Image and Ornament in the Early Medieval West PDF Download
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Author: Matthias Friedrich
Publisher: Cambridge University Press
ISBN: 1009207725
Category : Art
Languages : en
Pages : 489
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Book Description
Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.
Author: Matthias Friedrich
Publisher: Cambridge University Press
ISBN: 1009207725
Category : Art
Languages : en
Pages : 489
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Book Description
Scholarship often treats the post-Roman art produced in central and north-western Europe as representative of the pagan identities of the new 'Germanic' rulers of the early medieval world. In this book, Matthias Friedrich offers a critical reevaluation of the ethnic and religious categories of art that still inform our understanding of early medieval art and archaeology. He scrutinises early medieval visual culture by combining archaeological approaches with art historical methods based on contemporary theory. Friedrich examines the transformation of Roman imperial images, together with the contemporary, highly ornamented material culture that is epitomized by 'animal art.' Through a rigorous analysis of a range of objects, he demonstrates how these pathways produced an aesthetic that promoted variety (varietas), a cross-cultural concept that bridged the various ethnic and religious identities of post-Roman Europe and the Mediterranean worlds.
Author: Lawrence Nees
Publisher: Oxford University Press, USA
ISBN: 9780192842435
Category : Art
Languages : en
Pages : 274
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Book Description
Earliest Christian art - Saints and holy places - Holy images - Artistic production for the wealthy - Icons & iconography.
Author: Peter Schultz
Publisher:
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 318
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Book Description
Examines the styles and contexts of portrait statues produced during the early Hellenistic age.
Author: Stefan Esders
Publisher: Cambridge University Press
ISBN: 110718715X
Category : History
Languages : en
Pages : 377
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Book Description
This interdisciplinary volume re-evaluates the interconnectedness of the Merovingian world with its Mediterranean surroundings.
Author: Professor Lynn Jones
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409442918
Category : Art
Languages : en
Pages : 305
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Book Description
The twelve papers written for this volume reflect the wide scope of Annemarie Weyl Carr’s interests and the equally wide impact of her career. They are linked by Carr’s expansive body of work, which ties together issues of patronage, production and influence across the medieval Mediterranean. The volume examines influences in manuscript production and reception, imperial patronage, relics and reliquaries, form and style in Cypriot architecture and icons, and the relationship between original and copy in medieval art.
Author: Lawrence Nees
Publisher: Cambridge University Press
ISBN: 1009193864
Category : Language Arts & Disciplines
Languages : en
Pages : 589
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Book Description
This richly illustrated study shows how modern systems of textual presentation grew from techniques developed in the medieval period.
Author: Finbarr Barry Flood
Publisher: John Wiley & Sons
ISBN: 1119068576
Category : Art
Languages : en
Pages : 1442
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Book Description
The two-volume Companion to Islamic Art and Architecture bridges the gap between monograph and survey text by providing a new level of access and interpretation to Islamic art. The more than 50 newly commissioned essays revisit canonical topics, and include original approaches and scholarship on neglected aspects of the field. This two-volume Companion showcases more than 50 specially commissioned essays and an introduction that survey Islamic art and architecture in all its traditional grandeur Essays are organized according to a new chronological-geographical paradigm that remaps the unprecedented expansion of the field and reflects the nuances of major artistic and political developments during the 1400-year span The Companion represents recent developments in the field, and encourages future horizons by commissioning innovative essays that provide fresh perspectives on canonical subjects, such as early Islamic art, sacred spaces, palaces, urbanism, ornament, arts of the book, and the portable arts while introducing others that have been previously neglected, including unexplored geographies and periods, transregional connectivities, talismans and magic, consumption and networks of portability, museums and collecting, and contemporary art worlds; the essays entail strong comparative and historiographic dimensions The volumes are accompanied by a map, and each subsection is preceded by a brief outline of the main cultural and historical developments during the period in question The volumes include periods and regions typically excluded from survey books including modern and contemporary art-architecture; China, Indonesia, Sub-Saharan Africa, Sicily, the New World (Americas)
Author:
Publisher: BRILL
ISBN: 9004501908
Category : History
Languages : en
Pages : 412
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Book Description
This collection explores multiple artefactual, visual, textual and conceptual adaptations, developments and exchanges across the medieval world in the context of their contemporary and subsequent re-appropriations.
Author: Elina Gertsman
Publisher: Amsterdam University Press
ISBN: 9048542677
Category : Architecture
Languages : en
Pages : 386
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Book Description
Abstraction haunts medieval art, both withdrawing figuration and suggesting elusive presence. How does it make or destroy meaning in the process? Does it suggest the failure of figuration, the faltering of iconography? Does medieval abstraction function because it is imperfect, incomplete, and uncorrected-and therefore cognitively, visually demanding? Is it, conversely, precisely about perfection? To what extent is the abstract predicated on theorization of the unrepresentable and imperceptible? Does medieval abstraction pit aesthetics against metaphysics, or does it enrich it, or frame it, or both? Essays in this collection explore these and other questions that coalesce around three broad themes: medieval abstraction as the untethering of image from what it purports to represent, abstraction as a vehicle for signification, and abstraction as a form of figuration. Contributors approach the concept of medieval abstraction from a multitude of perspectives-formal, semiotic, iconographic, material, phenomenological, epistemological.
Author: Arthur Westwell
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501517562
Category : History
Languages : en
Pages : 514
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Book Description
The series of beautiful sacramentaries made at Saint-Amand in the later ninth century offer us unique insight into an early medieval scriptorium at work. These manuscripts contain principally the prayer texts for the celebration of the Mass, a ceremony which stood at the centre of monastic life in this period. They display how this largely neglected genre discloses creativity and initiative on the part of the monks of Saint-Amand, who re-organised and re-composed this especially versatile literature. They made their books uniquely comprehensive and full of insight into how the mass liturgy was re-made at a critical period in its development. This innovative study makes these sources accessible for the first time. In-depth study of script, decoration, and content enables a new appreciation of the context in which the deluxe Saint-Amand manuscripts were produced. It foregrounds ecclesiastical patronage, the political and intellectual dynamics at the waning of Carolingian power, and the intensive collaboration of scribes, artists, and liturgical composers, as well as the unique ways liturgical manuscripts can inform our understanding of medieval life and thought.
