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Author: Helie Robertson
Publisher:
ISBN: 9780961443702
Category : Clothing trade
Languages : en
Pages : 199
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Book Description
Author: Helie Robertson
Publisher:
ISBN: 9780961443702
Category : Clothing trade
Languages : en
Pages : 199
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Book Description
Author: Roxana Marcoci
Publisher: The Museum of Modern Art
ISBN: 9780870707094
Category : Architecture
Languages : en
Pages : 168
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Book Description
Foreword by Glenn D. Lowry. Text by Roxana Marcoci.
Author: Lawrence Zeegen
Publisher: Rotovision
ISBN: 288893096X
Category : Art
Languages : en
Pages : 290
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Book Description
Complete Digital Illustration is an informative and practical guide to this in-demand area of design. Alongside step-by step tutorials, top image-makers from around the world provide real and practical advice on setting up a studio, creating a killer portfolio, and winning commissions. The work featured in the book reflects the wide and exciting range of image-making practice that thrives today, from music and fashion to character and toy design. The book reveals the secrets of the industry’s most successful creatives who transfer traditional illustrative skills into digital dimensions, producing the highest quality, most commercially successful animation, three-dimensional, and vector-based illustration. This book offers a master class for students and professional designers and illustrators who want to take their work beyond the constraints of two-dimensions and gain greater commercial success. An inspirational, must-have guide, Complete Digital Illustration is also of real value for professional image-makers.
Author: Katherine Thomson-Jones
Publisher: Oxford University Press
ISBN: 0197567630
Category : Philosophy
Languages : en
Pages : 307
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Book Description
Human beings have always made images, and to do so they have developed and refined an enormous range of artistic tools and materials. With the development of digital technology, the ways of making images - whether they are still or moving, 2D or 3D - have evolved at an unprecedented rate. At every stage of image making, artists now face a choice between using analog and using digital tools. Yet a digital image need not look digital; and likewise, a hand-made image or traditional photograph need not look analog. If we do not see the artist's choice between the analog and the digital, what difference can this choice make for our appreciation of images in the digital age? Image in the Making answers this question by accounting for the fundamental distinction between the analog and the digital; by explicating the technological realization of this distinction in image-making practice; and by exploring the creative possibilities that are distinctive of the digital. Katherine Thomson-Jones makes the case for a new kind of appreciation in the digital age. In appreciating the images involved in every digital art form - from digital video installation to net art to digital cinema - there is a basic truth that we cannot ignore: The nature and technology of the digital expands both what an image can be as an image and what an image can be for us as human beings.
Author: Beth Olshansky
Publisher: John Wiley & Sons
ISBN: 078799667X
Category : Education
Languages : en
Pages : 274
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Book Description
In The Power of Pictures book and companion DVD, Beth Olshansky introduces teachers to her innovative art-based approach to literacy instruction. Widely practiced in classrooms across the country, the model has been proven by research to improve literacy achievement with a wide range of learners, especially those who struggle with verbal skills. At the heart of her approach is the Artists/Writers Workshop. Through study of quality picture books and hands-on art experiences, students learn to visualize, “paint pictures with words,” and ultimately create their own extraordinary artistic and literary work. The book and DVD explain how any teacher can successfully use this process to enable all students, particularly low performers, to make dramatic gains in both reading and writing.
Author: Paolo Silvio Harald Favero
Publisher: Routledge
ISBN: 1000185214
Category : Social Science
Languages : en
Pages : 177
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Book Description
The book explores selected artistic experiences in documentary and fiction film, photography, contemporary art and digital curation that have in common a desire to engage with images as tools for social intervention. It devotes particular attention to the 'digital', a critical landscape that offers an opportunity to re-examine the significance of images and visual culture in a rapidly changing India.
Author: Kevin Lynch
Publisher: MIT Press
ISBN: 9780262620017
Category : Architecture
Languages : en
Pages : 212
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Book Description
The classic work on the evaluation of city form. What does the city's form actually mean to the people who live there? What can the city planner do to make the city's image more vivid and memorable to the city dweller? To answer these questions, Mr. Lynch, supported by studies of Los Angeles, Boston, and Jersey City, formulates a new criterion—imageability—and shows its potential value as a guide for the building and rebuilding of cities. The wide scope of this study leads to an original and vital method for the evaluation of city form. The architect, the planner, and certainly the city dweller will all want to read this book.
