Author: Louis Arnaud Reid
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 268
Book Description
Images, Perception, and Knowledge
Author: J.M. Nicholas
Publisher: Springer Science & Business Media
ISBN: 9401011931
Category : Science
Languages : en
Pages : 310
Book Description
Despite the strictures of the extreme Behaviourists, psychologists have been taking an increasing interest in the development of theories concerning the 'mechanisms' internal to humans and animals which permit perceptual, memory, and problem solving behaviour. One consideration which has enormously stimulated an interest in theories of internal cognitive represen tation has been progress in the theory and the technology of computing machines, which has opened the promising prospect of computer simulation of human and animal psychological functions. What has developed is the possibility of constructing models of human psychology, realizing them in computer hardware, and testing the resultant machine performance against that of the human subject. A second consideration which helps motivate the construction of models of internal representation is the considerable advances in experimental and theoretical knowledge of the human brain understood from the neuro-anatomical view. The likely profit of adopting a narrowly Behaviourist methodology shrinks in the face of our growing, fine-grained knowledge of cerebral 'wetware'. The purpose of this volume is selectively to exhibit some of the proposals concerning theories of internal representation which have been put forward in recent years. The area of central concern is the resurgence of interest in the role of imagery in cognition which has taken place in the last fifteen years.
Publisher: Springer Science & Business Media
ISBN: 9401011931
Category : Science
Languages : en
Pages : 310
Book Description
Despite the strictures of the extreme Behaviourists, psychologists have been taking an increasing interest in the development of theories concerning the 'mechanisms' internal to humans and animals which permit perceptual, memory, and problem solving behaviour. One consideration which has enormously stimulated an interest in theories of internal cognitive represen tation has been progress in the theory and the technology of computing machines, which has opened the promising prospect of computer simulation of human and animal psychological functions. What has developed is the possibility of constructing models of human psychology, realizing them in computer hardware, and testing the resultant machine performance against that of the human subject. A second consideration which helps motivate the construction of models of internal representation is the considerable advances in experimental and theoretical knowledge of the human brain understood from the neuro-anatomical view. The likely profit of adopting a narrowly Behaviourist methodology shrinks in the face of our growing, fine-grained knowledge of cerebral 'wetware'. The purpose of this volume is selectively to exhibit some of the proposals concerning theories of internal representation which have been put forward in recent years. The area of central concern is the resurgence of interest in the role of imagery in cognition which has taken place in the last fifteen years.
The Technical Image
Author: Horst Bredekamp
Publisher: University of Chicago Press
ISBN: 022625884X
Category : Science
Languages : en
Pages : 209
Book Description
In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge. Using beautifully reproduced visuals, this book not only reveals how scientific images play a constructive role in shaping the findings and insights they illustrate, but also—however mechanical or detached from individual researchers’ choices their appearances may be—how they come to embody the styles of a period, a mindset, a research collective, or a device. Opening with a set of key questions about artistic representation in science, technology, and medicine, The Technical Image then investigates historical case studies focusing on specific images, such as James Watson’s models of genes, drawings of Darwin’s finches, and images of early modern musical automata. These case studies in turn are used to illustrate broad themes ranging from “Digital Images” to “Objectivity and Evidence” and to define and elaborate upon fundamental terms in the field. Taken as a whole, this collection will provide analytical tools for the interpretation and application of scientific and technological imagery.
Publisher: University of Chicago Press
ISBN: 022625884X
Category : Science
Languages : en
Pages : 209
Book Description
In science and technology, the images used to depict ideas, data, and reactions can be as striking and explosive as the concepts and processes they embody—both works of art and generative forces in their own right. Drawing on a close dialogue between the histories of art, science, and technology, The Technical Image explores these images not as mere illustrations or examples, but as productive agents and distinctive, multilayered elements of the process of generating knowledge. Using beautifully reproduced visuals, this book not only reveals how scientific images play a constructive role in shaping the findings and insights they illustrate, but also—however mechanical or detached from individual researchers’ choices their appearances may be—how they come to embody the styles of a period, a mindset, a research collective, or a device. Opening with a set of key questions about artistic representation in science, technology, and medicine, The Technical Image then investigates historical case studies focusing on specific images, such as James Watson’s models of genes, drawings of Darwin’s finches, and images of early modern musical automata. These case studies in turn are used to illustrate broad themes ranging from “Digital Images” to “Objectivity and Evidence” and to define and elaborate upon fundamental terms in the field. Taken as a whole, this collection will provide analytical tools for the interpretation and application of scientific and technological imagery.
