rabbit, as well as a number of late Qing fictions. Contributors to this volume include some of the most respected names in sinology today.
The Unspeakable, Gender and Sexuality in Medieval Literature, 1000-1400
Author: Victoria Blud
Publisher: Boydell & Brewer
ISBN: 1843844680
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Frontcover -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Words and Other Fragments -- 1 Speaking Up and Shutting Up: Expression and Suppression in the Old English Mary of Egypt and Ancrene Wisse -- 2 What Comes Unnaturally: Unspeakable Acts -- 3 Crying Wolf: Gender and Exile in Bisclavret and Wulf and Eadwacer -- 4 Taking the Words Out of Her Mouth: Glossing Glossectomy in Tales of Philomela -- Conclusion: After Words -- Bibliography -- Index
Publisher: Boydell & Brewer
ISBN: 1843844680
Category : Literary Criticism
Languages : en
Pages : 224
Book Description
Frontcover -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Words and Other Fragments -- 1 Speaking Up and Shutting Up: Expression and Suppression in the Old English Mary of Egypt and Ancrene Wisse -- 2 What Comes Unnaturally: Unspeakable Acts -- 3 Crying Wolf: Gender and Exile in Bisclavret and Wulf and Eadwacer -- 4 Taking the Words Out of Her Mouth: Glossing Glossectomy in Tales of Philomela -- Conclusion: After Words -- Bibliography -- Index
Gothic incest
Author: Jenny DiPlacidi
Publisher: Manchester University Press
ISBN: 1526107562
Category : Literary Criticism
Languages : en
Pages : 370
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today.
Publisher: Manchester University Press
ISBN: 1526107562
Category : Literary Criticism
Languages : en
Pages : 370
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. The first full-length study of incest in the Gothic genre, this book argues that Gothic writers resisted the power structures of their society through incestuous desires. It provides interdisciplinary readings of incest within father-daughter, sibling, mother-son, cousin and uncle-niece relationships in texts by authors including Emily Brontë, Eliza Parsons, Ann Radcliffe and Eleanor Sleath. The analyses, underpinned by historical, literary and cultural contexts, reveal that the incest thematic allowed writers to explore a range of related sexual, social and legal concerns. Through representations of incest, Gothic writers modelled alternative agencies, sexualities and family structures that remain relevant today.
Tis Pity She's A Whore
Author: Lisa Hopkins
Publisher: Bloomsbury Publishing
ISBN: 1441176217
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.
Publisher: Bloomsbury Publishing
ISBN: 1441176217
Category : Literary Criticism
Languages : en
Pages : 207
Book Description
John Ford's tragedy 'Tis Pity She's A Whore was first performed between 1629 and 1633 and since then its themes of incest, love versus duty and forbidden passion have made it a widely studied and performed, if controversial, play. This guide offers students an introduction to its critical and performance history, including TV and film adaptations. It includes a keynote chapter outlining major areas of current research on the play and four new critical essays. Finally, a guide to critical, web-based and production-related resources and an annotated bibliography provide a basis for further individual research.