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Author: Michael De Cossart
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
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Book Description
This is a study of the career and achievement of a multi-talented personality. Ida Rubinstein was born in 1885 in tsarist Russia and from an early age she used her immense family fortune to commission original stage works in which she herself invariably appeared. She started out with the intention of making a name for herself as an actress, but her gifts as a mime and dancer attracted Diaghilev and he introduced her to western audiences when his Ballets Russes came to Paris in 1909. Ida Rubinstein was too much of an egoist to remain in his shadow and she subsequently went on to pursue an independent career as an impresario, in many ways Diaghilev’s equal, as a dancer of as high a caliber as Karsavina (but of greater versatility) and as a dramatic actress who came a very close second to Sarah Bernhardt. In the process she worked with some of the greatest creative geniuses of the twentieth century, designers, choreographers, writers and composers. When she finally withdrew into voluntary seclusion after the Second World War, she left behind a remarkable legacy of works as a contribution to that high point of western civilization, the Third French Republic. Her name will continue to be associated with such masterpieces as Debussy’s Le Martyre de Saint Sebastien, Ravel’s La Valse and Bolero, Stravinsky’s Persephone and Honegger’s Jeanne d’Arc au bucher. She will also be long remembered as the epitome of extravagance, high style and good taste, unrivalled even in an era renowned for its panache and hedonism. Most of the illustrations in this book have never been published before.
Author: Michael De Cossart
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 232
Get Book Here
Book Description
This is a study of the career and achievement of a multi-talented personality. Ida Rubinstein was born in 1885 in tsarist Russia and from an early age she used her immense family fortune to commission original stage works in which she herself invariably appeared. She started out with the intention of making a name for herself as an actress, but her gifts as a mime and dancer attracted Diaghilev and he introduced her to western audiences when his Ballets Russes came to Paris in 1909. Ida Rubinstein was too much of an egoist to remain in his shadow and she subsequently went on to pursue an independent career as an impresario, in many ways Diaghilev’s equal, as a dancer of as high a caliber as Karsavina (but of greater versatility) and as a dramatic actress who came a very close second to Sarah Bernhardt. In the process she worked with some of the greatest creative geniuses of the twentieth century, designers, choreographers, writers and composers. When she finally withdrew into voluntary seclusion after the Second World War, she left behind a remarkable legacy of works as a contribution to that high point of western civilization, the Third French Republic. Her name will continue to be associated with such masterpieces as Debussy’s Le Martyre de Saint Sebastien, Ravel’s La Valse and Bolero, Stravinsky’s Persephone and Honegger’s Jeanne d’Arc au bucher. She will also be long remembered as the epitome of extravagance, high style and good taste, unrivalled even in an era renowned for its panache and hedonism. Most of the illustrations in this book have never been published before.
Author: Judith Chazin-Bennahum
Publisher: State University of New York Press
ISBN: 1438487991
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
Ida Rubinstein (1883–1960) captivated Paris's dancers, composers, artists, and audiences from her time in the Ballets Russes in 1909 to her final performances in 1939. Trained in Russia as an actress and a dancer, her life spanned the artistic freedom of the Belle Époque through the ravages of World War I, the Depression, and finally World War II. This critical biography carefully examines aspects of Rubinstein's life and career that have previously received little attention. These include her early life in Russia, her writing about performance aesthetics, her curated approach to acting and dancing roles, and her encumbered position as a woman and a Jew. Rubinstein used her considerable fortune to produce dozens of plays, lyric creations, and ballets, making her one of the foremost producers of the first half of the twentieth century. Employing the greatest scenic artists, Léon Bakst and Alexander Benois; the distinguished composers Igor Stravinsky, Arthur Honegger, and Claude Debussy; celebrated writers including Paul Valéry and André Gide; and the brilliant choreographer Bronislava Nijinska, Rubinstein transformed twentieth-century theater and dance.
