The Buddha Image PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Buddha Image PDF full book. Access full book title The Buddha Image by Yuvraj Krishan. Download full books in PDF and EPUB format.
Author: Yuvraj Krishan
Publisher: Bharatiya Vidya Bhavan
ISBN: 9788121505659
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
Author: Yuvraj Krishan
Publisher: Bharatiya Vidya Bhavan
ISBN: 9788121505659
Category : Art
Languages : en
Pages : 176
Get Book Here
Book Description
Illustrations: 247 b/w illustrations Description: This book deals with crucial though controversial questions in Buddhist art: the origin of the Buddha image and the iconography of the Buddha images. The earliest Buddhist art of Sanchi and Bharhut is aniconic : The Buddha is represented in symbols only. In the later Buddhist art of Gandhara and Mathura, the Buddha is represented in human form: he is the principal subject of sculptural art. The book seeks to explore the geographical area in which the image of the Buddha first emerged and whether the Buddhist doctrines-Hinayana or Mahayana-had anything to do with this transformation. The Buddha image, as developed eventually at Sarnath, became the model for the Buddha images in whole of Asia, south-east, central and eastern Asia. The iconographic features of the Buddha image are superficially an aberration, being in apparent conflict with the doctrine. The Buddha had cut off his hair at the time of his renunciation; the rules of the order enjoin that a monk must be tonsured and must discard and eschew all riches. However, in his images, the Buddha has hair on his head; later he is also endowed with a crown and jewels. After an exhaustive examination of the views of various scholars, the book answers these questions and resolves the controversies on the basis of literary, numismatic and epigraphic sources. More importantly it makes use of the valuable evidence from the contemporaneous Jaina art : Aniconism of early Jaina art and the iconographic features of Jaina images. The implications of this study are also important : Does India owe idolatry to Buddhism? Was this of foreign inspiration? Was the Buddha image fashioned after the Vedic Brahma and whether the Buddha's usnisa and Buddhist art motifs are rooted in the Vedic tradition? The book is profusely illustrated and provides rich and stimulating fare to students of Indian art in general and of Buddhist art in particular.
Author: Pratik Chakrabarti
Publisher: JHU Press
ISBN: 1421438755
Category : Science
Languages : en
Pages : 279
Get Book Here
Book Description
Learn how the deep history of nature became a dominant paradigm of historical thinking, through a study of landscapes of India. Winner of the BSHS Pickstone Prize by the British Society for the History of Science, Shortlisted for the Pfizer Award for an Outstanding Book in the History of Science by the History of Science Society In the nineteenth century, teams of men began digging the earth like never before. Sometimes this digging—often for sewage, transport, or minerals—revealed human remains. Other times, archaeological excavation of ancient cities unearthed prehistoric fossils, while excavations for irrigation canals revealed buried cities. Concurrently, geologists, ethnologists, archaeologists, and missionaries were also digging into ancient texts and genealogies and delving into the lives and bodies of indigenous populations, their myths, legends, and pasts. One pursuit was intertwined with another in this encounter with the earth and its inhabitants—past, present, and future. In Inscriptions of Nature, Pratik Chakrabarti argues that, in both the real and the metaphorical digging of the earth, the deep history of nature, landscape, and people became indelibly inscribed in the study and imagination of antiquity. The first book to situate deep history as an expression of political, economic, and cultural power, this volume shows that it is complicit in the European and colonial appropriation of global nature, commodities, temporalities, and myths. The book also provides a new interpretation of the relationship between nature and history. Arguing that the deep history of the earth became pervasive within historical imaginations of monuments, communities, and territories in the nineteenth century, Chakrabarti studies these processes in the Indian subcontinent, from the banks of the Yamuna and Ganga rivers to the Himalayas to the deep ravines and forests of central India. He also examines associated themes of Hindu antiquarianism, sacred geographies, and tribal aboriginality. Based on extensive archival research, the book provides insights into state formation, mining of natural resources, and the creation of national topographies. Driven by the geological imagination of India as well as its landscape, people, past, and destiny, Inscriptions of Nature reveals how human evolution, myths, aboriginality, and colonial state formation fundamentally defined Indian antiquity.
Author: Markus Hilgert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110425289
Category : History
Languages : en
Pages : 307
Get Book Here
Book Description
The present volume comprises 6 highly original studies on material text cultures in different nontypographic societies stretching from the 3rd millennium cuneiform textual record of Ancient Mesopotamia to 20th century Qur'anic boards of northern and central African provenience. It provides a multidisciplinary approach to material text cultures complementary to the interdisciplinary, strongly theory-grounded research scheme of the CRC 933. Six research fellowships were awarded to outstanding young researchers for innovative, high-risk research proposals pertinent to the CRC 933's overall research scheme. Their studies contained in this volume add multidisciplinary dimension to material text culture research, satisfy the curiosity as to the applicability of the theoretical premises and methodology developed and tested by the CRC 933 to research on inscribed artefacts carried out on an international level and in different research environments and contribute to anchoring material text culture research as proposed by the CRC 933 within the tradition and broader context of other research strategies devoted to the material dimension of writing, such as the filologia materiale.
