Author: Fannie Hurst
Publisher: Duke University Press
ISBN: 9780822333241
Category : Fiction
Languages : en
Pages : 352
Book Description
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Imitation of Life
Author: Fannie Hurst
Publisher: Duke University Press
ISBN: 9780822333241
Category : Fiction
Languages : en
Pages : 352
Book Description
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Publisher: Duke University Press
ISBN: 9780822333241
Category : Fiction
Languages : en
Pages : 352
Book Description
A reprint of the 1933 classic novel, the basis for two film versions, with a new introduciton.
Passing
Author: Nella Larsen
Publisher: Alien Ebooks
ISBN: 166762265X
Category : Fiction
Languages : en
Pages : 159
Book Description
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.
Publisher: Alien Ebooks
ISBN: 166762265X
Category : Fiction
Languages : en
Pages : 159
Book Description
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.
Cindy Sherman
Author: Philipp Kaiser
Publisher: Prestel
ISBN: 9783791355566
Category : Clowns
Languages : en
Pages : 0
Book Description
"The first career survey to explore the full range of the artist's [Cindy Sherman's] photographic series through the critical lens of cinema. Featuring more than 130 illustrations, ... it explores the artist's use of cinematic artifice across almost 40 years of work." --back cover.
Publisher: Prestel
ISBN: 9783791355566
Category : Clowns
Languages : en
Pages : 0
Book Description
"The first career survey to explore the full range of the artist's [Cindy Sherman's] photographic series through the critical lens of cinema. Featuring more than 130 illustrations, ... it explores the artist's use of cinematic artifice across almost 40 years of work." --back cover.
Imitation of Lives
Author: Judith Erwes
Publisher:
ISBN: 9780956748119
Category : Weddings
Languages : en
Pages : 24
Book Description
Publisher:
ISBN: 9780956748119
Category : Weddings
Languages : en
Pages : 24
Book Description
Imitation of Life
Author: Douglas Sirk
Publisher: Rutgers University Press
ISBN: 9780813516455
Category : Performing Arts
Languages : en
Pages : 364
Book Description
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
Publisher: Rutgers University Press
ISBN: 9780813516455
Category : Performing Arts
Languages : en
Pages : 364
Book Description
Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s--all of them melodramas--were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.
CinemaTexas Notes
Author: Louis Black
Publisher: University of Texas Press
ISBN: 1477315446
Category : Performing Arts
Languages : en
Pages : 416
Book Description
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Publisher: University of Texas Press
ISBN: 1477315446
Category : Performing Arts
Languages : en
Pages : 416
Book Description
Austin’s thriving film culture, renowned for international events such as SXSW and the Austin Film Festival, extends back to the early 1970s when students in the Department of Radio-Television-Film at the University of Texas at Austin ran a film programming unit that screened movies for students and the public. Dubbed CinemaTexas, the program offered viewers a wide variety of films—old and new, mainstream, classic, and cult—at a time when finding and watching films after their first run was very difficult and prohibitively expensive. For each film, RTF graduate students wrote program notes that included production details, a sampling of critical reactions, and an original essay that placed the film and its director within context and explained the movie’s historical significance. Over time, CinemaTexas Program Notes became more ambitious and were distributed around the world, including to luminaries such as film critic Pauline Kael. This anthology gathers a sampling of CinemaTexas Program Notes, organized into four sections: “USA Film History,” “Hollywood Auteurs,” “Cinema-Fist: Renegade Talents,” and “America’s Shadow Cinema.” Many of the note writers have become prominent film studies scholars, as well as leading figures in the film, TV, music, and video game industries. As a collection, CinemaTexas Notes strongly contradicts the notion of an effortlessly formed American film canon, showing instead how local film cultures—whether in Austin, New York, or Europe—have forwarded the development of film studies as a discipline.
Born to Be Hurt
Author: Sam Staggs
Publisher: Macmillan + ORM
ISBN: 1429942088
Category : Performing Arts
Languages : en
Pages : 287
Book Description
In a passionate and witty behind-the-scenes expose, the author of All About "All About Eve" takes on the classic 1959 Douglas Sirk film starring Lana Turner Few films inspire the devotion of Imitation of Life, one of the most popular films of the '50s--a split personality drama that's both an irresistible women's picture and a dark commentary on ambition, motherhood, racial identity, and hope lost and found. Born to be Hurt is the first in-depth account of director Sirk's masterpiece. Lana Turner, on the brink of personal and professional ruin starred as Lora Meredith. African-American actress Juanita Moore played her servant and dearest friend, and Sandra Dee and Susan Kohner their respective daughters, caught up in the heartbreak of the black-passing-for-white daughter in the 1950s. Both Moore and Kohner were Oscar-nominated as Best Supporting Actress. Sam Staggs combines vast research, extensive interviews with surviving cast members, and superb storytelling into a masterpiece of film writing. Entertaining, saucy, and incisive, this is irresistible reading for every film fan.
