Author: Michel Bastiaensen
Publisher:
ISBN:
Category :
Languages : it
Pages : 624
Book Description
Identità e diversità nella lingua e nella letteratura italiana
Author: Michel Bastiaensen
Publisher:
ISBN:
Category :
Languages : it
Pages : 624
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 624
Book Description
Identità e diversità nella lingua e nella letteratura italiana: Poesia e narrativa della novecento
Author: Associazione internazionale per gli studi di lingua e letteratura italiana. Congresso
Publisher:
ISBN:
Category : CD-ROMs
Languages : en
Pages : 636
Book Description
Publisher:
ISBN:
Category : CD-ROMs
Languages : en
Pages : 636
Book Description
Identità e diversità nella lingua e nella letteratura italiana
Author: Associazione internazionale per gli studi di lingua e letteratura italiana. Congresso
Publisher:
ISBN:
Category :
Languages : it
Pages : 624
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 624
Book Description
Poesia e narrativa del Novecento
Author: Michel Bastiaensen
Publisher:
ISBN:
Category :
Languages : en
Pages : 624
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 624
Book Description
Identità e diversità nella lingua e nella letteratura italiana: Poesia e narrativa dal duecento all'ottocento : teatro, cultura, critica
Author: Associazione internazionale per gli studi di lingua e letteratura italiana. Congresso
Publisher:
ISBN:
Category : CD-ROMs
Languages : it
Pages : 816
Book Description
Publisher:
ISBN:
Category : CD-ROMs
Languages : it
Pages : 816
Book Description
Identità e diversità nella lingua e nella letteratura italiana
Author: Michel Bastiaensen
Publisher:
ISBN:
Category :
Languages : it
Pages : 801
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 801
Book Description
Identità e diversità nella lingua e nella letteratura italiana: L'italiano oggi e domani
Author: Associazione internazionale per gli studi di lingua e letteratura italiana. Congresso
Publisher: Cesati
ISBN:
Category : Literary Criticism
Languages : en
Pages : 812
Book Description
Publisher: Cesati
ISBN:
Category : Literary Criticism
Languages : en
Pages : 812
Book Description
2017
Author: Mariana Aguirre
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527839
Category : Art
Languages : en
Pages : 570
Book Description
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110527839
Category : Art
Languages : en
Pages : 570
Book Description
Futurism Studies in its canonical form has followed in the steps of Marinetti's concept of Futurisme mondial, according to which Futurism had its centre in Italy and a large number of satellites around Europe and the rest of the globe. Consequently, authors of textbook histories of Futurism focus their attention on Italy, add a chapter or two on Russia and dedicate next to no attention to developments in other parts of the world. Futurism Studies tends to sees in Marinetti's movement the font and mother of all subsequent avant-gardes and deprecates the non-European variants as mere 'derivatives'. Vol. 7 of the International Yearbook of Futurism Studies will focus on one of these regions outside Europe and demonstrate that the heuristic model of centre – periphery is faulty and misleading, as it ignores the originality and inventiveness of art and literature in Latin America. Futurist tendencies in both Spanish and Portuguese-speaking countries may have been, in part, 'influenced' by Italian Futurism, but they certainly did no 'derive' from it. The shift towards modernity took place in Latin America more or less in parallel to the economic progress made in the underdeveloped countries of Europe. Italy and Russia have often been described as having originated Futurism because of their backwardness compared to the industrial powerhouses England, Germany and France. According to this narrative, Spain and Portugal occupied a position of semi-periphery. They had channelled dominant cultural discourses from the centre nations into the colonies. However, with the rise of modernity and the emergence of independence movements, cultural discourses in the colonies undertook a major shift. The revolt of the European avant-garde against academic art found much sympathy amongst Latin American artists, as they were engaged in a similar battle against the canonical discourses of colonial rule. One can therefore detect many parallels between the European and Latin American avant-garde movements. This includes the varieties of Futurism, to which Yearbook 2017 will be dedicated. In Europe, the avant-garde had a complex relationship to tradition, especially its 'primitivist' varieties. In Latin America, the avant-garde also sought to uncover and incorporate alternative, i.e. indigenous traditions. The result was a hybrid form of art and literature that showed many parallels to the European avant-garde, but also had other sources of inspiration. Given the large variety of indigenous cultures on the American continent, it was only natural that many heterogeneous mixtures of Futurism emerged there. Yearbook 2017 explores this plurality of Futurisms and the cultural traditions that influenced them. Contributions focus on the intertextual character of Latin American Futurisms, interpret works of literature and fine arts within their local setting, consider modes of production and consumption within each culture as well as the forms of interaction with other Latin American and European centres. 14 essays locate Futurism within the complex network of cultural exchange, unravel the Futurist contribution to the complex interrelations between local and the global cultures in Latin America and reveal the dynamic dialogue as well as the multiple forms of cross-fertilization that existed amongst them.
Identità e diversità nella lingua e nella letteratura italiana
Author: Associazione internazionale per gli studi di lingua e letteratura italiana. Congresso
Publisher:
ISBN:
Category :
Languages : it
Pages : 789
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages : 789
Book Description
Identità e diversità nella lingua e nella letteratura italiana
Author: Serge Vanvolsem
Publisher:
ISBN:
Category :
Languages : en
Pages : 789
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 789
Book Description