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Author: Andrzej Warminski
Publisher:
ISBN: 9780748693764
Category : Aesthetics
Languages : en
Pages : 222
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Book Description
Readings of de Man's critique of aesthetic ideology and the strange 'materiality' that emerges from it This volume explicates Paul de Man's late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man's work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a 'material moment' in Hegel's Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man's critical reading of Heidegger on the example of HÃœlderlin-a moment essential for de Man's shifts to the question of rhetoric and then to the question of ideology-and ends with a reading of Derrida's 'last' text on de Man and its uncanny self-inscription in Rousseau's episode of the stolen ribbon. Key Features:. Rigorous explications of Paul de Man's late work on aesthetic ideology and the political New readings of Kant, Schiller, and Hegel that extend de Man's project Demonstrates how a certain already 'Marxian' self-undoing of Hegelian dialectics leaves traces in Koj÷ve and in Marxists like LukÃŁcs and Jameson Presents accounts of disagreements and altercations between de Man and Heidegger and de Man and Derrida
Author: Andrzej Warminski
Publisher:
ISBN: 9780748693764
Category : Aesthetics
Languages : en
Pages : 222
Get Book
Book Description
Readings of de Man's critique of aesthetic ideology and the strange 'materiality' that emerges from it This volume explicates Paul de Man's late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man's work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a 'material moment' in Hegel's Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man's critical reading of Heidegger on the example of HÃœlderlin-a moment essential for de Man's shifts to the question of rhetoric and then to the question of ideology-and ends with a reading of Derrida's 'last' text on de Man and its uncanny self-inscription in Rousseau's episode of the stolen ribbon. Key Features:. Rigorous explications of Paul de Man's late work on aesthetic ideology and the political New readings of Kant, Schiller, and Hegel that extend de Man's project Demonstrates how a certain already 'Marxian' self-undoing of Hegelian dialectics leaves traces in Koj÷ve and in Marxists like LukÃŁcs and Jameson Presents accounts of disagreements and altercations between de Man and Heidegger and de Man and Derrida
Author: Paul De Man
Publisher: U of Minnesota Press
ISBN: 9781452900674
Category : Literary Criticism
Languages : en
Pages : 212
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Book Description
A culmination of de Man's thoughts on philosophy, politics and history. The book presents an inquiry into the relation of rhetoric, epistemology and aesthetics, that offers radical notions of materiality. De Man reads Kant and Hegel with a combination of philosophical vigour and interpretive pressure. The texts collected here were written or delivered as lectures during the last years of Man's life, between 1977 and 1983. Many of them have never been available previously in any form; these include essays from Kant's materialism, his relation to Schiller, and the concept of irony.
Author: Andrzej Warminski
Publisher: Edinburgh University Press
ISBN: 0748681280
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
This volume explicates Paul de Man's late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought.
Author: Paul De Man
Publisher: U of Minnesota Press
ISBN: 9780816622047
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
This book is a rigorous inquiry into the relation of rhetoric, epistemology, anesthetics, one that presents radical notions of materiality.
Author: Marc Redfield
Publisher: Cornell University Press
ISBN: 1501723170
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
Marc Redfield maintains that the literary genre of the Bildungsroman brings into sharp focus the contradictions of aesthetics, and also that aesthetics exemplifies what is called ideology. He combines a wide-ranging account of the history and theory of aesthetics with close readings of novels by Goethe, George Eliot, and Gustave Flaubert. For Redfield, these fictions of character formation demonstrate the paradoxical relation between aesthetics and literature: the notion of the Bildungsroman may be expanded to apply to any text that can be figured as a subject producing itself in history, which is to say any text whatsoever. At the same time, the category may be contracted to include only a handful of novels, (or even none at all), a paradox that has led critics to denigrate the Bildungsroman as a phantom genre.
Author: George Lewis Levine
Publisher: New Brunswick, N.J. : Rutgers University Press
ISBN: 9780813520599
Category : Criticism.
Languages : en
Pages : 0
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Book Description
Author: Andrzej Warminski
Publisher: Edinburgh University Press
ISBN: 0748681272
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Readings of de Man's critique of aesthetic ideology and the strange 'materiality' that emerges from it. This volume explicates Paul de Man's late project of a critique of aesthetic ideology and attempts to extend it in ways productive for critical thought. After a reading of de Man's work in all its rigour - and hence also the aesthetic theory of Kant, Schiller, and Hegel- the book goes on to uncover a 'material moment' in Hegel's Phenomenology of Spirit that lives on in Marx and in the Marxist tradition. The book also elucidates de Man's critical reading of Heidegger on the example of Holderlin-a moment essential for de Man's shifts to the question of rhetoric and then to the question of ideology-and ends with a reading of Derrida's 'last' text on de Man and its uncanny self-inscription in Rousseau's episode of the stolen ribbon.
Author: Terry Eagleton
Publisher: Wiley-Blackwell
ISBN: 9780631163022
Category : Literary Criticism
Languages : en
Pages : 432
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Book Description
The Ideology of the Aesthetic presents a history and critique of the concept of the aesthetic throughout modern Western thought. As such, this is a critical survey of modern Western philosophy, focusing in particular on the complex relations between aesthetics, ethics and politics. Eagleton provides a brilliant and challenging introduction to these concerns, as characterized in the work of Kant, Schiller, Schopenhauer, Kierkegaard, Marx, Nietzsche, Freud, Heidegger, Lukacs, Adorno, Habermas, and others. Wide in span, as well as morally and politically committed, this is Terry Eagleton's major work to date. It forms both an original enquiry and an exemplary introduction.
Author: Fred Orton
Publisher: BRILL
ISBN: 9004503331
Category : Social Science
Languages : en
Pages : 218
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Book Description
Aesthetic Thinking: Essays on Intention, Painting, Action, and Ideology anthologises some of Fred Orton’s important contributions to rethinking the social history of art and art practice. More than that, it offers a vivid demonstration of how theory can generate new interpretations and unsettle old ones.
Author: Eric King Watts
Publisher: University of Alabama Press
ISBN: 081731766X
Category : History
Languages : en
Pages : 257
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Book Description
Hearing the Hurt is an examination of how the New Negro movement, also known as the Harlem Renaissance, provoked and sustained public discourse and deliberation about black culture and identity in the early twentieth century. Borrowing its title from a W. E. B. Du Bois essay, Hearing the Hurt explores the nature of rhetorical invention, performance, and mutation by focusing on the multifaceted issues brought forth in the New Negro movement, which Watts treats as a rhetorical struggle over what it means to be properly black and at the same time properly American. Who determines the meaning of blackness? How should African Americans fit in with American public culture? In what way should black communities and families be structured? The New Negro movement animated dynamic tension among diverse characterizations of African American civil rights, intellectual life, and well-being, and thus it provides a fascinating and complex stage on which to study how ideologies clash with each other to become accepted universally. Watts, conceptualizing the artistic culture of the time as directly affected by the New Negro public discourse, maps this rhetorical struggle onto the realm of aesthetics and discusses some key incarnations of New Negro rhetoric in select speeches, essays, and novels.