Publisher: Macmillan + ORM
ISBN: 1429942088
Category : Performing Arts
Languages : en
Pages : 287
Book Description
In a passionate and witty behind-the-scenes expose, the author of All About "All About Eve" takes on the classic 1959 Douglas Sirk film starring Lana Turner Few films inspire the devotion of Imitation of Life, one of the most popular films of the '50s--a split personality drama that's both an irresistible women's picture and a dark commentary on ambition, motherhood, racial identity, and hope lost and found. Born to be Hurt is the first in-depth account of director Sirk's masterpiece. Lana Turner, on the brink of personal and professional ruin starred as Lora Meredith. African-American actress Juanita Moore played her servant and dearest friend, and Sandra Dee and Susan Kohner their respective daughters, caught up in the heartbreak of the black-passing-for-white daughter in the 1950s. Both Moore and Kohner were Oscar-nominated as Best Supporting Actress. Sam Staggs combines vast research, extensive interviews with surviving cast members, and superb storytelling into a masterpiece of film writing. Entertaining, saucy, and incisive, this is irresistible reading for every film fan.
Imitations of Life
Author: Marcia Landy
Publisher: Wayne State University Press
ISBN: 9780814320655
Category : Performing Arts
Languages : en
Pages : 624
Book Description
On melodrama.
Publisher: Wayne State University Press
ISBN: 9780814320655
Category : Performing Arts
Languages : en
Pages : 624
Book Description
On melodrama.
The Imitation of Christ
Author: Thomas A. Kempis
Publisher: Harper Collins
ISBN: 0060634006
Category : Religion
Languages : en
Pages : 346
Book Description
The Imitation of Christ is the work of at least three men: Gerard Groote, Florent Radewijns, and Thomas a Kempis. The first two were founders of the Brethren of the Common Life, a lay religious society that flourished in the Netherlands from the fourteenth to the sixteenth century. Working on their manuscripts, first as a compiler and editor and then as a coauthor, was Kempis. So successful were Kempis's efforts that the work became the golden treasury not only of their community but also of the contemporary spirituality movement known as the Modern Devotion. Its prescriptions might very well be known as the Perennial Devotion for its continual appeal through the centuries. In its fifteenth century Latin original the Imitation was not a silken cord of consecutive prose. Rather it was a series of scratchings, the sort that a spiritual director would note down in preparation for sermons and addresses. What wasn't always in the original was exactly how Kempis developed each topic sentence or wisdom quotation as he delivered it. In this new rendition William Griffin recovers the original experience of listening to Kempis as he taught and preached to his spiritual charges. Using a variety of literary and historical means, Griffin enhances the original, making the insights of this seminal exposition of Christian life more accessible.
Publisher: Harper Collins
ISBN: 0060634006
Category : Religion
Languages : en
Pages : 346
Book Description
The Imitation of Christ is the work of at least three men: Gerard Groote, Florent Radewijns, and Thomas a Kempis. The first two were founders of the Brethren of the Common Life, a lay religious society that flourished in the Netherlands from the fourteenth to the sixteenth century. Working on their manuscripts, first as a compiler and editor and then as a coauthor, was Kempis. So successful were Kempis's efforts that the work became the golden treasury not only of their community but also of the contemporary spirituality movement known as the Modern Devotion. Its prescriptions might very well be known as the Perennial Devotion for its continual appeal through the centuries. In its fifteenth century Latin original the Imitation was not a silken cord of consecutive prose. Rather it was a series of scratchings, the sort that a spiritual director would note down in preparation for sermons and addresses. What wasn't always in the original was exactly how Kempis developed each topic sentence or wisdom quotation as he delivered it. In this new rendition William Griffin recovers the original experience of listening to Kempis as he taught and preached to his spiritual charges. Using a variety of literary and historical means, Griffin enhances the original, making the insights of this seminal exposition of Christian life more accessible.
A Chosen Exile
Author: Allyson Hobbs
Publisher: Harvard University Press
ISBN: 067436810X
Category : Biography & Autobiography
Languages : en
Pages : 395
Book Description
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.
Publisher: Harvard University Press
ISBN: 067436810X
Category : Biography & Autobiography
Languages : en
Pages : 395
Book Description
Between the eighteenth and mid-twentieth centuries, countless African Americans passed as white, leaving behind families and friends, roots and community. It was, as Allyson Hobbs writes, a chosen exile, a separation from one racial identity and the leap into another. This revelatory history of passing explores the possibilities and challenges that racial indeterminacy presented to men and women living in a country obsessed with racial distinctions. It also tells a tale of loss. As racial relations in America have evolved so has the significance of passing. To pass as white in the antebellum South was to escape the shackles of slavery. After emancipation, many African Americans came to regard passing as a form of betrayal, a selling of one’s birthright. When the initially hopeful period of Reconstruction proved short-lived, passing became an opportunity to defy Jim Crow and strike out on one’s own. Although black Americans who adopted white identities reaped benefits of expanded opportunity and mobility, Hobbs helps us to recognize and understand the grief, loneliness, and isolation that accompanied—and often outweighed—these rewards. By the dawning of the civil rights era, more and more racially mixed Americans felt the loss of kin and community was too much to bear, that it was time to “pass out” and embrace a black identity. Although recent decades have witnessed an increasingly multiracial society and a growing acceptance of hybridity, the problem of race and identity remains at the center of public debate and emotionally fraught personal decisions.