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Author: Ranjana Dave
Publisher: Tulika Books
ISBN: 9788194534822
Category :
Languages : en
Pages : 404
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Book Description
In an atmosphere of growing authoritarianism, how can we draw attention to performance as a transaction of sensorial agency - the right to be seen, heard, recognized - the right to be palpable? Improvised Futures attempts to frame performance as doing, as fraught negotiations of agency and identity. As it considers the performative effect of a range of ideas, actions and situations that have shaped society and defined cultural expression since the 1990s, it frames the body as a site of radical imagination. The volume comprises texts and artworks by artists, academics and activists, placing these works in conversation with each other in order to elicit new meanings and connections.
Author: Ranjana Dave
Publisher: Tulika Books
ISBN: 9788194534822
Category :
Languages : en
Pages : 404
Get Book Here
Book Description
In an atmosphere of growing authoritarianism, how can we draw attention to performance as a transaction of sensorial agency - the right to be seen, heard, recognized - the right to be palpable? Improvised Futures attempts to frame performance as doing, as fraught negotiations of agency and identity. As it considers the performative effect of a range of ideas, actions and situations that have shaped society and defined cultural expression since the 1990s, it frames the body as a site of radical imagination. The volume comprises texts and artworks by artists, academics and activists, placing these works in conversation with each other in order to elicit new meanings and connections.
Author: Tracey Nicholls
Publisher: Lexington Books
ISBN: 0739164228
Category : Music
Languages : en
Pages : 257
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Book Description
An Ethics of Improvisation takes up the puzzles and lessons of improvised music in order to theorize the building blocks of a politically just society. The investigation of what politics can learn from the people who perform and listen to musical improvisation begins with an examination of current social discourses about "the political" and an account of what social justice could look like. From there, the book considers what a politically just society's obligations are to people who do not want to be part of the political community, establishing respect for difference as a fundamental principle of social interaction. What this respect for difference entails when applied to questions of the aesthetic value of music is aesthetic pluralism, the book argues. Improvised jazz, in particular, embodies different values than those of the Western classical tradition, and must be judged on its own terms if it is to be respected. Having established the need for aesthetic pluralism in order to respect the diversity of musical traditions, the argument turns back to political theory, and considers what distinct resources improvisation theory--the theorizing of the social context in which musical improvisation takes place--has to offer established political philosophy discourses of deliberative democracy and the politics of recognition--already themselves grounded in a respect for difference. This strand of the argument takes up the challenge, familiar to peace studies, of creative ways to rebuild fractured civil societies. Throughout all of these intertwined discussions, various behaviors, practices, and value-commitments are identified as constituent parts of the "ethics of improvisation" that is articulated in the final chapter as the strategy through which individuals can collaboratively build responsive democratic communities.
Author: J. K. Barret
Publisher: Cornell University Press
ISBN: 1501705873
Category : History
Languages : en
Pages : 264
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Book Description
No detailed description available for "Untold Futures".
Author: Beverley Clack
Publisher: Springer
ISBN: 3030007707
Category : Social Science
Languages : en
Pages : 269
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Book Description
In this timely collection, contributors from a number of disciplines discuss neoliberal visions of success, and the subsequent effects they have on the construction of the lifecycle. Frequently mentioned in popular political discourse, the notion of neoliberalism is often deployed as shorthand for the consensus that austerity is necessary and the hard-working individual can survive it. This volume unpicks and interrogates the term by engaging with the interface between the political ubiquity of neoliberal forms and its lived experience in neoliberal societies, cutting across a multiplicity of factors including gender, age, and access to education. Impressive in its wide scope and analysis, Interrogating the Neoliberal Lifecycle presents an informed discussion not only of the limits of the neoliberal paradigm but also of possible alternatives.
Author: Ed Sarath
Publisher: SUNY Press
ISBN: 1438447213
Category : Music
Languages : en
Pages : 490
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Book Description
Using insights from Integral Theory, describes how the improvisational methods of jazz can inform education and other fields.
