In Paris and Dresden. Translator's preface PDF Download
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Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
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Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 432
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Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 430
Get Book Here
Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
Get Book Here
Book Description
Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages :
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Book Description
![An Historical Narrative of the Restoration of Royalty in France, the 31st of March 1814 ... Translated from the genuine Paris edition. [The translator's preface signed: H. E. L., i.e. Hannibal Evans Lloyd.] PDF](https://books.google.com/books/content/images/frontcover/1aJYAAAAcAAJ?fife=w80-h100)
Author: Dominique DUFOUR DE PRADT (successively Bishop of Poitiers and Archbishop of Mechlin.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 104
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Author: Richard Wagner
Publisher: U of Nebraska Press
ISBN: 9780803297630
Category : Music
Languages : en
Pages : 428
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Book Description
"Saint Beethoven!. . . . He was clad in somewhat untidy houseclothes, with a red woolen scarf wrapped round his waist; long, bushy grey hair hung in disorder from his head, and his gloomy, forbidding expression by no means tended to reassure. . . ." When Wagner published the first collection of his writings he was pleased to admit how well he wrote, even when young. Historians and musicians ever since have agreed that some of his most important and revelatory works were written when he was first establishing his reputation in Paris and Dresden. Pilgrimage to Beethoven and Other Essays provides translations of the first two volumes of his Gesammelte Schriften (1871-1873). These works reveal how committed he was to emphasizing Germanic qualities in his music and define his opposition to the music of France and Italy. In addition to his influential essay on Beethoven's Ninth Symphony, this volume includes two early essays on Germanic myth—"The Wibelungen" and "The Nibelungen-Myth"—his homages to Carl Maria von Weber, and the complete text of his autobiographical A German Musician in Paris, with its famous "Pilgrimage to Beethoven." The volume concludes with his "Plan of Organisation of a German National Theatre" (1849), founded upon Beethoven's moral music. Listeners "inspired by Beethoven's music have been more active and energetic citizens-of-State than those bewitched by Rossini, Bellini, and Donizetti." Throughout these essays, as throughout his life, Wagner knew how to provoke. This edition includes the complete volume 7 of the 1898 translation commissioned by the London Wagner Society.
Author: Jeremy Coleman
Publisher:
ISBN: 9781783274420
Category : Music
Languages : en
Pages : 0
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Book Description
How did Wagner's experiences in Paris influence his works and social character? And how does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? Friedrich Nietzsche more than once claimed that Wagner's only true home was in Paris. This book is the first major study to trace Wagner's relationship with Paris from his first sojourn there (1839-1842) to the Paris Tannhäuser (1861). How did Wagner's experiences in Paris influence his works and social character? How does his sometime desire for recognition by the French cultural establishment square with his German national identity and with the related idea of a universally valid art? This book presents Wagner's perennial ambition of an international operatic success in the "capital city of the nineteenth century" and the paradoxical consequences of that ambition upon its failure. Through an examination of previously neglected source materials, the book engages with ideas in the so-called "Wagner debate" as an ongoing philosophical project that tries to come to terms with the composer's Germanness. The book is in three main parts arranged broadly in chronological sequence. The first considers Wagner's earliest years in Paris, focusing on his own French-language drafts of Das Liebesverbot and Der fliegende Holländer. The second part explores his stance towards Paris "at a distance" following his return to Saxony and subsequent political exile. Arriving at Wagner's most often discussed "Paris period" (1859-61), the third part interrogates the concert performances under the composer's direction at the Théâtre-Italien and revisionist aspects of their reception. JEREMY COLEMAN is Lecturer in Music in the School of Performing Arts, Universityof Malta.
Author: Richard Wagner
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 472
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Book Description
![The Translator's Preface [in, A Discovery of New Worlds. From the French. Made English Etc.]. PDF](https://books.google.com/books/content/images/frontcover/DI_wjgEACAAJ?fife=w80-h100)
Author:
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Category :
Languages : en
Pages :
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