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Author: Gabriele Castiglia
Publisher: Archaeopress Publishing Ltd
ISBN: 190573977X
Category : Social Science
Languages : en
Pages : 160
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Book Description
Presents excavation data and pottery finds from the stratigraphy underneath the cathedral of Siena. The surveys were conducted between 2000-2003. The ultimate goal is to trace a view of the settlement types and economic framework that has affected the hill of the Cathedral from the Classical age to the late Middle Ages.
Author: Gabriele Castiglia
Publisher: Archaeopress Publishing Ltd
ISBN: 190573977X
Category : Social Science
Languages : en
Pages : 160
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Book Description
Presents excavation data and pottery finds from the stratigraphy underneath the cathedral of Siena. The surveys were conducted between 2000-2003. The ultimate goal is to trace a view of the settlement types and economic framework that has affected the hill of the Cathedral from the Classical age to the late Middle Ages.
Author: Diana Norman
Publisher: Yale University Press
ISBN: 0300061242
Category : Art
Languages : en
Pages : 284
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Book Description
Siena, Florence and Padua were all major centres for the flowering of early Italian Renaissance art and civic culture. The three communities shared a common concern for the embelishment of their cities by means of painting, sculpture and architecture. The eleven papers in this volume re-examine and re-assess the artistic legacy of the three cities during the 14th century amd locate the various works of art considered within their broader cultural, social and religious contexts. Contributors include: D Norman (Patrons, politics and art) ; C Harrison (Giotto and the `rise of painting') ; C King (The arts of carving and casting) ; T Benton (The building trades and design methods) ; D Norman (Art and religion after the Black Death) ; C King (The trecento: New ideas, new evidence) .
Author: Diana Norman
Publisher: Yale University Press
ISBN: 9780300061277
Category : Art
Languages : en
Pages : 314
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Book Description
The eleven papers in this volume present a series of case studies of major works of art either produced in Sien, Florence or Padua or executed by artists associated with the three cities. Contributors include: T Benton (The three cities compared: Urbanism) ; C Cunningham (The design of town halls) ; D Norman (Duccio's `Maestà ') ; C Harrison (The Arena Chapel: Patronage and authorship) ; C King (Effigies: Human and Divine) ; T Benton (The design of Siena and Florence Duomos) ; D Norman (The paintings of the Sala dei Nove in the Palazzo Pubblico, Siena) ; D Norman (Change and continuity in Marian altarpieces) ; C King (Women as patrons: Nuns, widows and rulers) . These two volumes together form the basis of an Open University undergraduate course in art history.
Author: Paul Frankl
Publisher: Yale University Press
ISBN: 9780300087994
Category : Architecture
Languages : en
Pages : 420
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Book Description
This magisterial study of Gothic architecture traces the meaning and development of the Gothic style through medieval churches across Europe. Ranging geographically from Poland to Portugal and from Sicily to Scotland and chronologically from 1093 to 1530, the book analyzes changes from Romanesque to Gothic as well as the evolution within the Gothic style and places these changes in the context of the creative spirit of the Middle Ages. In its breadth of outlook, its command of detail, and its theoretical enterprise, Frankl's book has few equals in the ambitious Pelican History of Art series. It is single-minded in its pursuit of the general principles that informed all aspects of Gothic architecture and its culture. In this edition Paul Crossley has revised the original text to take into account the proliferation of recent literature--books, reviews, exhibition catalogues, and periodicals--that have emerged in a variety of languages. New illustrations have also been included.
Author: Benjamin David Brand
Publisher: Oxford University Press, USA
ISBN: 019935135X
Category : Music
Languages : en
Pages : 321
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Book Description
Holy Treasure and Sacred Song explores the complex interplay between relic cults and the liturgy in medieval Tuscany. Drawing on documentary, literary and visual evidence rarely considered together, it reveals that liturgical texts, music, and ritual were integral to the clergy's well-informed promotion of saints buried in their churches.
Author: Carol M. Richardson
Publisher: Yale University Press
ISBN: 0300121881
Category : Art
Languages : en
Pages : 494
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Book Description
Renaissance art history is traditionally identified with Italian centers of production, and Florence in particular. Instead, this book explores the dynamic interchange between European artistic centers and artists and the trade in works of art. It also considers the impact of differing locations on art and artists and some of the economic, political, and cultural factors crucial to the emergence of an artistic center. During c.1420-1520, no city or court could succeed in isolation and so artists operated within a network of interests and local and international identities. The case studies presented in this book portray the Renaissance as an exciting international phenomenon, with cities and courts inextricably bound together in a web of economic and political interests.
Author: Raimond van Marle
Publisher: Hague, Nijhoff
ISBN:
Category : Painting
Languages : en
Pages : 620
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Book Description
Author: Raimond Marle
Publisher: Springer Science & Business Media
ISBN: 9401509336
Category : Art
Languages : en
Pages : 598
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Book Description
The more I study the h1story of Italian painting, the more I admire the work of CRowE and CA \'. '. LCAS~
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 496
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Book Description
Author: Bouk Wierda
Publisher: BRILL
ISBN: 9004539786
Category : History
Languages : en
Pages : 524
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Book Description
This book offers a new edition of one of the most important art historical sources on Italian art. Written not long before Vasari's famous Lives (1550), this source provides an overview of art from Cimabue to Michelangelo. Moreover, the author's ambition was to provide a sketch of the art of classical antiquity. First published in the late nineteenth century, the Codex has led to numerous questions, the main one being: who was its author? We believe we have found the answer to this question, which led us to come up with a new edition of the Codex.
