Author: M. Madhava Prasad
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 282
Book Description
With reference to India.
Ideology of the Hindi Film
Author: M. Madhava Prasad
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 282
Book Description
With reference to India.
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 282
Book Description
With reference to India.
Ideology of the Hindi Film
Author: M. Madhava Prasad
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 280
Book Description
With reference to India.
Publisher: Oxford University Press, USA
ISBN:
Category : History
Languages : en
Pages : 280
Book Description
With reference to India.
Unruly Cinema
Author: Rini Bhattacharya Mehta
Publisher: University of Illinois Press
ISBN: 0252052005
Category : Performing Arts
Languages : en
Pages : 336
Book Description
Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.
Publisher: University of Illinois Press
ISBN: 0252052005
Category : Performing Arts
Languages : en
Pages : 336
Book Description
Between 1931 and 2000, India's popular cinema steadily overcame Hollywood domination. Bollywood, the film industry centered in Mumbai, became nothing less than a global cultural juggernaut. But Bollywood is merely one part of the country's prolific, multilingual cinema. Unruly Cinema looks at the complex series of events that allowed the entire Indian film industry to defy attempts to control, reform, and refine it in the twentieth century and beyond. Rini Bhattacharya Mehta considers four aspects of Indian cinema's complicated history. She begins with the industry's surprising, market-driven triumph over imports from Hollywood and elsewhere in the 1930s. From there she explores how the nationalist social melodrama outwitted the government with its 1950s cinematic lyrical manifestoes. In the 1970s, an action cinema centered on the angry young male co-opted the voice of the oppressed. Finally, Mehta examines Indian film's discovery of the global neoliberal aesthetic that encouraged the emergence of Bollywood.
Understanding Bollywood
Author: Ulka Anjaria
Publisher: Routledge
ISBN: 100034729X
Category : Performing Arts
Languages : en
Pages : 221
Book Description
This book offers an introduction to popular Hindi cinema, a genre that has a massive fan base but is often misunderstood by critics, and provides insight on topics of political and social significance. Arguing that Bollywood films are not realist representations of society or expressions of conservative ideology but mediated texts that need to be read for their formulaic and melodramatic qualities and for their pleasurable features like bright costumes, catchy music, and sophisticated choreography, the book interprets Bollywood films as complex considerations on the state of the nation that push the boundaries of normative gender and sexuality. The book provides a careful account of Bollywood’s constitutive components: its moral structure, its different forms of love, its use of song and dance, its visual style, and its embrace of cinephilia. Arguing that these five elements form the core of Bollywood cinema, the book investigates a range of films from 1947 to the present in order to show how films use and innovate formulaic structures to tell a wide range of stories that reflect changing times. The book ends with some considerations on recent changes in Bollywood cinema, suggesting that despite globalization the future of Bollywood remains promising. By presenting Bollywood cinema through an interdisciplinary lens, the book reaches beyond film studies departments and will be useful for those teaching and studying Bollywood in English, sociology, anthropology, Asian studies, and cultural studies classes.
Publisher: Routledge
ISBN: 100034729X
Category : Performing Arts
Languages : en
Pages : 221
Book Description
This book offers an introduction to popular Hindi cinema, a genre that has a massive fan base but is often misunderstood by critics, and provides insight on topics of political and social significance. Arguing that Bollywood films are not realist representations of society or expressions of conservative ideology but mediated texts that need to be read for their formulaic and melodramatic qualities and for their pleasurable features like bright costumes, catchy music, and sophisticated choreography, the book interprets Bollywood films as complex considerations on the state of the nation that push the boundaries of normative gender and sexuality. The book provides a careful account of Bollywood’s constitutive components: its moral structure, its different forms of love, its use of song and dance, its visual style, and its embrace of cinephilia. Arguing that these five elements form the core of Bollywood cinema, the book investigates a range of films from 1947 to the present in order to show how films use and innovate formulaic structures to tell a wide range of stories that reflect changing times. The book ends with some considerations on recent changes in Bollywood cinema, suggesting that despite globalization the future of Bollywood remains promising. By presenting Bollywood cinema through an interdisciplinary lens, the book reaches beyond film studies departments and will be useful for those teaching and studying Bollywood in English, sociology, anthropology, Asian studies, and cultural studies classes.
