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Author: David Abram
Publisher: Vintage
ISBN: 0307830551
Category : Philosophy
Languages : en
Pages : 344
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Book Description
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.
Author: David Abram
Publisher: Vintage
ISBN: 0307830551
Category : Philosophy
Languages : en
Pages : 344
Get Book Here
Book Description
Winner of the International Lannan Literary Award for Nonfiction Animal tracks, word magic, the speech of stones, the power of letters, and the taste of the wind all figure prominently in this intellectual tour de force that returns us to our senses and to the sensuous terrain that sustains us. This major work of ecological philosophy startles the senses out of habitual ways of perception. For a thousand generations, human beings viewed themselves as part of the wider community of nature, and they carried on active relationships not only with other people with other animals, plants, and natural objects (including mountains, rivers, winds, and weather patters) that we have only lately come to think of as "inanimate." How, then, did humans come to sever their ancient reciprocity with the natural world? What will it take for us to recover a sustaining relation with the breathing earth? In The Spell of the Sensuous David Abram draws on sources as diverse as the philosophy of Merleau-Ponty, Balinese shamanism, Apache storytelling, and his own experience as an accomplished sleight-of-hand of magician to reveal the subtle dependence of human cognition on the natural environment. He explores the character of perception and excavates the sensual foundations of language, which--even at its most abstract--echoes the calls and cries of the earth. On every page of this lyrical work, Abram weaves his arguments with a passion, a precision, and an intellectual daring that recall such writers as Loren Eisleley, Annie Dillard, and Barry Lopez.
Author: John Murungi
Publisher: Cambridge Scholars Publishing
ISBN: 1443857874
Category : Art
Languages : en
Pages : 256
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Book Description
In Rendezvous with the Sensuous readers are drawn to, and become situated within, the dynamic place of the aesthetic experience. While there, human sensuousness comes into relief as it combines with the sensuousness that derives from nature. In this complex place where artistic expression coalesces with the natural world, readers are extended an invitation to share in the journey of a richly diverse synesthetic experience and to gain a greater appreciation of the important place of the sensuous in illuminating the role of aesthetics in the world of ideas.
Author: Mikel Dufrenne
Publisher: Humanity Books
ISBN: 9781573925013
Category : Philosophy
Languages : en
Pages : 0
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Book Description
"This collection of essays on aesthetics is the first set of Dufrenne's shorter pieces to appear in English. It is arranged thematically and includes works from as early as 1948 to as late as 1974. ... In these essays Dufrenne covers a lot of ground and draws into his discussion of aesthetics a whole range of thinkers, including Barthes, Foucault, Lyotard, Metz, Freud and Derrida. ... These essays are well worth reading both for the quality of the writing and for the continual insights which come to the surface along the way. The text has been devotedly translated and a helpful introduction has been added." -- David Pollard, British Journal of Aesthetics
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
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Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: Mikel Dufrenne
Publisher: Northwestern University Press
ISBN: 9780810105911
Category : Philosophy
Languages : en
Pages : 652
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Book Description
The Phenomenology of Aesthetic Experience (Fr. Ph nom nologie de l'exp rience esth tique) was first published in 1953. In the first of four parts, Dufrenne distinguishes the "aesthetic object" from the "work of art." In the second, he elucidates types of works of art, especially music and painting. He devotes his third section to aesthetic perception. In the fourth, he describes a Kantian critique of aesthetic experience. A perennial classic in the SPEP series, the work is rounded out by a detailed "Translator's Foreword" especially helpful to readers in aesthetics interested in the context and circumstances around which the original was published as well as the phenomenological background of the book.
Author: Vivian Sobchack
Publisher: Princeton University Press
ISBN: 0691213275
Category : Performing Arts
Languages : en
Pages : 356
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Book Description
Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.
Author: Elisabeth Gerle
Publisher: Wipf and Stock Publishers
ISBN: 1532616007
Category : Religion
Languages : en
Pages : 330
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Book Description
Luther, passion, and sensualism? In an age of body worship as well as body loathing, Elisabeth Gerle explores new paths. Protestant ethics has often been associated with work and duty, excluding sensuality, sexuality, and other pleasures. Gerle embarks on a conversation with Martin Luther in dialogue with contemporary theologians on attitudes toward body, sensuality, desire, sexuality, life, and politics. She draws on Eros theology to challenge traditional Lutheran stereotypes, such as the dichotomies between different forms of love, as well as between spirit and body. Gerle argues that Luther's spiritual breakthrough, where grace and gifts of creation became central, provides new meaning to sex and desire as well as to work, body, and ordinary life. Women are seen in new light--as companions, autonomous ethical agents, part of the priesthood of all. This had revolutionary consequences in medieval Europe, and it represents a challenge to contemporary theologies with a nostalgic appetite for austerity, asceticism, and female submission. Luther's erotic and gender-fluid language is a healthy challenge to oppressive political structures centered on greed, profit, and competition. A revised Scandinavian creation theology and a deep sense of the incarnational mystery are resources for contemporary theology and ethics.
Author: Charles Kirkland Wheeler
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: John Murungi
Publisher: Cambridge Scholars Publishing
ISBN: 1443899968
Category : Philosophy
Languages : en
Pages : 160
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Book Description
Under the guidance of phenomenological insights, this book presents the sensuous in its elemental sense. The elemental is not to be confused here with the classical notion of the atom, which is viewed as a self-contained entity into which all reality is reducible. Rather, the elemental is a living creative force that resists categorization. This force embodies the principle of openness and opening, a principle celebrated and given expression by numerous artists and other friends of the sensuous. As elemental, the sensuous irreducibly expresses itself in multiple ways. The editors of this volume avoid posting themselves between the sensuous and those to whom it presents itself. Each of the contributors here responds to the call of the elemental, and each finds his or her starting point where everyone else starts and ends. The multiple voices brought together here constitute a concert, with the elemental sensuous as the conductor. In reading this book, the reader will become more aware of himself or herself, and more aware of the world in which he or she lives.
Author: Marcia B. Hall
Publisher: Cambridge University Press
ISBN: 1107013232
Category : Art
Languages : en
Pages : 357
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Book Description
This book examines the promotion of the sensuous as part of religious experience in the Roman Catholic Church of the early modern period. During the Counter-Reformation, every aspect of religious and devotional practice was reviewed, including the role of art and architecture, and the invocation of the five senses to incite devotion became a hotly contested topic. The Protestants condemned the material cult of veneration of relics and images, rejecting the importance of emotion and the senses and instead promoting the power of reason in receiving the Word of God. After much debate, the Church concluded that the senses are necessary to appreciate the sublime, and that they derive from the Holy Spirit. As part of its attempt to win back the faithful, the Church embraced the sensuous and promoted the use of images, relics, liturgy, processions, music, and theater as important parts of religious experience.