Author: AbdouMaliq Simone
Publisher: John Wiley & Sons
ISBN: 1509523391
Category : Social Science
Languages : en
Pages : 103
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Book Description
The poor and working people in cities of the South find themselves in urban spaces that are conventionally construed as places to reside or inhabit. But what if we thought of popular districts in more expansive ways that capture what really goes on within them? In such cities, popular districts are the settings of more uncertain operations that take place under the cover of darkness, generating uncanny alliances among disparate bodies, materials and things and expanding the urban sensorium and its capacities for liveliness. In this important new book AbdouMaliq Simone explores the nature of these alliances, portraying urban districts as sites of enduring transformations through rhythms that mediate between the needs of residents not to draw too much attention to themselves and their aspirations to become a small niche of exception. Here we discover an urban South that exists as dense rhythms of endurance that turn out to be vital for survival, connectivity, and becoming.
Author: Susanne Ravn
Publisher: Routledge
ISBN: 1000399141
Category : Philosophy
Languages : en
Pages : 200
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Book Description
This volume brings together philosophical and interdisciplinary perspectives on improvisation. The contributions connect the theoretical dimensions of improvisation with different viewpoints on its practice in the arts and the classroom. The chapters address the phenomenon of improvisation in two related ways. On the one hand, they attend to the lived practices of improvisation both within and without the arts in order to explain the phenomenon. They also extend the scope of improvisational practices to include the role of improvisation in habit and in planned action, at both individual and collective levels. Drawing on recent work done in the philosophy of mind, they address questions such as whether improvisation is a single unified phenomenon or whether it entails different senses that can be discerned theoretically and practically. Finally, they ask after the special kind of improvisational expertise which characterizes musicians, dancers, and other practitioners, an expertise marked by the artist’s ability to participate competently in complex situations while deliberately relinquishing control. Philosophy of Improvisation will appeal to anyone with a strong interest in improvisation, to researchers working in philosophy, aesthetics, and pedagogy as well as practitioners involved in different kinds of music, dance, and theater performances.
Author: Rebecca Caines
Publisher: Routledge
ISBN: 1136187146
Category : Music
Languages : en
Pages : 479
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Book Description
Interdisciplinary approach chimes with current teaching trends Each section opens with specially commissioned thinkpiece from major scholar The first reader to address improvisation from a performance studies perspective
Author: Sam McAuliffe
Publisher: Bloomsbury Publishing
ISBN: 1350338036
Category : Philosophy
Languages : en
Pages : 138
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Book Description
In the first book to examine the overlooked relationship between musical improvisation and philosophical hermeneutics, Sam McAuliffe asks: what exactly is improvisation? And how does it relate to our being-in-the-world? Improvisation in Music and Philosophical Hermeneutics answers these questions by investigating the underlying structure of improvisation. McAuliffe argues that improvising is best understood as attending and responding to the situation in which one find itself and, as such, is essential to how we engage with the world. Working within the hermeneutic philosophical tradition – drawing primarily on the work of Martin Heidegger, Hans-Georg Gadamer, and Jeff Malpas – this book provides a rich and detailed account of the ways in which we are all already experienced improvisers. Given the dominance of music in discussions of improvisation, Part I of this book uses improvised musical performance as a case study to uncover the ontological structure of improvisation: a structure that McAuliffe demonstrates is identical to the structure of hermeneutic engagement. Exploring this relationship between improvisation and hermeneutics, Part II offers a new reading of Gadamer's philosophical hermeneutics, examining the way in which Gadamer's accounts of truth and understanding, language, and ethics each possess an essentially improvisational character. Working between philosophy and music theory, Improvisation in Music and Philosophical Hermeneutics unveils the hermeneutic character of musical performance, the musicality of hermeneutic engagement, and the universality of improvisation.
Author: Miguel Pina e Cunha
Publisher: Taylor & Francis
ISBN: 1000933792
Category : Business & Economics
Languages : en
Pages : 537
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Book Description
This innovative volume provides a comprehensive overview of improvisation as a pervasive organizational process, essential in ever-changing business environments. Exploring theories of organizational action as well as contemporary challenges, it highlights improvisation’s rich potential in theory building and practice. The value and relevance of improvisational capabilities and processes in organizations are more apparent than ever: the global pandemic has forced organizations to reinvent themselves and to adapt to dramatic change on a massive scale. This surge in improvised activity starkly illustrates how the capability to improvise is key to organizational resilience: organizations that are able to improvise effectively are better prepared to bounce back and even thrive. From the latest thinking on improvisation in organizations to future avenues for research, this volume demonstrates the rich potential for both theory building and practice and provides a valuable resource for researchers and advanced students in organizational strategy, entrepreneurship, product development, information systems, disaster management, and HRM.