Author: Mary Fleischer
Publisher: Rodopi
ISBN: 904202285X
Category : Art
Languages : en
Pages : 370
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Book Description
Embodied Texts: Symbolist Playwright-Dancer Collaborations explores the dynamic relationship between Symbolist theatre and early modern dance across Europe from the 1890s through the 1930s. Gabriele D'Annunzio's projects with Ida Rubinstein; Hugo von Hofmannsthal's pantomimes for Grete Wiesenthal; W. B. Yeats's work with Michio Ito and Ninette de Valois; and Paul Claudel's collaborations with Jean Börlin and the Ballets Suédois are studied in depth to shed new light on an evolving dance-theatre form within Symbolist culture. Buoyed by the era's heightened interest in the expressive qualities of the body, these playwrights were highly invested in the authority of language, yet were drawn to the capacity of dance to evoke spiritual or psychological states which words could not completely capture. In its belief of fundamental correspondences among the arts, Symbolism encouraged experimentation across disciplines, and this study traces interconnections among many of its significant figures including Max Reinhardt, Claude Debussy, Gertrud Eysoldt, Edward Gordon Craig, Bronislava Nijinksa, Isadora Duncan, Jaques Dalcroze, Darius Milhaud, Vsevolod Meyerhold, Mariano Fortuny, Terence Gray, George Antheil, Eleonora Duse, and Michel Fokine.
Author: Samuel N. Dorf
Publisher: Oxford University Press, USA
ISBN: 0190612096
Category : Music
Languages : en
Pages : 241
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Book Description
Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 investigates collaborations between French and American scholars of Greek antiquity (archaeologists, philologists, classicists, and musicologists), and the performing artists (dancers, composers, choreographers and musicians) who brought their research to life at the birth of Modernism. The book tells the story of performances taking place at academic conferences, the Paris Op ra, ancient amphitheaters in Delphi, and private homes. These musical and dance collaborations are built on reciprocity: the performers gain new insight into their craft while learning new techniques or repertoire and the scholars gain an opportunity to bring theory into experimental practice, that is, they have a chance see/hear/experience what they have studied and imagined. The performers receive the imprimatur of scholarship, the stamp of authenticity, and validation for their creative activities. Drawing from methods and theory from musicology, dance studies, performance studies, queer studies, archaeology, classics and art history the book shows how new scholarly methods and technologies altered the performance, and, ultimately, the reception of music and dance of the past. Acknowledging and critically examining the complex relationships performers and scholars had with the pasts they studied does not undermine their work. Rather, understanding our own limits, biases, dreams, obsessions, desires, loves, and fears enriches the ways we perform the past.
Author: W. Anthony Sheppard
Publisher: Univ of California Press
ISBN: 9780520924741
Category : Music
Languages : en
Pages : 408
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Book Description
W. Anthony Sheppard considers a wide-ranging constellation of important musical works in this fascinating exploration of ritualized performance in twentieth-century music. Revealing Masks uncovers the range of political, didactic, and aesthetic intents that inspired the creators of modernist music theater. Sheppard is especially interested in the use of the "exotic" in techniques of masking and stylization, identifying Japanese Noh, medieval Christian drama, and ancient Greek theater as the most prominent exotic models for the creation of "total theater." Drawing on an extraordinarily diverse—and in some instances, little-known—range of music theater pieces, Sheppard cites the work of Igor Stravinsky, Benjamin Britten, Arthur Honegger, Peter Maxwell Davies, Harry Partch, and Leonard Bernstein, as well as Andrew Lloyd Webber and Madonna. Artists in literature, theater, and dance—such as William Butler Yeats, Paul Claudel, Bertolt Brecht, Isadora Duncan, Ida Rubenstein, and Edward Gordon Craig--also play a significant role in this study. Sheppard poses challenging questions that will interest readers beyond those in the field of music scholarship. For example, what is the effect on the audience and the performers of depersonalizing ritual elements? Does borrowing from foreign cultures inevitably amount to a kind of predatory appropriation? Revealing Masks shows that compositional concerns and cultural themes manifested in music theater are central to the history of twentieth-century Euro-American music, drama, and dance.
Author: Elisabeth Ingles
Publisher: Parkstone International
ISBN: 1639198903
Category : Performing Arts
Languages : en
Pages : 289
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Book Description
At the beginning of the XXth century, there was an unprecedented explosion of creativity in all artistic fields. Overwhelming both Europe and North America, the Russian Ballet revolutionized theatrical design with their stage sets and their costumes that were ablaze with colour yet refind in effect, bearing much of the mystic of the Orient yet also visually influenced by the work of the Persian miniaturists. Together with Diaghilev, Léon Bakst showed himself to be the most talented of the theatre group designers of his time. The costumes he devised with exclusive art seemed to shimmer with a thousand colours. Dazzled by such powers of imagination, the author, Jean Cocteau, dedicated his book "Bonjour Monsieur Bakst" to him. The great contemporary composers Tchaïkovsky, Rimsky-Korsakov and Stravinsky, among others, all had occasion to call upon his creative genius. Today, his designs remain very popular and may still be seen on stage scenes all over the world, admired by a public that remains as enthusiastic as ever.
