Author: Alfredo Tradigo
Publisher: Getty Publications
ISBN: 9780892368457
Category : Christian saints in art
Languages : en
Pages : 384
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Book Description
Catalogues the heritage of images according to type and subject, from the ancient at the Monastery of Saint Catherine in the Sinai to those from Greece, Constantinople, and Russia. This book includes chapters such as role of icons in the Orthodox liturgy and on common iconic subjects, including the fathers and saints of the Eastern Church.
Author: Alexandra Schmalzbach
Publisher:
ISBN: 9781944967888
Category :
Languages : en
Pages : 120
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Book Description
Did you know there was a saint who used a dogsled for transportation? Or a saint who turned down a marriage proposal from the Roman emperor? How about the saint who jumped from building to building during a siege to bring the Eucharist to his parishioners? Discover all of these stories and more in 101 Orthodox Saints. Written for children and those with a childlike curiosity, this visual encyclopedia will enhance your family's understanding and celebration of the saints of the Church. Each page is filled with illustrations, icons, graphics, and fascinating facts about the martyrs, monks, and mothers who boldly lived out their Faith to the glory of God.From Ancient Faith Publishing, your source for books on Orthodox Christianity.
Author: Jim Forest
Publisher: Orbis Books
ISBN: 160833077X
Category : Icons
Languages : en
Pages : 336
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Book Description
Author: Dr C A Tsakiridou
Publisher: Ashgate Publishing, Ltd.
ISBN: 1409472337
Category : Art
Languages : en
Pages : 630
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Book Description
Icons in Time, Persons in Eternity presents a critical, interdisciplinary examination of contemporary theological and philosophical studies of the Christian image and redefines this within the Orthodox tradition by exploring the ontological and aesthetic implications of Orthodox ascetic and mystical theology. It finds Modernist interest in the aesthetic peculiarity of icons significant, and essential for re-evaluating their relationship to non-representational art. Drawing on classical Greek art criticism, Byzantine ekphraseis and hymnography, and the theologies of St. Maximus the Confessor, St. Symeon the New Theologian and St. Gregory Palamas, the author argues that the ancient Greek concept of enargeia best conveys the expression of theophany and theosis in art. The qualities that define enargeia - inherent liveliness, expressive autonomy and self-subsisting form - are identified in exemplary Greek and Russian icons and considered in the context of the hesychastic theology that lies at the heart of Orthodox Christianity. An Orthodox aesthetics is thus outlined that recognizes the transcendent being of art and is open to dialogue with diverse pictorial and iconographic traditions. An examination of Ch’an (Zen) art theory and a comparison of icons with paintings by Wassily Kandinsky, Pablo Picasso, Mark Rothko and Marc Chagall, and by Japanese artists influenced by Zen Buddhism, reveal intriguing points of convergence and difference. The reader will find in these pages reasons to reconcile Modernism with the Christian image and Orthodox tradition with creative form in art.
Author: Jeana Visel
Publisher: Liturgical Press
ISBN: 0814646840
Category : Religion
Languages : en
Pages : 192
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Book Description
Within the Eastern tradition of Christianity, the eikon, or religious image, has long held a place of honor. In the greater part of Western Christianity, however, discomfort with images in worship, both statues and panel icons, has been a relatively common current, particularly since the Reformation. In the Roman Catholic Church, after years of using religious statues, the Second Vatican Council’s call for “noble simplicity” in many cases led to a stripping of images that in some ways helped refocus attention on the eucharistic celebration itself but also led to a starkness that has left many Roman Catholics unsure of how to interact with the saints or with religious images at all. Today, Western interest in panel icons has been rising, yet we lack standards of quality or catechesis on what to do with them. This book makes the case that icons should have a role to play in the Western Church that goes beyond mere decoration. Citing theological and ecumenical reasons, Visel argues that, with regard to use of icons, the post–Vatican II Roman Catholic Church needs to give greater respect to the Eastern tradition. While Roman Catholics may never interact with icons in quite the same way that Eastern Christians do, we do need to come to terms with what icons are and how we should encounter them.
Author: Elizabeth Zelensky
Publisher: Brazos Press
ISBN: 1587431092
Category : Art
Languages : en
Pages : 144
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Book Description
In this useful guidebook, the authors debunk common misconceptions about Orthodox icons and explain how they might enrich the devotional lives of non-Orthodox Christians.
Author: Léonide Ouspensky
Publisher: St Vladimir's Seminary Press
ISBN: 091383677X
Category : Christianity and art
Languages : en
Pages : 236
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Book Description
"The nature of the icon cannot be grasped by means of pure art criticism, nor by the adoption of a sentimental point of view. Its forms are based on the wisdom contained in the theological and liturgical writings of the Eastern Orthodox Church and are imtimately bound up with the experience of the contemplative life. The present work is the first of its kind to give a reliable introduction to the spiritual background of this art. The introduction into the meaning and language of the icons by Ouspensky imparts to us in an admirable way the spiritual conceptions of the Eastern Orthodox Church which are often so foreign to us, but without the knowledge of which we cannot possibly understand the world of the icon." -- Back cover.
Author: Frederica Mathewes-Green
Publisher: Paraclete Press
ISBN: 1612614345
Category : Religion
Languages : en
Pages : 287
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Book Description
Welcome to the Orthodox Church—its history, theology, worship, spirituality, and daily life. This friendly guide provides a comprehensive introduction to Orthodoxy, but with a twist: readers learn by making a series of visits to a fictitious church, and get to know the faith as new Christians did for most of history, by immersion. Mathews-Green provides commentary and explanations on everything from how to “venerate” an icon, the Orthodox understanding of the atonement, to the Lenten significance of tofu. It’s the perfect book for inquirers and newcomers, but even readers who have been Orthodox all their lives say they learned things they never knew before. Enjoyable, easy-to-read, and leavened with humor, Welcome to the Orthodox Church is a gracious guide to the ancient faith of the Christian East.
Author: Thomas E. FitzGerald
Publisher: Bloomsbury Publishing USA
ISBN: 0313390630
Category : Religion
Languages : en
Pages : 182
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Book Description
The first comprehensive introduction to the Orthodox Church in the United States from 1794 to the present, this text offers a succinct overview of the Church's distinctive history and its particular perspectives on the Christian faith. FitzGerald examines the relationship between the Orthodox Church and other Christian churches in the U.S., as well as the contributions the Orthodox Church has made to the ecumenical movement. This student edition, ideal for classes in American Religion, Denominational History, and American social and cultural history, includes a bibliographic essay intended as a guide for further investigation into aspects of Orthodox Christianity.
Author: R. B. Cass
Publisher: Createspace Independent Publishing Platform
ISBN: 9781548295028
Category :
Languages : en
Pages : 110
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Book Description
A valuable resource for iconographers, this book contains a wide variety of patterns and sketches. Content including; icon patterns of the Nativity, the Theotokos, archangels, male and female saints, as well as halo patterns and 2 beautiful crucifixion crosses. Buildings and fabric/ background designs and 5 icon borders. Each pattern is accompanied by colour recommendations which are meant as a general guide allowing for adjustments due to differences in colour names between pigments used with egg tempera and acrylic paints.
