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Author: Giovanni Simone Mayr
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 92
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Book Description
Author: Giovanni Simone Mayr
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 92
Get Book Here
Book Description
![Il Fanatico per la Musica. A comic opera, in two acts [by Gaetano Rossi]: as represented at the King's Theatre in the Hay-Market, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/1Zua87dwimYC?fife=w80-h100)
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 68
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Book Description
![Il Fanatico per la Musica. A comic opera, in two acts [by G. Rossi], as represented at the King's Theatre, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/eN-SMgWMPicC?fife=w80-h100)
Author:
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ISBN:
Category :
Languages : en
Pages : 58
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Book Description
![Il Fanatico per la musica, a comic interlude [by Gaetano Rossi] ... The poetry newly ... arranged by Signor Caravita, etc. Ital. & Eng PDF](https://books.google.com/books/content/images/frontcover/zqdWAAAAcAAJ?fife=w80-h100)
Author:
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ISBN:
Category :
Languages : en
Pages : 34
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Book Description
Author: Vera Brodsky Lawrence
Publisher: University of Chicago Press
ISBN: 9780226470092
Category : Music
Languages : en
Pages : 756
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Book Description
In Strong on Music Vera Brodsky Lawrence uses the diaries of lawyer and music lover George Templeton Strong as a jumping-off point from which to explore every aspect of New York City's musical life in the mid-nineteenth century. Formerly a concert pianist, Vera Brodsky Lawrence spent the last third of her life as a historian of American music (she died in 1996). She was editor of The Piano Works of Louis Moreau Gottschalk and The Complete Works of Scott Joplin. On Volume 1: "A marvelous book. There is nothing like it in the literature of American music."—Harold C. Schonberg, New York Times Book Review On Volume 2: "A monumental achievement."—Victor Fell Yellin, Opera Quarterly
Author: Linda Zionkowski
Publisher: Rutgers University Press
ISBN: 1684485177
Category : Literary Criticism
Languages : en
Pages : 208
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Book Description
Women and Music in the Age of Austen highlights the central role women played in musical performance, composition, reception, and representation, and analyzes its formative and lasting effect on Georgian culture. This interdisciplinary collection of essays from musicology, literary studies, and gender studies challenges the conventional historical categories that marginalize women’s experience from Austen’s time. Contesting the distinctions between professional and amateur musicians, public and domestic sites of musical production, and performers and composers of music, the contributors reveal how women’s widespread involvement in the Georgian musical scene allowed for self-expression, artistic influence, and access to communities that transcended the boundaries of gender, class, and nationality. This volume’s breadth of focus advances our understanding of a period that witnessed a musical flourishing, much of it animated by female hands and voices. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: John C. Greene
Publisher: Lexington Books
ISBN: 1611461189
Category : Art
Languages : en
Pages : 703
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Book Description
This is the first comprehensive, daily compendium of more than 18,000 performances that took place in Dublin's theatres, music halls, pleasure gardens, and circus amphitheatres between Thomas Sheridan's becoming the manager at Smock Alley Theatre in 1745 and the dissolution of the Crow Street Theatre in 1820.
Author: Library of Congress. Music Division
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 1196
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 846
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Book Description
Author: Bennett Zon
Publisher: Routledge
ISBN: 0429627203
Category : Music
Languages : en
Pages : 309
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Book Description
Originally published in 1999, this volume of essays arises from the first biennial Music in Nineteenth-Century Britain conference, held at the University of hull in July 1997. Like the conference, this book seeks to expand and reassess our current knowledge of musical life in Britain during the nineteenth century, as well as to challenge the preconceptions of earlier attitudes and scholarship. This volume covers a cohesive range of subjects and materials intended not only as a revision of past views and scholarship, but also as a tool for further research. It provides a vigorous reconsideration of the musical activity of the period.
