Author: Ernest Binfield Havell
Publisher: London : J. Murray
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
The Ideals of Indian Art
Author: Ernest Binfield Havell
Publisher: London : J. Murray
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
Publisher: London : J. Murray
ISBN:
Category : Art
Languages : en
Pages : 286
Book Description
Ideals of Indian Art
Author: Ernest Binfield Havell
Publisher: Palala Press
ISBN: 9781378669686
Category : Art
Languages : en
Pages : 278
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Palala Press
ISBN: 9781378669686
Category : Art
Languages : en
Pages : 278
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
A Handbook of Indian Art
Author: Ernest Binfield Havell
Publisher: London : J. Murray
ISBN:
Category : Architecture
Languages : en
Pages : 400
Book Description
Publisher: London : J. Murray
ISBN:
Category : Architecture
Languages : en
Pages : 400
Book Description
The Body Adorned
Author: Vidya Dehejia
Publisher: Columbia University Press
ISBN: 9780231512664
Category : History
Languages : en
Pages : 262
Book Description
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
Publisher: Columbia University Press
ISBN: 9780231512664
Category : History
Languages : en
Pages : 262
Book Description
The sensuous human form-elegant and eye-catching-is the dominant feature of premodern Indian art. From the powerful god Shiva, greatest of all yogis and most beautiful of all beings, to stone dancers twisting along temple walls, the body in Indian art is always richly adorned. Alankara (ornament) protects the body and makes it complete and attractive; to be unornamented is to invite misfortune. In The Body Adorned, Vidya Dehejia, who has dedicated her career to the study of Indian art, draws on the literature of court poets, the hymns of saints and acharyas, and verses from inscriptions to illuminate premodern India's unique treatment of the sculpted and painted form. She focuses on the coexistence of sacred and sensuous images within the common boundaries of Buddhist, Jain, and Hindu "sacred spaces," redefining terms like "sacred" and "secular" in relation to Indian architecture. She also considers the paradox of passionate poetry, in which saints praised the sheer bodily beauty of the divine form, and nonsacred Rajput painted manuscripts, which freely inserted gods into the earthly realm of the courts. By juxtaposing visual and literary sources, Dehejia demonstrates the harmony between the sacred and the profane in classical Indian culture. Her synthesis of art, literature, and cultural materials not only generates an all-inclusive picture of the period but also revolutionizes our understanding of the cultural ethos of premodern India.
Author:
Publisher: Penguin Books India
ISBN: 0143417932
Category :
Languages : en
Pages : 672
Book Description
Publisher: Penguin Books India
ISBN: 0143417932
Category :
Languages : en
Pages : 672
Book Description
The Ideals of Indian Art
Author: Ernest Binfield Havell
Publisher: London : J. Murray
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Publisher: London : J. Murray
ISBN:
Category : Art
Languages : en
Pages : 288
Book Description
Catalogue
Author: Bernard Quaritch (Firm)
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 144
Book Description
Art and Nationalism in Colonial India, 1850-1922
Author: Partha Mitter
Publisher: Cambridge University Press
ISBN: 9780521443548
Category : Art
Languages : en
Pages : 538
Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
Publisher: Cambridge University Press
ISBN: 9780521443548
Category : Art
Languages : en
Pages : 538
Book Description
Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.
Architect
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 810
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 810
Book Description
The Book Monthly
Author: James Milne
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 564
Book Description
Publisher:
ISBN:
Category : Bibliography, National
Languages : en
Pages : 564
Book Description