Seeing Like a Rover
Author: Janet Vertesi
Publisher: University of Chicago Press
ISBN: 022615601X
Category : Science
Languages : en
Pages : 331
Book Description
In the years since the Mars Exploration Rover Spirit and Opportunity first began transmitting images from the surface of Mars, we have become familiar with the harsh, rocky, rusty-red Martian landscape. But those images are much less straightforward than they may seem to a layperson: each one is the result of a complicated set of decisions and processes involving the large team behind the Rovers. With Seeing Like a Rover, Janet Vertesi takes us behind the scenes to reveal the work that goes into creating our knowledge of Mars. Every photograph that the Rovers take, she shows, must be processed, manipulated, and interpreted—and all that comes after team members negotiate with each other about what they should even be taking photographs of in the first place. Vertesi’s account of the inspiringly successful Rover project reveals science in action, a world where digital processing uncovers scientific truths, where images are used to craft consensus, and where team members develop an uncanny intimacy with the sensory apparatus of a robot that is millions of miles away. Ultimately, Vertesi shows, every image taken by the Mars Rovers is not merely a picture of Mars—it’s a portrait of the whole Rover team, as well.
Publisher: University of Chicago Press
ISBN: 022615601X
Category : Science
Languages : en
Pages : 331
Book Description
In the years since the Mars Exploration Rover Spirit and Opportunity first began transmitting images from the surface of Mars, we have become familiar with the harsh, rocky, rusty-red Martian landscape. But those images are much less straightforward than they may seem to a layperson: each one is the result of a complicated set of decisions and processes involving the large team behind the Rovers. With Seeing Like a Rover, Janet Vertesi takes us behind the scenes to reveal the work that goes into creating our knowledge of Mars. Every photograph that the Rovers take, she shows, must be processed, manipulated, and interpreted—and all that comes after team members negotiate with each other about what they should even be taking photographs of in the first place. Vertesi’s account of the inspiringly successful Rover project reveals science in action, a world where digital processing uncovers scientific truths, where images are used to craft consensus, and where team members develop an uncanny intimacy with the sensory apparatus of a robot that is millions of miles away. Ultimately, Vertesi shows, every image taken by the Mars Rovers is not merely a picture of Mars—it’s a portrait of the whole Rover team, as well.
Film and Knowledge
Author: Kevin L. Stoehr
Publisher: McFarland
ISBN: 0786481900
Category : Performing Arts
Languages : en
Pages : 250
Book Description
Film has become such an underpinning of art and pop culture that its potential for inspiring serious thought is often overlooked. Our intellectual involvement with film has been minimized as more in the audience want to be merely amazed and entertained. Essays written by both established and cutting-edge philosophers of film concentrate in this work on the value of film in general and the value of certain films in particular for the study and teaching of ideas. The essays explore such topics as the significance of narrative unity for self knowledge in David Lynch's Lost Highway and in Paul Schrader's Affliction; ambiguity and responsibility in Akira Kurosawa's Rashomon; consciousness and cognition in Orson Welles's Citizen Kane; skepticism in Alfred Hitchcock's Suspicion and David Cronenberg's Naked Lunch; language and gender in Neil Jordan's The Crying Game; Platonic idealism in Chris Marker's La Jetee; race in Spike Lee's Summer of Sam; the concept of the imagination in cognitive film theory; and the role of ideology in feminist film theory. Instructors considering this book for use in a course may request an examination copy here.
Publisher: McFarland
ISBN: 0786481900
Category : Performing Arts
Languages : en
Pages : 250
Book Description
Film has become such an underpinning of art and pop culture that its potential for inspiring serious thought is often overlooked. Our intellectual involvement with film has been minimized as more in the audience want to be merely amazed and entertained. Essays written by both established and cutting-edge philosophers of film concentrate in this work on the value of film in general and the value of certain films in particular for the study and teaching of ideas. The essays explore such topics as the significance of narrative unity for self knowledge in David Lynch's Lost Highway and in Paul Schrader's Affliction; ambiguity and responsibility in Akira Kurosawa's Rashomon; consciousness and cognition in Orson Welles's Citizen Kane; skepticism in Alfred Hitchcock's Suspicion and David Cronenberg's Naked Lunch; language and gender in Neil Jordan's The Crying Game; Platonic idealism in Chris Marker's La Jetee; race in Spike Lee's Summer of Sam; the concept of the imagination in cognitive film theory; and the role of ideology in feminist film theory. Instructors considering this book for use in a course may request an examination copy here.
Knowledge and Truth
Author: Louis Arnaud Reid
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 268
Book Description
Publisher:
ISBN:
Category : Knowledge, Theory of
Languages : en
Pages : 268
Book Description
the american cyclopaedia a popular dictionary of general knowledge
Author: george ripley
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 854
Book Description
Promiscuous Knowledge
Author: Kenneth Cmiel
Publisher: University of Chicago Press
ISBN: 022661185X
Category : History
Languages : en
Pages : 345
Book Description
Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. This book, begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age. A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time.
