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Author: Bart van Es
Publisher: Oxford University Press
ISBN: 0199569312
Category : History
Languages : en
Pages : 372
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Book Description
Considering both Shakespeare's fellow writers as well as members of his acting company Shakespeare in Company offers a unique insight into the company kept by William Shakespeare and how it impacted on his writing.
Author: Bart van Es
Publisher: Oxford University Press
ISBN: 0199569312
Category : History
Languages : en
Pages : 372
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Book Description
Considering both Shakespeare's fellow writers as well as members of his acting company Shakespeare in Company offers a unique insight into the company kept by William Shakespeare and how it impacted on his writing.
Author: Andrew Gurr
Publisher: Cambridge University Press
ISBN: 9780521807302
Category : Drama
Languages : en
Pages : 362
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Book Description
This is the first complete history of the theater company in which Shakespeare acted and which staged all his plays. Created in 1594, the company became the King's Men in 1603 and ran for forty-eight years up to the closure of 1642. Andrew Gurr provides a study of the company's activities, explores its social role in its time and examines its repertoire of plays. This comprehensive illustrated history will be an indispensable guide for anyone who wants to know more about the conditions under which Shakespeare and his successors worked.
Author: Sylvia Beach
Publisher: U of Nebraska Press
ISBN: 9780803260979
Category : Literary Criticism
Languages : en
Pages : 272
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Book Description
Sylvia Beach was intimately acquainted with the expatriate and visiting writers of the Lost Generation, a label that she never accepted. Like moths of great promise, they were drawn to her well-lighted bookstore and warm hearth on the Left Bank. Shakespeare and Company evokes the zeitgeist of an era through its revealing glimpses of James Joyce, Ernest Hemingway, Scott Fitzgerald, Sherwood Anderson, Andre Gide, Ezra Pound, Gertrude Stein, Alice B. Toklas, D. H. Lawrence, and others already famous or soon to be. In his introduction to this new edition, James Laughlin recalls his friendship with Sylvia Beach. Like her bookstore, his publishing house, New Directions, is considered a cultural touchstone.
Author: Terence G. Schoone-Jongen
Publisher: Routledge
ISBN: 1317056167
Category : Literary Criticism
Languages : en
Pages : 282
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Book Description
Focusing on a period (c.1577-1594) that is often neglected in Elizabethan theater histories, this study considers Shakespeare's involvement with the various London acting companies before his membership in the Lord Chamberlain's Men in 1594. Locating Shakespeare in the confusing records of the early London theater scene has long been one of the many unresolved problems in Shakespeare studies and is a key issue in theatre history, Shakespeare biography, and historiography. The aim in this book is to explain, analyze, and assess the competing claims about Shakespeare's pre-1594 acting company affiliations. Schoone-Jongen does not demonstrate that one particular claim is correct but provides a possible framework for Shakespeare's activities in the 1570s and 1580s, an overview of both London and provincial playing, and then offers a detailed analysis of the historical plausibility and probability of the warring claims made by biographers, ranging from the earliest sixteenth-century references to contemporary arguments. Full chapters are devoted to four specific acting companies, their activities, and a summary and critique of the arguments for Shakespeare's involvement in them (The Queen's Men, Strange's Men, Pembroke's Men, and Sussex's Men), a further chapter is dedicated to the proposition Shakespeare's first theatrical involvement was in a recusant Lancashire household, and a final chapter focuses on arguments for Shakespeare's membership in a half dozen other companies (most prominently Leicester's Men). Shakespeare's Companies simultaneously opens up twenty years of theatrical activity to inquiry and investigation while providing a critique of Shakespearean biographers and their historical methodologies.
Author: Normand Augustine
Publisher: Miramax Books
ISBN: 9780786886449
Category : Business & Economics
Languages : en
Pages : 244
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Book Description
Drawing wide acclaim in hardcovera brilliant guide to management based on the principles explored in Shakespeares plays. Timelessly wise and externally popular, the plays of Shakespeare are packed with essential insights into human psychology and the use and abuse of power. In Shakespeare in Charge, Norman Augustine, former Fortune 500 CEO, and Kenneth Adelman, former U.S. Ambassador to the United Nations, show how the Bards shrewd understanding of palace politics and the strategies of warfare can just as easily be applied to the twists and turns of the corporate world.
