Illustrated Catalogue of a Remarkable Collection of Ancient Oriental Imperial Treasures of Rare Artistic Distinction PDF Download
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Author: Yamanaka & Company
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 212
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Book Description
Author: Yamanaka & Company
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 212
Get Book Here
Book Description
Author: Yamanaka & Company
Publisher:
ISBN:
Category : Art, Chinese
Languages : en
Pages : 222
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Book Description
Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 862
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Book Description
Author: Carnegie Institute
Publisher:
ISBN:
Category : Art museums
Languages : en
Pages : 322
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Book Description
Includes report of the director of fine arts, of the director of the Museum, and of the director of the Technical schools.
Author: Hispanic Society of America. Library
Publisher:
ISBN:
Category : Brazilian literature
Languages : en
Pages : 1022
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Book Description
Author: Freer Gallery of Art. Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 824
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Book Description
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 730
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Book Description
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 576
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Book Description
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category :
Languages : en
Pages : 584
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Book Description
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