Author: Alka Hingorani
Publisher: University of Hawaii Press
ISBN: 082483724X
Category : Art
Languages : en
Pages : 162
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Book Description
Taberam Soni, Labh Singh, Amar Singh, and other artists live and work in the hill-villages of the lower Himalayas in Himachal Pradesh, India. There they fashion face-images of deities (mohras) out of thin sheets of precious metal. Commissioned by upper-caste patrons, the objects are cultural embodiments of divine and earthly kinship. As the artists make the images, they also cross caste boundaries in a part of India where such differences still determine rules of contact and correspondence, proximity and association. Once a mohra has been completed and consecrated, its maker is not permitted to touch it or enter the temple in which it is housed; yet during its creation the artist is sovereign, treated deferentially as he shares living quarters with the high-caste patrons. Making Faces tells the story of these god-makers, the gods they make, and the communities that participate in the creative process and its accompanying rituals. For the author, the process of learning about Himachal, its art and artists, the people who make their home there, involved pursuing itinerant artists across difficult mountainous terrain with few, if any, means of communication between the thinly populated, high-altitude villages. The harsh geography of the region permits scant travel, and the itinerant artisan forms a critical link to the world outside; villages that commission mohras are often populated by a small number of families. Alka Hingorani evokes this world in rich visual and descriptive detail as she explores the ways in which both object and artisan are received and their identities transformed during a period of artistic endeavor. Making Faces is an original and evocative account, superbly illustrated, of the various phases in the lifecycle of a mohra, at different times a religious icon, an art object, and a repository of material wealth in an otherwise subsistence economy. It will be welcomed by scholars and students of anthropology, material culture, religion, art history, and South Asian studies.
Author: Julien Chapuis
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 398
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Book Description
The sumptuous paintings of Stefan Lochner (d. Cologne 1451) are among the most familiar yet least understood images of the late Middle Ages. His depictions of the Virgin and Child have entered the popular imagination as models of sweetness and grace, values superficially attached to them since their rediscovery two hundred years ago. Appreciation of Lochner's achievements has also been impeded by criticism that artificially judges him in terms of perceived realism. Both attitudes have blinded us to Lochner's creativity and invention.This book explores Lochner's oeuvre from various vantage points. Tracing current conceptions of the artist back to the earliest recorded testimonies, it first reviews Lochner's changing critical fortunes. A perceptual account of Lochner's major paintings and illuminated manuscripts follows, clarifying the artist's passion for the nature of representation and the different ways in which he engages the viewer. In addition, study of Lochner's works by means of infrared reflectography reveals a draftsman of the first order: his complex underdrawings foreshadow Martin Schongauer's graphic style of forty years later. Lochner's atelier and the different forms of collaboration that took place within it are the focus of a separate chapter. The book then identifies criteria in his images that contemporaries would have valued, such as his enduring engagement with the goldsmith's art, which typifies the manner in which his technical versatility enhanced the sensorial and emotive appeal of his images. An excursus examines painting in Cologne at the end of Lochner's career, while a catalogue provides basic information on all the paintings associated with Lochner and discusses the reflectography of most of them. The appendices contain Truus van Bueren's transcription and translation of all the known documents related to Lochner, the regulations of the Cologne painters' corporation, and Peter Klein's dendrochronological findings on Lochner's panels.The first monograph on Stefan Lochner since 1938, this book is richly illustrated with 69 color plates and 225 black-and-white reproductions; it includes a bibliography and index.
Author: Jack Harris
Publisher:
ISBN: 9782888930112
Category : Computer art
Languages : en
Pages : 0
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Book Description
A highly illustrated and practical mannual, it covers not just the how, but also the why of vector art by detailing the thought processes and the choices made by experienced artists at every creative stage. The work reflects the vibrant creative world of vector graphics, its implementation in fileds as diverse as illustration, character design, information graphics, type design, animation and interactive design.
