Author: Albert Borowitz
Publisher: Kent State University Press
ISBN: 9780873386937
Category : Reference
Languages : en
Pages : 208
Book Description
The interplay between crime fact and crime fiction can be detected back to literature's earliest beginnings. True crime has long been the basis of many plots of memorable literature - from Nathaniel Hawthorne's The Scarlet Letter to Jean Genet's play The Maids, there has often been blood on the page.
Poe
Author: James M. Hutchisson
Publisher: Univ. Press of Mississippi
ISBN: 1604736534
Category : Biography & Autobiography
Languages : en
Pages : 310
Book Description
Edgar Allan Poe (1809-1849) was an American original-a luminous literary theorist, an erratic genius, and an analyst par excellence of human obsession and compulsion. The scope of his literary achievements and the dramatic character of Poe's life have drawn readers and critics to him in droves. And yet, upon his death, one obituary penned by a literary enemy in the New York Daily Tribune cascaded into a lasting stain on Poe's character, leaving a historic misunderstanding. Many remember Poe as a difficult, self-pitying, troubled drunkard often incapable of caring for himself. Poe reclaims the Baltimore and Virginia writer's reputation and power, retracing Poe's life and career. Biographer and critic James M. Hutchisson captures the boisterous worlds of literary New York and Philadelphia in the 1800s to understand why Poe wrote the way he did and why his achievement was so important to American literature. The biography presents a critical overview of Poe's major works and his main themes, techniques, and imaginative preoccupations. This portrait of the writer emphasizes Poe's southern identity; his existence as a workaday journalist in the burgeoning magazine era; his authority as a literary critic and cultural arbiter; his courtly demeanor and sense of social propriety; his advocacy of women writers; his adaptation of art forms as diverse as the so-called gutter press and the haunting rhythms of African American spirituals; his borrowing of imagery from such popular social movements as temperance and freemasonry; and his far-reaching, posthumous influence. James M. Hutchisson, Charleston, South Carolina, is a professor of American literature and southern studies at The Citadel.
Publisher: Univ. Press of Mississippi
ISBN: 1604736534
Category : Biography & Autobiography
Languages : en
Pages : 310
Book Description
Edgar Allan Poe (1809-1849) was an American original-a luminous literary theorist, an erratic genius, and an analyst par excellence of human obsession and compulsion. The scope of his literary achievements and the dramatic character of Poe's life have drawn readers and critics to him in droves. And yet, upon his death, one obituary penned by a literary enemy in the New York Daily Tribune cascaded into a lasting stain on Poe's character, leaving a historic misunderstanding. Many remember Poe as a difficult, self-pitying, troubled drunkard often incapable of caring for himself. Poe reclaims the Baltimore and Virginia writer's reputation and power, retracing Poe's life and career. Biographer and critic James M. Hutchisson captures the boisterous worlds of literary New York and Philadelphia in the 1800s to understand why Poe wrote the way he did and why his achievement was so important to American literature. The biography presents a critical overview of Poe's major works and his main themes, techniques, and imaginative preoccupations. This portrait of the writer emphasizes Poe's southern identity; his existence as a workaday journalist in the burgeoning magazine era; his authority as a literary critic and cultural arbiter; his courtly demeanor and sense of social propriety; his advocacy of women writers; his adaptation of art forms as diverse as the so-called gutter press and the haunting rhythms of African American spirituals; his borrowing of imagery from such popular social movements as temperance and freemasonry; and his far-reaching, posthumous influence. James M. Hutchisson, Charleston, South Carolina, is a professor of American literature and southern studies at The Citadel.
Gender and the Poetics of Reception in Poe's Circle
Author: Eliza Richards
Publisher: Cambridge University Press
ISBN: 9780521832816
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
Publisher: Cambridge University Press
ISBN: 9780521832816
Category : Literary Criticism
Languages : en
Pages : 264
Book Description
Poe is frequently portrayed as an isolated idiosyncratic genius who was unwilling or unable to adapt himself to the cultural conditions of his time. Eliza Richards revises this portrayal through an exploration of his collaborations and rivalries with his female contemporaries. Richards demonstrates that he staged his performance of tortured isolation in the salons and ephemeral publications of New York City in conjunction with prominent women poets whose work sought to surpass. She introduces and interprets the work of three important and largely forgotten women poets: Frances Sargent Osgood, Sarah Helen Whitman, and Elizabeth Oakes Smith. Richards re-evaluates the work of these writers, and of nineteenth-century lyric practices more generally, by examining poems in the context of their circulation and reception within nineteenth-century print culture. This book will be of interest to scholars of American print culture as well as specialists of nineteenth-century literature and poetry.
