Making Pictorial Print

Making Pictorial Print PDF Author: Alison Hedley
Publisher: University of Toronto Press
ISBN: 1487534752
Category : Literary Criticism
Languages : en
Pages : 246

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Book Description
At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.

Making Pictorial Print

Making Pictorial Print PDF Author: Alison Hedley
Publisher: University of Toronto Press
ISBN: 1487534752
Category : Literary Criticism
Languages : en
Pages : 246

Get Book Here

Book Description
At the end of the nineteenth century, print media dominated British popular culture, produced in greater variety and on a larger scale than ever before. Within decades, new visual and auditory media had ushered in a mechanized milieu, displacing print from its position at the heart of cultural life. During this period of intense change, illustrated magazines maintained a central position in the media landscape by transforming their letterpress orientation into a visual and multimodal one. Ultimately, this transformation was important for the new media cultures of the twentieth and twenty-first centuries. Making Pictorial Print recovers this chapter in the history of new media, applying concepts from media theory and the digital humanities to analyse four popular late-Victorian magazines – the Illustrated London News, the Graphic, Pearson’s Magazine, and the Strand – and the scrapbook media that appropriated them. Using the concept of media literacy, these case studies demonstrate the ways in which periodical design aesthetics affected the terms of engagement presented to readers, creating opportunities for them to participate in and even contribute to popular culture. Shaped by publishers, advertisers, and readers themselves, the pages of these periodicals document the emergence of modern mass culture as we know it and offer insight into the new media of our digital present.

Illustrated Catalogue of the Royal Photographic Society's International Exhibition at the Crystal Palace, 1898

Illustrated Catalogue of the Royal Photographic Society's International Exhibition at the Crystal Palace, 1898 PDF Author:
Publisher:
ISBN:
Category : Photography, Artistic
Languages : en
Pages : 370

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Book Description


Journal of the Photographic Society of London

Journal of the Photographic Society of London PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 596

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Book Description
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.

The Art Journal

The Art Journal PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 700

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Book Description


Photography

Photography PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 860

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The American Amateur Photographer

The American Amateur Photographer PDF Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 638

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The Photographic News

The Photographic News PDF Author: Sir William Crookes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 550

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Book Description


Catalogue of Printed Books

Catalogue of Printed Books PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 492

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Book Description


The Athenaeum

The Athenaeum PDF Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 642

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Impressed by Light

Impressed by Light PDF Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456

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Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.