Publisher: University of Chicago Press
ISBN: 022661185X
Category : History
Languages : en
Pages : 345
Book Description
Sergey Brin, a cofounder of Google, once compared the perfect search engine to “the mind of God.” As the modern face of promiscuous knowledge, however, Google’s divine omniscience traffics in news, maps, weather, and porn indifferently. This book, begun by the late Kenneth Cmiel and completed by his close friend John Durham Peters, provides a genealogy of the information age from its early origins up to the reign of Google. It examines how we think about fact, image, and knowledge, centering on the different ways that claims of truth are complicated when they pass to a larger public. To explore these ideas, Cmiel and Peters focus on three main periods—the late nineteenth century, 1925 to 1945, and 1975 to 2000, with constant reference to the present. Cmiel’s original text examines the growing gulf between politics and aesthetics in postmodern architecture, the distancing of images from everyday life in magical realist cinema, the waning support for national betterment through taxation, and the inability of a single presentational strategy to contain the social whole. Peters brings Cmiel’s study into the present moment, providing the backstory to current controversies about the slipperiness of facts in a digital age. A hybrid work from two innovative thinkers, Promiscuous Knowledge enlightens our understanding of the internet and the profuse visual culture of our time.
Knowledge...
Author: Edwin Sharpe Grew
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 316
Book Description
Publisher:
ISBN:
Category : Science
Languages : en
Pages : 316
Book Description
Computer Analysis of Images and Patterns
Author: Vaclav Hlavac
Publisher: Springer Science & Business Media
ISBN: 9783540602682
Category : Science
Languages : en
Pages : 984
Book Description
This book presents the proceedings of the Sixth International Conference on Computer Analysis of Images and Patterns, CAIP '95, held in Prague, Czech Republic in September 1995. The volume presents 61 full papers and 75 posters selected from a total of 262 submissions and thus gives a comprehensive view on the state-of-the-art in computer analysis of images and patterns, research, design, and advanced applications. The papers are organized in sections on invariants, segmentation and grouping, optical flow, model recovery and parameter estimation, low level vision, motion detection, structure and matching, active vision and shading, human face recognition, calibration, contour, and sessions on applications in diverse areas.
Publisher: Springer Science & Business Media
ISBN: 9783540602682
Category : Science
Languages : en
Pages : 984
Book Description
This book presents the proceedings of the Sixth International Conference on Computer Analysis of Images and Patterns, CAIP '95, held in Prague, Czech Republic in September 1995. The volume presents 61 full papers and 75 posters selected from a total of 262 submissions and thus gives a comprehensive view on the state-of-the-art in computer analysis of images and patterns, research, design, and advanced applications. The papers are organized in sections on invariants, segmentation and grouping, optical flow, model recovery and parameter estimation, low level vision, motion detection, structure and matching, active vision and shading, human face recognition, calibration, contour, and sessions on applications in diverse areas.
Images of Purgatory
Author: Tomáš Malý
Publisher: Viella Libreria Editrice
ISBN: 8833139646
Category : Art
Languages : en
Pages : 262
Book Description
On the example of the Czech lands, the book discusses the transformation of the representation of Purgatory in the period between the late Reformation debates at the end of the sixteenth century and partial rejection of Purgatory by the so-called reform Catholicism of the late eighteenth century. The authors, moving permanently in-between history and art history, gradually analyse theology, iconography, practice, and reception of Purgatory. They address the questions of space and time in Purgatory, of emotions and the early modern "affects", treatment of images in religious practice, circulation and diffusion of meditative texts and images, or the problem of revenant souls. The book offers a comprehensive consideration of the development of a fascinating cultural phenomenon in a crucial period of significant changes in people’s thoughts and behaviour.
Publisher: Viella Libreria Editrice
ISBN: 8833139646
Category : Art
Languages : en
Pages : 262
Book Description
On the example of the Czech lands, the book discusses the transformation of the representation of Purgatory in the period between the late Reformation debates at the end of the sixteenth century and partial rejection of Purgatory by the so-called reform Catholicism of the late eighteenth century. The authors, moving permanently in-between history and art history, gradually analyse theology, iconography, practice, and reception of Purgatory. They address the questions of space and time in Purgatory, of emotions and the early modern "affects", treatment of images in religious practice, circulation and diffusion of meditative texts and images, or the problem of revenant souls. The book offers a comprehensive consideration of the development of a fascinating cultural phenomenon in a crucial period of significant changes in people’s thoughts and behaviour.