Poe in His Own Time
Author: Benjamin F. Fisher
Publisher: University of Iowa Press
ISBN: 1587299321
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
An image of Edgar Allan Poe (1809–1849) as a man of gloom and mystery continues to hold great popular appeal. Long recognized as one of the greats of American literature, he elicited either highly commendatory or absolutely hostile reactions from many who knew him, from others who claimed to comprehend him as person or as writer, and from still others who circulated as fact opinions intuited from his writings. Whether promoting him as angel or demon, “a man of great and original genius” or “extraordinarily wicked,” the viewpoints in this dramatic collection of primary materials provide vigorous testimony to support the contradictory images of the man and the writer that have prevailed for a century and a half. Noted Poe scholar Benjamin Fisher includes a comprehensive introduction and a detailed chronology of Poe’s sadly short life; each entry is introduced by a short headnote that places the selection in historical and cultural context, and explanatory notes provide information about people and places. From John Allan’s letter to Secretary of War John Eaton about Poe’s West Point life to John Frankenstein’s hostile verse casting him as an alcoholic, from Rufus Griswold’s first and second posthumous vilifications to James Russell Lowell’s more sensible outline of his life and career, from scornful to commendable reviews to scathing attacks on his morals to recognition of his comic achievements, Fisher has gathered a lively array of materials that read like the most far-fetched of gothic tales. Poe himself was creative when he supplied information to others about his life and literary career, and the speculative content of many of the portrayals presented in this collection read as if their authors had set out to be equally creative. The sixty-nine recollections gathered in Poe in His Own Time form a dramatic, real-time biographical narrative designed to provide a multitude of perspectives on the famous author, sometimes in conflict with each other and sometimes in agreement but always arresting.
Publisher: University of Iowa Press
ISBN: 1587299321
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
An image of Edgar Allan Poe (1809–1849) as a man of gloom and mystery continues to hold great popular appeal. Long recognized as one of the greats of American literature, he elicited either highly commendatory or absolutely hostile reactions from many who knew him, from others who claimed to comprehend him as person or as writer, and from still others who circulated as fact opinions intuited from his writings. Whether promoting him as angel or demon, “a man of great and original genius” or “extraordinarily wicked,” the viewpoints in this dramatic collection of primary materials provide vigorous testimony to support the contradictory images of the man and the writer that have prevailed for a century and a half. Noted Poe scholar Benjamin Fisher includes a comprehensive introduction and a detailed chronology of Poe’s sadly short life; each entry is introduced by a short headnote that places the selection in historical and cultural context, and explanatory notes provide information about people and places. From John Allan’s letter to Secretary of War John Eaton about Poe’s West Point life to John Frankenstein’s hostile verse casting him as an alcoholic, from Rufus Griswold’s first and second posthumous vilifications to James Russell Lowell’s more sensible outline of his life and career, from scornful to commendable reviews to scathing attacks on his morals to recognition of his comic achievements, Fisher has gathered a lively array of materials that read like the most far-fetched of gothic tales. Poe himself was creative when he supplied information to others about his life and literary career, and the speculative content of many of the portrayals presented in this collection read as if their authors had set out to be equally creative. The sixty-nine recollections gathered in Poe in His Own Time form a dramatic, real-time biographical narrative designed to provide a multitude of perspectives on the famous author, sometimes in conflict with each other and sometimes in agreement but always arresting.
The Lovecraftian Poe
Author: Sean Moreland
Publisher: Rowman & Littlefield
ISBN: 161146241X
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.