Author: Kirsten Hastrup
Publisher: Museum Tusculanum Press
ISBN: 9788772897936
Category : Drama
Languages : en
Pages : 356
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Book Description
This book is an anthropological study of play-acting. Acting on the stage is seen as an example of social action in general. The focus is on the playing of Shakespeare, and on the players' use of and reflections upon time, space, plot, and acting. In her new book, Kirsten Hastrup aims at a renewed understanding of action and motivation within any social setting. By listening to such experts of action as the players of Shakespeare, we achieve a comprehensive reappraisal of current notions of human agency. In the process, we are offered a set of methodological tools and analytical concepts that may enrich future anthropological analysis of individual actions in their social context. The work is an unprecedented approach to action and acting. For anthropologists and other social or cultural scientists, Hastrup offers a fresh perspective on performance, and on the construction of the analytical object. For theatre historians and dramatists, the combination of detailed (ethnographic) analys
Author: Krista Halverson
Publisher: Shakespeare Paris
ISBN:
Category : Americans
Languages : en
Pages : 384
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Book Description
For almost 70 years, Shakespeare and Company, the English-language bookstore in Paris, has been a home-away-from-home for celebrated writers--including Jorge Luis Borges, James Baldwin, A. M. Homes, and Dave Eggers--as well as for young, aspiring authors and poets. Visitors are invited to read in the library, share a pot of tea, and sometimes even live in the shop itself, sleeping in beds tucked among the towering shelves of books. Since 1951, more than 30,000 have slept at the "rag and bone shop of the heart." This first, fully illustrated history of the bookstore draws on a century's worth of never-before-seen archives. Photographs and ephemera are woven together with personal essays, diary entries, and poems from more than seventy contributors, including Allen Ginsberg, Anaïs Nin, Lawrence Ferlinghetti, Sylvia Beach, Nathan Englander, Dervla Murphy, Jeet Thayil, David Rakoff, Ian Rankin, Kate Tempest, and Ethan Hawke. With hundreds of images, it features Tumbleweed autobiographies, precious historical documents, and beautiful photographs, including ones of such renowned guests as William Burroughs, Henry Miller, Langston Hughes, Alberto Moravia, Zadie Smith, Jimmy Page, and Marilynne Robinson. Tracing more than 100 years in the French capital, the story touches on the Lost Generation and the Beats, the Cold War, May '68, and the feminist movement--all while reflecting on the timeless allure of bohemian life in Paris.--Adapted from dust jacket and publisher website.
Author: Lucy Munro
Publisher: Bloomsbury Publishing
ISBN: 1474262627
Category : Drama
Languages : en
Pages : 271
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Book Description
Created when James I granted royal patronage to the former Chamberlain's Men in 1603, the King's Men were the first playing company to exercise a transformative influence on Shakespeare's plays. Not only did Shakespeare write his plays with them in mind, but they were also the first group to revive his plays, and the first to have them revised, either by Shakespeare himself or by other dramatists after his retirement. Drawing on theatre history, performance studies, cultural history and book history, Shakespeare in the Theatre: The King's Men reappraises the company as theatre artists, analysing in detail the performance practices, cultural contexts and political pressures that helped to shape and reshape Shakespeare's plays between 1603 and 1642. Reconsidering casting and acting styles, staging and playing venues, audience response, influence and popularity, and local, national and international politics, the book presents case-studies of performances of Macbeth, The Tempest, The Winter's Tale, Richard II, Henry VIII, Othello and Pericles alongside a broader reappraisal of the repertory of the company and the place of Shakespeare's plays within it.
![The Complete Works of William Shakespeare (abridged) [revised] [again] PDF](https://books.google.com/books/content/images/frontcover/XErYEAAAQBAJ?fife=w80-h100)
Author: Adam Long
Publisher: Rowman & Littlefield
ISBN: 1493077317
Category : Drama
Languages : en
Pages : 155
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Book Description
Originally performed by its creators, this 1987 Edinburgh Fringe hit remains the second longest-running West End comedy in history and has been translated into over thirty languages. The Complete Works of William Shakespeare (abridged) is not so much a play as it is a vaudeville show in which three charismatic, wildly ambitious actors attempt to present all thirty-seven of Shakespeare's plays in a single performance. They have a rudimentary concept of the stories and have imperfectly memorized a smattering of famous lines. Backstage there's a meager assortment of costumes and props. Thus armed, the three brazenly launch into their task with an earnest focus and breakneck enthusiasm.
Author: Jan Kott
Publisher: Doubleday
ISBN: 0804152195
Category : Drama
Languages : en
Pages : 312
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Book Description
Shakespeare, Our Contemporary is a provocative, original study of the major plays of Shakespeare. More than that, it is one of the few critical works to have strongly influenced theatrical productions. Peter Brook and Charles Marowitz are among the many directors who have acknowledged their debt to Jan Kott, finding in his analogies between Shakespearean situations and those in modern life and drama the seeds of vital new stage conceptions. Shakespeare, Our Contemporary has been translated into nineteen languages since it appeared in 1961, and readers all over the world have similarly found their responses to Shakespeare broadened and enriched.