Author: Royal Asiatic Society of Bengal
Publisher:
ISBN:
Category :
Languages : en
Pages : 824
Get Book Here
Book Description
Author: Robert Daniel DeCaroli
Publisher: University of Washington Press
ISBN: 029580579X
Category : Art
Languages : en
Pages : 274
Get Book Here
Book Description
This deft and lively study by Robert DeCaroli explores the questions of how and why the earliest verifiable images of the historical Buddha were created. In so doing, DeCaroli steps away from old questions of where and when to present the history of Buddhism’s relationship with figural art as an ongoing set of negotiations within the Buddhist community and in society at large. By comparing innovations in Brahmanical, Jain, and royal artistic practice, DeCaroli examines why no image of the Buddha was made until approximately five hundred years after his death and what changed in the centuries surrounding the start of the Common Era to suddenly make those images desirable and acceptable. The textual and archaeological sources reveal that figural likenesses held special importance in South Asia and were seen as having a significant amount of agency and power. Anxiety over image use extended well beyond the Buddhists, helping to explain why images of Vedic gods, Jain teachers, and political elites also are absent from the material record of the centuries BCE. DeCaroli shows how the emergence of powerful dynasties and rulers, who benefited from novel modes of visual authority, was at the root of the changes in attitude toward figural images. However, as DeCaroli demonstrates, a strain of unease with figural art persisted, even after a tradition of images of the Buddha had become established.
Author: Archaeological Survey of India. Western Circle
Publisher:
ISBN:
Category : Bombay (India : State)
Languages : en
Pages : 102
Get Book Here
Book Description
Author: Tyrus Miller
Publisher: Cambridge Scholars Publishing
ISBN: 1527556646
Category : History
Languages : en
Pages : 230
Get Book Here
Book Description
The concept of “time-image,” this book argues, holds broad potential for the historical interpretation of cultural and aesthetic works. Many works that would not ordinarily be thought to be historical artifacts reveal their intrinsic historical character in light of this innovative interpretative concept. The book’s first section,“Time-Images as Theory and Historiography,” considers alternative temporalities underlying historicizing theories and specific practices of history. Examples treated here include the notion of “retro-avantgardism,” works by the Frankfurt School on the interrelations of images and history, and Mass Observation’s dream documentation project. The second section, “Time-Images in Modernist and Postmodernist Literature,” considers literary instances in which alternative notions of historical time are engaged. These include discussions of Wyndham Lewis and “cultural revolution,” Theodor Adorno’s reading of Samuel Beckett’s Endgame, and Pier Paolo Pasolini’s use of Antonio Gramsci in the practice of poetry and philology. The third section, “Moving Images of Time,” discusses questions of cinema including children’s experience in films depicting traumatic historical events, the Quay Brothers’ animated adaptation of Bruno Schulz’s “Street of Crocodiles,” and Sergei Eisenstein’s and Charles Olson’s engagements in Mexico with pictographic representation, etymology, and archeological time.
Author: Izaak J. de Hulster
Publisher: Bloomsbury Publishing
ISBN: 0567588289
Category : Religion
Languages : en
Pages : 338
Get Book Here
Book Description
Images from the ancient Near East are an important though generally underutilized source of data for interpreting the Hebrew Bible and the cultural context from which it emerged. The essays in this volume highlight the ways that ancient Near Eastern iconography can inform exegesis. This aim is accomplished through case studies in iconographic exegesis that exhibit sound methodologies for relating images and texts. Since the 1970s, biblical scholars have been turning increasingly to iconography as a source for understanding the religion, history and literature of the ancient Near East. The essays in this volume tackle two thorny issues: 1) how images reflect the cultures that produce them and 2) the nature of the relationship between images and texts, both within discrete cultures and among different cultures. Until now, there have been relatively few methodologically self-conscious treatments of ancient iconography and its relationship to the biblical text. So this volume addresses a clear need for demonstrating transparent and consistent methods for iconographic work among biblical scholars.
Author:
Publisher: Allied Publishers
ISBN: 9788184245684
Category : Indians of North America
Languages : en
Pages : 1418
Get Book Here
Book Description
Rodeo researcher and writer Reba Perry Blakely discusses Indian history in the State of Washington, especially the Treaty of Walla Walla. She also attempts to interest the National Cowboy Hall of Fame in financing a book on the subject that she proposes to write and talks about her own family history.
Author:
Publisher:
ISBN:
Category : Anthropology
Languages : en
Pages : 326
Get Book Here
Book Description