Publisher: Rowman & Littlefield
ISBN: 161146241X
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
H.P. Lovecraft, one of the twentieth century’s most important writers in the genre of horror fiction, famously referred to Edgar Allan Poe as both his “model” and his “God of Fiction.” While scholars and readers of Poe’s and Lovecraft’s work have long recognized the connection between these authors, this collection of essays is the first in-depth study to explore the complex literary relationship between Lovecraft and Poe from a variety of critical perspectives. Of the thirteen essays included in this book, some consider how Poe’s work influenced Lovecraft in important ways. Other essays explore how Lovecraft’s fictional, critical, and poetic reception of Poe irrevocably changed how Poe’s work has been understood by subsequent generations of readers and interpreters. Addressing a variety of topics ranging from the psychology of influence to racial and sexual politics, the essays in this book also consider how Lovecraft’s interpretations of Poe have informed later adaptations of both writers’ works in films by Roger Corman and fiction by Stephen King, Thomas Ligotti, and Caitlin R. Kiernan. This collection is an indispensable resource not only for those who are interested in Poe’s and Lovecraft’s work specifically, but also for readers who wish to learn more about the modern history and evolution of Gothic, horror, and weird fiction.
Retrospective Poe
Author: José R. Ibáñez Ibáñez
Publisher: Springer Nature
ISBN: 3031099869
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
This book analyzes a range of Edgar Allan Poe’s writing, focusing on new readings that engage with classical and (post)modern studies of his work and the troubling literary relationship that he had with T.S. Eliot. Whilst the book examines Poe’s influence in Spain, and how his figure has been marketed to young and adult Spanish reading audiences, it also explores the profound impact that Poe had on other audiences, such as in America, Greece, and Japan, from the nineteenth to the twenty-first century. The essays attest to Poe’s well-deserved reputation, his worldwide legacy, and his continued presence in global literature. This book will appeal particularly to university teachers, Poe scholars, graduate students, and general readers interested in Poe’s oeuvre.
Publisher: Springer Nature
ISBN: 3031099869
Category : Literary Criticism
Languages : en
Pages : 345
Book Description
This book analyzes a range of Edgar Allan Poe’s writing, focusing on new readings that engage with classical and (post)modern studies of his work and the troubling literary relationship that he had with T.S. Eliot. Whilst the book examines Poe’s influence in Spain, and how his figure has been marketed to young and adult Spanish reading audiences, it also explores the profound impact that Poe had on other audiences, such as in America, Greece, and Japan, from the nineteenth to the twenty-first century. The essays attest to Poe’s well-deserved reputation, his worldwide legacy, and his continued presence in global literature. This book will appeal particularly to university teachers, Poe scholars, graduate students, and general readers interested in Poe’s oeuvre.
Journal
Author: North Carolina. General Assembly. House
Publisher:
ISBN:
Category :
Languages : en
Pages : 832
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 832
Book Description
The Annotated Poe
Author: Edgar Allan Poe
Publisher: Harvard University Press
ISBN: 0674055292
Category : Fiction
Languages : en
Pages : 436
Book Description
Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.
Publisher: Harvard University Press
ISBN: 0674055292
Category : Fiction
Languages : en
Pages : 436
Book Description
Presents a selection of Poe's tales and poems with in-depth marginal notes elucidating his sources, obscure words and passages, and literary, biographical, and historical allusions.
Nabokov's Palace
Author: Márta Pellérdi
Publisher: Cambridge Scholars Publishing
ISBN: 1443824798
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Nabokov’s distinguished and unique position in American literature has always been indisputable, but paradoxical. There has always been an element of foreignness in his writing. Nabokov’s Palace, however, aims to discover those sub-texts and inter-textual patterns embedded in Nabokov’s American novels which undeniably contribute towards making these works an integral part of the Anglo-American literary tradition. Aware of this tradition, in some of his late novels Nabokov also provides a literary historical overview of particular themes, such as friendship, melancholy, madness and trance, as they surfaced in literary texts throughout the history of English and American literature. To Nabokov “aesthetic bliss” meant “a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.” Most of Nabokov’s American novels express—through different elaborate literary structures, themes, motifs and metaphors—these “other states of being” where the “fantastic recurrence” of literary situations and communion with dead poets and writers (Poe, Shakespeare, Hawthorne and Melville, among many others) becomes possible. The American “reality” that some readers miss in his writings (with the exception of Lolita) and the absence of which questions whether Nabokov truly belongs to the Anglo-American tradition, is clearly to be found in the “wayside murmur” of the allusive sub-texts. Nabokov’s Palace is thus recommended for scholars, students and devotees of Nabokov’s fiction who wish to make further discoveries in the distinct “otherworld” of Art in Nabokov’s American novels.