Reading 'Bollywood'
Author: S. Banaji
Publisher: Springer
ISBN: 0230501206
Category : Social Science
Languages : en
Pages : 224
Book Description
This book explores representations of gender, sexuality and ethnicity in Hindi films, in the socio-political context and in terms of how young audiences in India and the UK construct them. In-depth interviews, observations and photographs provide insights into spectatorship and comparison with theories about Hindi film and popular culture.
Publisher: Springer
ISBN: 0230501206
Category : Social Science
Languages : en
Pages : 224
Book Description
This book explores representations of gender, sexuality and ethnicity in Hindi films, in the socio-political context and in terms of how young audiences in India and the UK construct them. In-depth interviews, observations and photographs provide insights into spectatorship and comparison with theories about Hindi film and popular culture.
Cinemas of South India
Author: Sowmya Dechamma C. C.
Publisher: Oxford University Press, USA
ISBN: 9780198067955
Category : India
Languages : en
Pages : 0
Book Description
Charting a new approach for understanding cinemas of south India, theessays in this volume broadly focus on Kannada, Malayalam, Tamil,and Telugu films and address wide-ranging issues including identitypolitics, minority discourse, remakes, and gender politics.
Publisher: Oxford University Press, USA
ISBN: 9780198067955
Category : India
Languages : en
Pages : 0
Book Description
Charting a new approach for understanding cinemas of south India, theessays in this volume broadly focus on Kannada, Malayalam, Tamil,and Telugu films and address wide-ranging issues including identitypolitics, minority discourse, remakes, and gender politics.
Bollywood and Globalization
Author: Rini Bhattacharya Mehta
Publisher: Anthem Press
ISBN: 0857288970
Category : Performing Arts
Languages : en
Pages : 211
Book Description
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Publisher: Anthem Press
ISBN: 0857288970
Category : Performing Arts
Languages : en
Pages : 211
Book Description
This book is a collection of incisive articles on the interactions between Indian Popular Cinema and the political and cultural ideologies of a new post-Global India.
Cine-politics
Author: M. Madhava Prasad
Publisher:
ISBN: 9788125053569
Category : India, South
Languages : en
Pages : 0
Book Description
Publisher:
ISBN: 9788125053569
Category : India, South
Languages : en
Pages : 0
Book Description
Studying Indian Cinema
Author: Omar Ahmed
Publisher: Liverpool University Press
ISBN: 0993238491
Category : Performing Arts
Languages : en
Pages : 370
Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
Publisher: Liverpool University Press
ISBN: 0993238491
Category : Performing Arts
Languages : en
Pages : 370
Book Description
This book traces the historical evolution of Indian cinema through a number of key decades. The book is made up of 14 chapters with each chapter focusing on one key film, the chosen films analysed in their wider social, political and historical context whilst a concerted engagement with various ideological strands that underpin each film is also evident. In addition to exploring the films in their wider contexts, the author analyses selected sequences through the conceptual framework common to both film and media studies. This includes a consideration of narrative, genre, representation, audience and mise-en-scene. The case studies run chronologically from Awaara (The Vagabond, 1951) to The Elements Trilogy: Water (2005) and include films by such key figures as Satyajit Ray (The Lonely Wife), Ritwick Ghatak (Cloud Capped Star), Yash Chopra (The Wall) and Mira Nair (Salaam Bombay!).
History of Indian Cinema
Author: Renu Saran
Publisher: Diamond Pocket Books Pvt Ltd
ISBN: 9350836513
Category :
Languages : en
Pages : 299
Book Description
Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.
Publisher: Diamond Pocket Books Pvt Ltd
ISBN: 9350836513
Category :
Languages : en
Pages : 299
Book Description
Indian film industry is the largest in the world. It releases 1000 plus movies annually. Most films are made in South Indian languages (viz., Telugu, Tamil and Malayalam). Nevertheless, Hindi films take the largest box office share. India has 12,000 plus cinema halls and this industry churns out 1000 plus films a year. This book gives a brief history of the world's most exciting industrial enterprise. It gives the details, facts and vital sets of data of Indian cinema with amazing finesse. Its simple style and low cost enable all reader genres to read it. Renu Saran has penned this book for the lovers of Indian cinema. She has given many good books to our valued readers. She has worked very hard to collect data and analyze information sets. That is why this book has become one of the best in its genre.