Author: Andrea Mirabile
Publisher: Rodopi
ISBN: 9401210519
Category : History
Languages : en
Pages : 214
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Book Description
Paris, 1910-1915. Artists, intellectuals, and international celebrities crowd the city as never before. Decadent dreams and avant-garde manifestos celebrate the marriage between art and life. Creative experiments and vital joy dance hand in hand—on the edge of the abyss of WWI. Gabriele D’Annunzio is one of the highly influential yet semi-forgotten protagonists of this season and an emblem of its contradictions. A child of the Decadence, but also a forerunner of Modernism, the Italian poet defies the barriers between art forms, languages, and aesthetic practices. Tellingly, some of the period’s major figures across the arts are involved in D’Annunzio’s projects, including Canudo, Bakst, Brooks, Debussy, Montesquiou, and Rubinstein. In particular, in his sacred drama Le Martyre de Saint Sébastien, the poet combines French, Italian, literature, theater, mime, dance, music, painting, and cinema in a way that fuses old and new. D’Annunzio’s hybrid experiments challenge Wagner’s ‘total artwork’ theories, search for a synthesis between pictorial stillness and filmic movement, and anticipate contemporary multimedia experiences. These artistic collaborations end suddenly at the outbreak of the Great War, when Dannunzian total artworks migrate from the stage to the battlefield, generating a controversial legacy that calls for renewed critical investigations.
Author: Per Faxneld
Publisher: Oxford University Press
ISBN: 0190664487
Category : Religion
Languages : en
Pages : 577
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Book Description
According to the Bible, Eve was the first to heed Satan's advice to eat the forbidden fruit and thus responsible for all of humanity's subsequent miseries. The notion of woman as the Devil's accomplice is prominent throughout Christian history and has been used to legitimize the subordination of wives and daughters. In the nineteenth century, rebellious females performed counter-readings of this misogynist tradition. Lucifer was reconceptualized as a feminist liberator of womankind, and Eve became a heroine. In these reimaginings, Satan is an ally in the struggle against a tyrannical patriarchy supported by God the Father and his male priests. Per Faxneld shows how this Satanic feminism was expressed in a wide variety of nineteenth-century literary texts, autobiographies, pamphlets, newspaper articles, paintings, sculptures, and even artifacts of consumer culture like jewelry. He details how colorful figures like the suffragette Elizabeth Cady Stanton, gender-bending Theosophist H. P. Blavatsky, author Aino Kallas, actress Sarah Bernhardt, anti-clerical witch enthusiast Matilda Joslyn Gage, decadent marchioness Luisa Casati, and the Luciferian lesbian poetess Renée Vivien embraced these reimaginings. By exploring the connections between esotericism, literature, art and the political realm, Satanic Feminism sheds new light on neglected aspects of the intellectual history of feminism, Satanism, and revisionary mythmaking.
Author: Klaus H. Carl
Publisher: Parkstone International
ISBN: 1785250566
Category : Art
Languages : en
Pages : 323
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Book Description
Chaïm Soutine (1893-1943), the unconventional and controversial painter of Belorussian origin, combines influences of classic European painting with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a group within the Parisian School, he created an oeuvre mainly consisting of landscapes, still lifes, and portraits. His individual style, characterised by displays of humour and despair and by use of luminous colours, makes him a modern master who is still little understood.
Author: Klaus H. Carl
Publisher: Parkstone International
ISBN: 1785250426
Category : Art
Languages : en
Pages : 200
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Book Description
Chaïm Soutine (1893-1943), the unconventional and controversial painter of Belorussian origin, combines influences of classic European painting with Post-Impressionism and Expressionism. As a member of the Artists from Belarus, a group within the Parisian School, he created an oeuvre mainly consisting of landscapes, still lifes, and portraits. His individual style, characterised by displays of humour and despair and by use of luminous colours, makes him a modern master who is still little understood.