Publisher: Cambridge Scholars Publishing
ISBN: 1443824798
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Nabokov’s distinguished and unique position in American literature has always been indisputable, but paradoxical. There has always been an element of foreignness in his writing. Nabokov’s Palace, however, aims to discover those sub-texts and inter-textual patterns embedded in Nabokov’s American novels which undeniably contribute towards making these works an integral part of the Anglo-American literary tradition. Aware of this tradition, in some of his late novels Nabokov also provides a literary historical overview of particular themes, such as friendship, melancholy, madness and trance, as they surfaced in literary texts throughout the history of English and American literature. To Nabokov “aesthetic bliss” meant “a sense of being somehow, somewhere, connected with other states of being where art (curiosity, tenderness, kindness, ecstasy) is the norm.” Most of Nabokov’s American novels express—through different elaborate literary structures, themes, motifs and metaphors—these “other states of being” where the “fantastic recurrence” of literary situations and communion with dead poets and writers (Poe, Shakespeare, Hawthorne and Melville, among many others) becomes possible. The American “reality” that some readers miss in his writings (with the exception of Lolita) and the absence of which questions whether Nabokov truly belongs to the Anglo-American tradition, is clearly to be found in the “wayside murmur” of the allusive sub-texts. Nabokov’s Palace is thus recommended for scholars, students and devotees of Nabokov’s fiction who wish to make further discoveries in the distinct “otherworld” of Art in Nabokov’s American novels.
Edgar Allan Poe
Author: David Halliburton
Publisher: Princeton University Press
ISBN: 1400873045
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
By attempting to suspend moral, ideological, or psychological assumptions, a phenomenological interpretation of literature hopes to reach "the things themselves," the essential phenomena of being, space, and time, as they are constituted, by consciousness, in words. Although there has been a tradition of phenomenological criticism in Europe for the last twenty years, David Halliburton is the first to write a general study of an American author from this particular point of view. The book begins with a methodological chapter that sets out the assumptions and procedures of the approach. This is followed by analyses of Poe's major works, exploring such special problems as Poe's treatment of the material world, including technology; the interrelation of body and consciousness; poetic voice; attitudes toward women; and the will to affirmation, plenitude, and unity. The center of interest is neither Poe's biography nor environment but always the meaning of Poe's words. Because these works are shaped by a single imagination and because they are experienced in time, as a process, each work has its own "way of going." The aim of the interpretation is to find this way and go along with it; to live each work dynamically, as it "happens," while tracing its interaction with other works. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400873045
Category : Literary Criticism
Languages : en
Pages : 439
Book Description
By attempting to suspend moral, ideological, or psychological assumptions, a phenomenological interpretation of literature hopes to reach "the things themselves," the essential phenomena of being, space, and time, as they are constituted, by consciousness, in words. Although there has been a tradition of phenomenological criticism in Europe for the last twenty years, David Halliburton is the first to write a general study of an American author from this particular point of view. The book begins with a methodological chapter that sets out the assumptions and procedures of the approach. This is followed by analyses of Poe's major works, exploring such special problems as Poe's treatment of the material world, including technology; the interrelation of body and consciousness; poetic voice; attitudes toward women; and the will to affirmation, plenitude, and unity. The center of interest is neither Poe's biography nor environment but always the meaning of Poe's words. Because these works are shaped by a single imagination and because they are experienced in time, as a process, each work has its own "way of going." The aim of the interpretation is to find this way and go along with it; to live each work dynamically, as it "happens," while tracing its interaction with other works. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
The American Baptist Year-book
Author:
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 840
Book Description
Publisher:
ISBN:
Category : Baptists
Languages : en
Pages : 840
Book Description