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Author: Rose Laub Coser
Publisher: Stanford University Press
ISBN: 9780804718714
Category : Social Science
Languages : en
Pages : 228
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Book Description
A Stanford University Press classic.
Author: Rose Laub Coser
Publisher: Stanford University Press
ISBN: 9780804718714
Category : Social Science
Languages : en
Pages : 228
Get Book Here
Book Description
A Stanford University Press classic.
Author: Daniel R. Brunstetter
Publisher: Routledge
ISBN: 0415527848
Category : History
Languages : en
Pages : 230
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Book Description
Where is the boundary line between civilization and barbarism drawn? When is the Other really Other, and thus no longer deserving of rights? Daniel R. Brunstetter expertly examines the place of inequality within the liberal thread of modernity by turning to the intellectual history surrounding the European discovery of the New World, and the notion of the human that emerged from the intellectual debates about the rights of the Indians.
Author: Alain Touraine
Publisher: Wiley-Blackwell
ISBN: 9781557865311
Category : Social Science
Languages : en
Pages : 416
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Book Description
For over two hundred years, the notion of modernity has dominated Western social thought. Yet as we approach the end of the millenium, we find the concept under seige: constantly being challenged, rejected or refined. In Critique of Modernity d, Alain Touraine, one of our leading social thinkers, offers an outstanding analysis and reinterpretation of the modern for the twenty-first century.
Author: Sueann Caulfield
Publisher:
ISBN:
Category : History
Languages : en
Pages : 338
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Book Description
Examines debates over sexual honor to explore the ways in which private morality was infused with the cultural politics of nation-building and modernization, and was used to legitimate power differentials based on race, gender, and class.
Author: Steven B. Smith
Publisher: Yale University Press
ISBN: 0300220987
Category : Philosophy
Languages : en
Pages : 417
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Book Description
Steven B. Smith examines the concept of modernity, not as the end product of historical developments but as a state of mind. He explores modernism as a source of both pride and anxiety, suggesting that its most distinctive characteristics are the self-criticisms and doubts that accompany social and political progress. Providing profiles of the modern project’s most powerful defenders and critics—from Machiavelli and Spinoza to Saul Bellow and Isaiah Berlin—this provocative work of philosophy and political science offers a novel perspective on what it means to be modern and why discontent and sometimes radical rejection are its inevitable by-products.
Author: J. M. Bernstein
Publisher: Stanford University Press
ISBN: 9780804748957
Category : Philosophy
Languages : en
Pages : 420
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Book Description
The aim of this book is to provide an account of modernist painting that follows on from the aesthetic theory of Theodor W. Adorno. It offers a materialist account of modernism with detailed discussions of modern aesthetics from Kant to Arthur Danto, Stanley Cavell, and Adorno. It discusses in detail competing accounts of modernism: Clement Greenberg, Michael Fried, Yve-Alain Bois, and Thierry de Duve; and it discusses several painters and artists in detail: Pieter de Hooch, Jackson Pollock, Robert Ryman, Cindy Sherman, and Chaim Soutine. Its central thesis is that modernist painting exemplifies a form of rationality that is an alternative to the instrumental rationality of enlightened modernity. Modernist paintings exemplify how nature and the sociality of meaning can be reconciled.
Author: Antonio Giustozzi
Publisher: Hurst & Company
ISBN: 9781849044806
Category : History
Languages : en
Pages : 0
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Book Description
This volume is an historical survey of advisory and mentoring missions from the 1920s onwards, starting from the Soviet missions to the Kuomintang and ending with the mission to Iraq. It focuses on Afghanistan during the Soviet occupation and after 2001, but also deals with virtually every single advisory mission from the 1920s on-wards, whether involving 'Eastern Bloc' countries or Western ones. The sections on Afghanistan are based on new research, while the sections covering other cases of advisory/mentoring missions are based on the existing literature. The authors highlight how large scale missions have been particularly problematic, causing friction with the hosts and sometimes even undermining their legitimacy. Small missions staffed by more carefully selected cadres appear instead to have produced better results. Overall, the political context may well have been a more important factor in determining success or failure rather than aspects such as cultural misunderstandings.
Author: Colin Koopman
Publisher: Indiana University Press
ISBN: 0253006236
Category : Philosophy
Languages : en
Pages : 469
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Book Description
Viewing Foucault in the light of work by Continental and American philosophers, most notably Nietzsche, Habermas, Deleuze, Richard Rorty, Bernard Williams, and Ian Hacking, Genealogy as Critique shows that philosophical genealogy involves not only the critique of modernity but also its transformation. Colin Koopman engages genealogy as a philosophical tradition and a method for understanding the complex histories of our present social and cultural conditions. He explains how our understanding of Foucault can benefit from productive dialogue with philosophical allies to push Foucaultian genealogy a step further and elaborate a means of addressing our most intractable contemporary problems.
Author: David O'Brien
Publisher: Penn State Press
ISBN: 0271082690
Category : Art
Languages : en
Pages : 241
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Book Description
Notions of civilization and barbarism were intrinsic to Eugène Delacroix’s artistic practice: he wrote regularly about these concepts in his journal, and the tensions between the two were the subject of numerous paintings, including his most ambitious mural project, the ceiling of the Library of the Chamber of Deputies in the Palais Bourbon. Exiled in Modernity delves deeply into these themes, revealing why Delacroix’s disillusionment with modernity increasingly led him to seek spiritual release or epiphany in the sensual qualities of painting. While civilization implied a degree of control and the constraint of natural impulses for Delacroix, barbarism evoked something uncontrolled and impulsive. Seeing himself as part of a grand tradition extending back to ancient Greece, Delacroix was profoundly aware of the wealth and power that set nineteenth-century Europe apart from the rest of the world. Yet he was fascinated by civilization’s chaotic underbelly. In analyzing Delacroix’s art and prose, David O’Brien illuminates the artist’s effort to reconcile the erudite, tradition-bound aspects of painting with a desire to reach viewers in a more direct, unrestrained manner. Focusing chiefly on Delacroix’s musings about civilization in his famous journal, his major mural projects on the theme of civilization, and the place of civilization in his paintings of North Africa and of animals, O’Brien links Delacroix’s increasingly pessimistic view of modernity to his desire to use his art to provide access to a more fulfilling experience. With more than one hundred illustrations, this original, astute analysis of Delacroix and his work explains why he became an inspiration for modernist painters over the half-century following his death. Art historians and scholars of modernism especially will find great value in O’Brien’s work.
Author: James Gordon Finlayson
Publisher: Oxford University Press, USA
ISBN: 0192840959
Category : Language Arts & Disciplines
Languages : en
Pages : 185
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Book Description
This book provides a clear and readable overview of the works of today's most influential German philosopher. It analyses the theoretical underpinnings of Habermas's social theory, and its applications in ethics, politics, and law. Finally, it examines how his social and political theory informs his writing on contemporary, political, and social problems.
